"The controversial premise of History and Prophecy is that the Bible was created from the very outset as a work of literature; and not simply handed down in the form of oral stories from one generation to another." "In this explosive survey of the whole Hebrew Bible, author Brian Peckham cuts against the grain of scholarly opinion by taking seriously; the fact that the Bible is a work of literature - modeled on such ancient authors as Homer and Hesiod - and was undoubtedly the product of a literate society: the creation of people who knew how to read and write for an audience that read, listened, and understood. Peckham provides the evidence that the biblical text at first was written; that from the beginning it was read and provoked written response; that it was quoted and alluded to in later writings; that what seemed right or evident to one writer was disputed, corrected, and reinterpreted by another, that nothing of significance in the process was erased or omitted but was preserved and inscribed with the rest for all time." "In this provocative book, the biblical text is read as literature - from start to finish, as continuous, meaningful, and complete, with distinctive literary forms and genres. It was written to be read and performed. Its authors were poets, singers, orators, lawyers, priests, and scholars whose audiences were those gathered in the squares and gates of Jerusalem, or who met at wells and springs scattered throughout Israel. It comprised occasional drama, tragedy and comedy, ballads and speeches, debates and disputations traditional stories: in short, the stuff of books and libraries and literary appreciation." "Finally, History and Prophecy reconstructs the history of ancient Israel as it was understood and interpreted by the writers of the Bible. It traces the development of images and ideas about Israel's origin, makeup, and role in world affairs from their earliest literary expression through the most exciting and difficult centuries in the nation's history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Although astrology was viewed with suspicion by the medieval church, it became a major area of inquiry for the renowned cardinal and scholar Pierre d'Ailly, whose astrological and apocalyptic writings had a significant influence on Christopher Columbus. D'Ailly's writings on the stars, the focus of this book, clearly illustrate the complex relationships among astrology, science, and Christian thinking in the late Middle Ages. Through an examination of his letters, sermons, and philosophical, astrological, and theological treatises, Laura Ackerman Smoller reveals astrology's appeal as a scientific means to interpret history and prophecy, and not merely as a magical way to forecast and manipulate one's own fate. At the same time, she shows how d'Ailly dealt with delicate problems--such as free will and God's omnipotence--in elevating astrology to a compelling, but not always consistent, "natural theology." The French cardinal's most intriguing prediction was for the advent of Antichrist in 1789, one that stemmed from his deep concern over the Great Schism (1378-1414). Smoller maintains that the division in the church led d'Ailly to fear the imminence of the apocalypse, and that he eventually turned to astrology to quell his apocalyptic fears, thereby gaining confidence that a church council could heal the Schism. In elucidating the place of astrology in medieval society, this book also affords a personal glimpse of a man facing a profound crisis. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

This volume, a general history of the church in the Middle Ages, pays close attention to the spiritual, intellectual, and institutional aspects of medieval Christianity. From its beginnings, the church has existed in a state of tension between two forces: the spirit of order and the spirit of prophecy. The spirit of order attempts to reform humanity and human institutions; the spirit of prophecy attempts to transform them into the world of God. This tension created a balance within the church that kept it from forgetting the nature of basic religious experience while continuing to remain sensitive to the needs of society.

A new, expanded edition of a classic reference tool This volume of more than 170 documents of prophecy from the ancient Near East brings together a representative sample of written documents from Mesopotamia, the Levant, and Egypt dating to the second and first millennia BCE. Nissinen's collection provides nonspecialist readers clear translations, transliterations, and discussions of oracles reports and collections, quotations of prophetic messages in letters and literature, and texts that reference persons with prophetic titles. This second edition includes thirty-four new texts. Features: Modern, idiomatic, and readable English translations Thirty-four new translations Contributions of West Semitic, Egyptian, and Luwian sources from C. L. Seow, Robert K. Ritner, and H. Craig Melchert

Located at the juncture of literature, history, and anthropology, Writing the Past, Inscribing the Future charts a strategy of how one might read a traditional text of non-Western historical literature in order to generate, with it, an opening for the future. This book does so by taking seriously a haunting work of historical prophecy inscribed in the nineteenth century by a royal Javanese exile--working through this writing of a colonized past to suggest the reconfiguration of the postcolonial future that this history itself apparently intends. After introducing the colonial and postcolonial orientalist projects that would fix the meaning of traditional writing in Java, Nancy K. Florida provides a nuanced translation of this particular traditional history, a history composed in poetry as the dream of a mysterious exile. She then undertakes a richly textured reading of the poem that discloses how it manages to escape the fixing of "tradition." Adopting a dialogic strategy of reading, Florida writes to extend--as the work's Javanese author demands--this history's prophetic potential into a more global register. Babad Jaka Tingkir, the historical prophecy that Writing the Past, Inscribing the Future translates and reads, is uniquely suited for such a study. Composing an engaging history of the emergence of Islamic power in central Java around the turn of the sixteenth century, Babad Jaka Tingkir was written from the vantage of colonial exile to contest the more dominant dynastic historical traditions of nineteenth-century court literature. Florida reveals how this history's episodic form and focus on characters at the margins of the social order work to disrupt the genealogical claims of conventional royal historiography--thus prophetically to open the possibility of an alternative future.