This book examines Russian literary works—some canonical but most obscure—since the time of Peter the Great that bring the lens of the grotesque to bear on the theory and practice of revolutionary social transformation in Russia.

Grotesque provides an invaluable and accessible guide to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film. The book: presents a history of the literary grotesque from Classical writing to the present examines theoretical debates around the term in their historical and cultural contexts introduce readers to key writers and artists of the grotesque, from Homer to Rabelais, Shakespeare, Carson McCullers and David Cronenberg analyses key terms such as disharmony, deformed and distorted bodies, misfits and freaks explores the grotesque in relation to queer theory, post-colonialism and the carnivalesque. Grotesque presents readers with an original and distinctive overview of this vital genre and is an essential guide for students of literature, art history and film studies.

An accessibly-written survey of the origins and growth of the discipline of medievalism studies. The field known as "medievalism studies" concerns the life of the Middle Ages after the Middle Ages. Originating some thirty years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity, from Bale and Leland to HBO's Game of Thrones. But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Can such a diverse field claim coherence? Should it be housed in departments of English, or History, or should it always be interdisciplinary? In responding to such questions, the author traces the history of medievalism from its earliest appearances in the sixteenth century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more. He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential. Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry. David Matthews is Professor of Medieval and Medievalism Studies at the University of Manchester.

Ambiguous Bodies draws from theories of the grotesque to examine many of the strange and extraordinary creatures and phenomena in the premodern Japanese tales called setsuwa. Grotesque representations in general typically direct our attention to unfinished and unrefined things; they are marked by an earthy sense of the body and an interest in the physical. Because they have many meanings, they can both sustain and undermine authority. This book aims to make sense of grotesque representations in setsuwa—animated detached body parts, unusual sexual encounters, demons and shape-shifting or otherwise wondrous animals—and, in a broader sense, to show what this type of critical focus can reveal about the mentality of Japanese people in the ancient, classical, and early medieval periods. It is the first study to place Japanese tales of this nature, which have received little critical attention in English, within a sophisticated theoretical framework. Li masterfully and rigorously focuses on these fascinating tales in the context of the historical periods in which they were created and compiled.

Providing a theoretical paradigm for understanding the relationship of history and literature in Russia, this book traces how major Russian writers of the past 200 years defined the nation's past through creating fictional and non-fictional works on historical themes.

“No other book of the Bible is quite so R-rated. No other book is quite so ugly or grotesque. Judges offers its reader not a roster of angelic saints, but an astonishing tempest of brutality, feces, slaughter, assassinations, conspiracy, genocide, child sacrifice, rage, betrayal, mass graves, gang-rape, corpse mutilation, kidnapping, and civil war.” Gift of the Grotesque offers readers a series of seven theological essays focused on one of the most confusing and challenging books in the biblical canon. Stulac’s captivating style combines sensitive exegesis with broadly accessible meditations on culture, art, music, literature, memoir, theology, and spirituality. Better understood as a companion rather than a biblical commentary, this unusual resource will kickstart the theological imagination of anyone who struggles to understand how the book of Judges points forward to the life and work of Jesus Christ. Dare to follow an experienced biblical scholar into the heart of Israel’s theological Dark Age, and you will encounter there the transformative Word of God in ways you do not expect. The prophetic book of Judges, writes Stulac, “wants to gut you like a fish, because on the far side of that unenviable prospect, it wants you alive like you’ve never lived before.”