This book is a collection of essays on Yvonne Owuor’s writings, mainly her most acclaimed novel, Dust as well as Dragonfly Sea and her short story “Weight of Whispers”. While the chapters in this book grapple with diverse themes, they generally converge on Owuor’s preoccupation with different forms of violence that has dominated Kenya’s postcolonial experiences, especially those around the politics of power and the roles of regional, ethnic, and gender identities in influencing such politics. Many of the chapters in this book problematize the violence of genocide, trauma, and flight as they are variously and singularly underpinned by silences that signal the failure of adequate avenues for articulation of what impact such violence has on its victims. Other chapters focus on the style of Owuor’s writing, thereby highlighting the many literary innovations that Owuor crafts in order to effectively carry the weight of her concerns. This book will be of interest to scholars and advanced students of Literature, Politics, History, and Sociology. It was originally published as a special issue of the journal Eastern African Literary and Cultural Studies.

A Washington Post Notable Book When a young man is gunned down in the streets of Nairobi, his grief-stricken father and sister bring his body back to their crumbling home in the Kenyan drylands. But the murder has stirred up memories long since buried, precipitating a series of events no one could have foreseen. As the truth unfolds, we come to learn the secrets held by this parched landscape, hidden deep within the shared past of a family and their conflicted nation. Spanning Kenya’s turbulent 1950s and 1960s, Dust is spellbinding debut from a breathtaking new voice in literature.

Since independence from Great Britain in 1963, Kenya has survived five decades as a functioning nation-state, holding regular elections; its borders and political system intact and avoiding open war with its neighbours and military rule internally. It has been a favoured site for Western aid, trade, investment and tourism and has remained a close security partner for Western governments. However, Kenya's successive governments have failed to achieve adequate living conditions for most of its citizens; violence, corruption and tribalism have been ever-present, and its politics have failed to transcend its history. The decisions of the early years of independence and the acts of its leaders in the decades since have changed the country's path in unpredictable ways, but key themes of conflicts remain: over land, money, power, economic policy, national autonomy and the distribution of resources between classes and communities.While the country's political institutions have remained stable, the nation has changed, its population increasing nearly five-fold in five decades. But the economic and political elite's struggle for state resources and the exploitation of ethnicity for political purposes still threaten the country's existence. Today, Kenyans are arguing over many of the issues that divided them 50 years ago. The new constitution promulgated in 2010 provides an opportunity for national renewal, but it must confront a heavy legacy of history. This book reveals that history.

"Two small boys stand on a rubbish heap and look into the future. One boy is excited, he is beginning school; the other, his brother, is an apprentice carpetner. Together, they will serve their country--the teacher and the craftsman. But this is Kenya and times are against them. In the forests, the Mau Mau are waging war against the white government, and two brothers, Njoroge and Kamau, and the rest of their family, need to decide where their loyalties lie. For the practical man, the choice is simple, but for Njoroge, the scholar, the dream of progress through learning is a hard one to give up"--P. [4] of cover.

The true story of one man’s fight against corruption: "like a John Le Carré novel” that shows “how and why Kenya descended into political violence” (Washington Post). In January 2003, Kenya was hailed as a model of democracy after the peaceful election of President Mwai Kibaki. By appointing respected longtime reformer John Githongo as anticorruption czar, the new Kikuyu government signaled its determination to end the shady practices that had tainted the previous regime. Yet only two years later, Githongo himself was on the run, having secretly compiled evidence of official malfeasance throughout the new administration. Unable to remain silent, Githongo, at great personal risk, made the painful choice to go public. The result was a Kenyan Watergate. Michela Wrong’s account of how a pillar of the establishment turned whistle-blower—instantly becoming one of the most hated and admired men in Kenya—grips like a political thriller while probing the very roots of the nation’s predicament. “A fast-paced political thriller. . . . Wrong’s gripping, thoughtful book stands as both a tribute to Githongo’s courage and a cautionary tale.” —New York Times Book Review

African literature has never been more visible than it is today. Whereas Chinua Achebe, Wole Soyinka, and Ngugi wa Thiong'o defined a golden generation of African writers in the 20th century, a new generation of “Afropolitan” writers including Chimamanda Adichie, Teju Cole, Taiye Selasi, and NoViolet Bulawayo have taken the world by storm by snatching up prestigious awards and selling millions of copies of their works. But what is the new, increasingly fashionable and marketable, Afropolitan vision of Africa's place in the world that they offer? How does it differ from that of previous generations? Why do some dissent? Afropolitanism refuses to reinforce images of Africa in world media as merely poor, war-torn, diseased, and constantly falling into chaos. By complicating the image of Africa as a hapless victim, Afropolitanism focuses on the wide-ranging influence Africa has on the world. However, some have characterized this kind of writing as light, populist fare that panders to Western audiences. Afropolitan Literature as World Literature examines the controversy surrounding Afropolitan literature in light of the unprecedented circulation of culture made possible by globalization, and ultimately argues for expanding its geographic and temporal boundaries.