In The Mary Magdalene Tradition, Holly Hearon offers an understanding of the early Church, the role of women in the Church, and the power of narrative to shape community understanding and practice. By examining the rhetorical function of the post-resurrection appearance to Mary Magdalene traditions in early Christian communities, Hearon draws connections between these ancient communities and the life of the Church today. Beginning with a reconstruction of the practice of storytelling in the world of antiquity, Hearon situates the Magdalene narratives in this oral, storytelling environment. Focusing on the fluid nature of storytelling, Hearon explores how the traditions were used to further arguments by storytellers with respect to women's leadership in Christian communities. Particular attention is given to the Gospels of Matthew and John, highlighting the relationship of the Gospel narratives to specific historical circumstances facing the early Church. Chapters are "Storytelling in the World of Antiquity," "Origins of the Post-Resurrection Appearance to Mary Magdalene Tradition," "The Function of the Mary Magdalene Tradition in Oral Storytelling Circles," "Storytelling Strategies in Matthew: The Function of the Mary Magdalene Tradition In Its Literary Context," "The Mary Magdalene Tradition and Matthean Communities: The Function of the Tradition in Response to Historical Circumstances," "Storytelling Strategies in John: The Function of the Mary Magdalene Tradition In Its Literary Context," "The Mary Magdalene Tradition and Johannine Communities: The Function of the Tradition in Response to Historical Circumstances," "Epilogue: A Consideration of Storytelling in Relation To OurUnderstanding of Communities in the Past and the Shaping of Communities for the Future."

This innovative and multidisciplinary collection visits representations and interpretations of Mary Magdalene in the medieval and early modern periods, questioning major scholarly assumptions behind the examination of female saints and their depictions in medieval artworks, literature, and music. Mary Magdalene’s many and various characterizations from reformed prostitute to conversion-figure to devotee of Christ to "apostle to the apostles" to spiritual advisor to the Prince of Marseilles to hermit in the desert, to list just a few examples, mean that the many conflicted representations of Mary Magdalene apply to a staggering variety of cultural material, including art, liturgy, music, literature, theology, hagiography, and the historical record. Furthermore, Mary Magdalene has grown into an extremely popular and controversial figure due to recent books and movies concerning her, and due to a groundswell of general speculation concerning her relationship to Jesus: was she his acquaintance, follower, companion, wife, family-member, or lover? This volume employs a broad spectrum of theoretical methodologies in order to present poststructuralist, postcolonial, postmodernist, hagiographic, and feminist readings of the figure of Mary Magdalene, addressing and interrogating her conflicting roles and the precise relationship between her sacred and secular representations.

"Best known during the Middle Ages as the prostitute who became a faithful follower of Christ, Mary Magdalen was the most beloved female saint after the Virgin Mary. Why the Magdalen became so popular, what meanings she conveyed, and how her story evolved over the centuries are the focus of this compelling exploration of late medieval religious culture." "Through the lens of medieval preaching, as well as the responses of those who heard the sermons preached, Katherine Jansen brings to light previously unpublished sermons to show how and why the mendicant friars transformed Mary Magdalen, a shadowy gospel figure, into an emblem of action and contemplation, a symbol of vanity and lust, a model of perfect penance, and the embodiment of hope and salvation. Jansen also draws on a variety of historical sources - from saints' lives to patronage patterns - to examine the laity's reception of the saint. She reveals that the laity's devotion to Mary Magdalen departed in significant ways from the friars' image of the saint, signaling a major development in popular religious practice and personal piety." "The making of the Magdalen will appeal to readers of medieval history and religion, to those with an interest in the study of women, sexuality, and gender, and to those who are interested in saints throughout the ages."--Jacket.

This is a paperback edition of a collection of ten papers by different authors on the cult of saints, first published in hard covers in 1983. Six have been translated from French including a pioneering study by Robert Hertz, one of Durkheim's most eminent pupils. The editor provides a wide-ranging general and historical introduction, and a 100- page annotated bibliography covering material on the subject in all disciplines and in four main languages.

A sinner-saint who embraced then renounced sexual and worldly pleasures; a woman who, through her attachment to Jesus, embodied both erotic and sacred power; a symbol of penance and an exemplar of contemplative and passionate devotion: perhaps no figure stood closer to the center of late medieval debates about the sources of spiritual authority and women's contribution to salvation history than did Mary Magdalene, and perhaps nowhere in later medieval England was cultural preoccupation with the Magdalene stronger than in fifteenth-century East Anglia. Looking to East Anglian texts including the N-Town Plays, The Book of Margery Kempe, The Revelations of Julian of Norwich, and Bokenham's Legend of Holy Women, Theresa Coletti explores how the gendered symbol of Mary Magdalene mediates tensions between masculine and feminine spiritual power, institutional and individual modes of religious expression, and authorized and unauthorized forms of revelation and sacred speech. Using the Digby play Mary Magdalene as her touchstone, Coletti engages a wide variety of textual and visual resources to make evident the discursive and material ties of East Anglian dramatic texts and feminine religion to broader traditions of cultural commentary and representation. In bringing the disciplinary perspectives of literary history and criticism, gender studies, and social and religious history to bear on specific local instances of dramatic practice, Mary Magdalene and the Drama of Saints highlights the relevance of Middle English dramatic discourse to the dynamic religious climate of late medieval England. In doing so, the book decisively challenges the marginalization of drama within medieval English studies, elucidates vernacular theater's kinship with influential late medieval religious texts and institutions, and articulates the changing possibilities for sacred representation in the decades before the Reformation.

The figure of Mary Magdalen has fascinated and perplexed people for centuries. She is portrayed in the Gospels as a neurotic woman, possibly with a past, yet she is the first to encounter the risen Christ and he charges her with the responsibility of proclaiming the resurrection. She is therefore Christianity's first evangelist - a difficult concept for churches with exclusively male hierarchies who prefer to think of her as just a reformed prostitute. The belief that Mary Magdalen was married to Jesus and that the Church has tried to suppress this truth was not invented in recent years but is almost as old as Christianity itself. This gives a grand tour through 2000 years history, art and tradition with surprises and discoveries all the way.