Based on various sources "HISTORICAL MAPS OF AZERBAIJAN" provides information about an illustrious past and a bright and rich history of this land for everyone interested in the history of Azerbaijan.

Armenia as a cultural and political entity has existed for over 3000 years. Buffeted for the last 1000 years between Russians, Turks, Persians and the various peoples of the Caucasus, Armenians have survived the looming presence of much more powerful neighbours. The existence of the country has been recorded by mapmakers since the beginnings of cartography - including the various configurations of borders of the Armenian homeland which have shifted back and forth with the political fortunes of the peoples. This book brings together a collection of the most important maps of Armenia, from the oldest known version - a Babylonian clay tablet of the 6th century BC - to the renderings of Greek and Alexandrian cartographers, early Christian maps as well as versions from Ottoman and other Islamic centres. The text includes works by some of the greatest mapmakers, including Mercator and Ortelius. The cartographic treasures in this book include maps from the most important collections in Europe and America. With his detailed descriptions of 125 and his introductory text, the author has produced a work of reference and artistic distinction, which should prove a valuable tool to all who follow the history of Armenia, the Caucasus, the Ottoman and Iranian worlds, as well as to collectors and enthusiasts of cartography.

This book documents the relationship and wisdom of Asian cartographers in the Islamic and Chinese worlds before the Europeans arrived.

Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.