This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.

A member of the African elite groping his way out of the background of slavery and colonialism, Baako sees his education as preparation for the lifework of a socially innovative artist. His family, more pragmatic, expects an elite resume to convert into power and wealth in the real world here and now. Unable to harmonize contervailing needs with wider social aspirations, both family and individual drift toward confrontation and inexorable loss. -- From back cover.

Existentialism is a philosophy that flourishes in extreme situations. Identified with the period of the French Resistance when Frenchmen were held as political prisoners by the Germans, existentialism, with its call for an uncompromised allegiance to a leftist system of values, served to boost the sagging morale of French political prisoners who had witnessed during the Occupation the subversion of their nation's democratic principles by German totalitarianism. The author finds in post-independence Ghana another example of an extreme situation which has given rise to the existentialist patterns in the novels of the Ghanaian author Ayi Kwei Armah. The identification of a crisis situation in post-independence Ghana, comparable to that created by the German occupation of France during World War II, serves largely as the basis for the examination of the recurrent existentialist patterns. This book explores the existential angst of the artist hero and the necessity of revolt to combat the despair which comes from recognition of his superfluousness. Works by the Ghanaian author Ayi Kwei Armah, as well as by the French authors Albert Camus, Jean-Paul Sartre, and Simone de Beauvoir, are the focus of study.

A beginners' guide to the fundamentals of the Dru meditation technique, a method for soothing the mind and relaxing the emotions. The programme includes six short guided meditations designed to instill a sense of profound stillness, quieten and calm a stressed mind and reconnect with the important aspects of life. Each nine-minute meditations is based on one of the elements: Earth, Water, Light, Air and Sky.

Rediscover the diversity of modern African literatures with this authoritative resource edited by a leader in the field How have African literatures unfolded in their rich diversity in our modern era of decolonization, nationalisms, and extensive transnational movement of peoples? How have African writers engaged urgent questions regarding race, nation, ethnicity, gender, and sexuality? And how do African literary genres interrelate with traditional oral forms or audio-visual and digital media? A Companion to African Literatures addresses these issues and many more. Consisting of essays by distinguished scholars and emerging leaders in the field, this book offers rigorous, deeply engaging discussions of African literatures on the continent and in diaspora. It covers the four main geographical regions (East and Central Africa, North Africa, Southern Africa, and West Africa), presenting ample material to learn from and think with. A Companion To African Literatures is divided into five parts. The first four cover different regions of the continent, while the fifth part considers conceptual issues and newer directions of inquiry. Chapters focus on literatures in European languages officially used in Africa -- English, French, and Portuguese -- as well as homegrown African languages: Afrikaans, Amharic, Arabic, Swahili, and Yoruba. With its lineup of lucid and authoritative analyses, readers will find in A Companion to African Literatures a distinctive, rewarding academic resource. Perfect for undergraduate and graduate students in literary studies programs with an African focus, A Companion to African Literatures will also earn a place in the libraries of teachers, researchers, and professors who wish to strengthen their background in the study of African literatures.

African pasts examines African literatures in English since the end of colonialism, investigating how they represents African history through the twin matrices of memory and trauma. Inextricably tied up with the historical conditions of Africa’s colonisation, charting the emergence of its independence, and scrutinising Africa’s contemporary neo-colonial and postcolonial states as a legacy of the colonial past, African literatures are continually preoccupied with exploring modes of representation to ‘work through’ their different traumatic colonial pasts. Among other issues, this book deals with literature in the era of apartheid, the post-apartheid aftermath, metafictional experiments in African fiction, gender representation in reaction to the trauma of colonialism and ‘imprisonment narratives’. African pasts covers a wide range of African literatures and a cross-section of genres – fiction, poetry, prison-narratives, postcolonial theory – and embraces such well-known writers as Soyinka, Coetzee, Ngugi and Achebe, and more recent writers such as Nuruddin Farah, Tsitsi Dangarembga, Achmat Dangor, Etienne van Heerden, Zakes Mda, Gillian Slovo and Calixthe Beyala.