"Professor Alan Deyermond was one of the leading British Hispanists of the last fifty years, whose work had a formative influence on medieval Hispanic studies around the world ... Given Professor Deyermond's breadth of expertise, the span of the essays is appropriately wide, ranging chronologically from the thirteenth to the sixteenth century, and covering lyric, hagiography, clerical verse narrative, frontier balladry, historical and codicological studies"--P. [4] of cover.

This book argues that the problem of gender identity is vital to the large corpus of medieval Hispanic texts that discuss the nature of women. What is a woman? This book questions the persistent assumption that the large corpus of medieval Hispanic texts that discuss the nature of women can be defined in terms of the clichéd discourses of misogynism and defence of women, arguing instead that the problem of gender identity is vital to them all. The texts, some well-known, others which have received scant critical attention, are each discussed in their specific contexts and in relation to theostensible reasons for their composition, such as a political, literary, religious, or didactic 'agenda'. They are also related to the literary traditions in which they are written [misogynistic denunciation, satire, humour, defence, narrative debate, among others], and the particular theoretical problems arising from them are discussed. But it is also argued that the full meaning of the texts lies at the less immediately accessible level at which they address this very problem of definition, one which arises directly from the self-perpetuating contradictions of authoritative wisdom on the nature of women. ROBERT ARCHER holds the Cervantes Chair of Spanish, King's College London.

Distinguished scholars from both sides of the Atlantic make a major contribution to medieval literary studies in contributions ranging from early epic to Fernando de Rojas. Studies on cuaderna via' verse and the poets of the cancionero' figure prominently, as do the Libro de buen amor' and Celestina'; these are complemented by individual essays on texts outside the mainstream, on the language and versification of the period, on the prose writers of the fifteenth century, and on literary activity in Catalonia, Galicia and Portugal. The collection demonstrates the range of interest and approach characteristic of recent Hispanic scholarship, and provides new insights into the medieval mind at work in the Iberian peninsula. IAN MACPHERSON is former Professor of Spanish, University of Durham; RALPH PENNY is Professor of Romance Philology, Queen Mary and Westfield College, University of London. Studies in Honour of Professor Alan Deyermond, Queen Mary and Westfield College, University of London. Contributors: LOLA BADIA, RAFAEL BELTRAN, CHARLES BURNETT, LLUIS CABRE, ROSANNA CANTAVELLA, PEDRO CATEDRA, JUAN CARLOS CONDE LOPEZ, MARTIN DUFFELL, JOSE FRADEJAS LEBRERO, JOSE MANUEL FRADEJAS RUEDA, JOHN GORNALL, L.P. HARVEY, THOMAS R. HART, LOUISE M. HAYWOOD, DAVID HOOK, VICTOR INFANTES DE MIGUEL, JEREMY LAWRENCE, HELDER MACEDO, IAN MACPHERSON, IAN MICHAEL, ALBERTO MONTANER FRUTOS, D.G. PATTISON, RALPH PENNY, STEPHEN RECKERT, FRANCISCO RICO, REGULA ROHLAND DE LANGBEHN, NICHOLAS G. ROUND, PETER RUSSELL, DOROTHY S. SEVERIN, COLIN SMITH, BARRY TAYLOR, ARTHUR TERRY, J.E. VAREY, JULIAN WEISS, GEOFFREY WEST, JANE WHETNALL.

The beer of today—brewed from malted grain and hops, manufactured by large and often multinational corporations, frequently associated with young adults, sports, and drunkenness—is largely the result of scientific and industrial developments of the nineteenth century. Modern beer, however, has little in common with the drink that carried that name through the Middle Ages and Renaissance. Looking at a time when beer was often a nutritional necessity, was sometimes used as medicine, could be flavored with everything from the bark of fir trees to thyme and fresh eggs, and was consumed by men, women, and children alike, Beer in the Middle Ages and the Renaissance presents an extraordinarily detailed history of the business, art, and governance of brewing. During the medieval and early modern periods beer was as much a daily necessity as a source of inebriation and amusement. It was the beverage of choice of urban populations that lacked access to secure sources of potable water; a commodity of economic as well as social importance; a safe drink for daily consumption that was less expensive than wine; and a major source of tax revenue for the state. In Beer in the Middle Ages and the Renaissance, Richard W. Unger has written an encompassing study of beer as both a product and an economic force in Europe. Drawing from archives in the Low Countries and England to assemble an impressively complete history, Unger describes the transformation of the industry from small-scale production that was a basic part of housewifery to a highly regulated commercial enterprise dominated by the wealthy and overseen by government authorities. Looking at the intersecting technological, economic, cultural, and political changes that influenced the transformation of brewing over centuries, he traces how improvements in technology and in the distribution of information combined to standardize quality, showing how the process of urbanization created the concentrated markets essential for commercial production. Weaving together the stories of prosperous businessmen, skilled brewmasters, and small producers, this impressively researched overview of the social and cultural practices that surrounded the beer industry is rich in implication for the history of the period as a whole.

The focus of this book is medieval vernacular literature in Western Europe. Chapters are written by experts in the area and present the current scholarship at the time this book was originally published in 1996. Each chapter has a bibliography of important works in that area as well. This is a thorough and reliable guide to trends in research on medieval Arthuriana.

The works of the seventh-century writer Virgilius Maro Grammaticus are among the most puzzling medieval texts to survive. Ostensibly a pair of grammars, they swarm with hymns, riddles, invented words and imaginary writers. Conventionally interpreted either as a benighted barbarian's unfortunate attempt to write a 'proper' grammar, or as a parody of the pedantic excesses of the ancient grammatical tradition, these texts have long been in need of an alternative reading. Why should a grammarian attack the very notion of authority, thereby destabilizing his own position? The search for an answer leads us via patristic exegesis and medieval wisdom literature to the tantalizingly ill-documented reaches of heterodox initiatory traditions. Vivien Law's book opens important new perspectives on the intellectual life of the early Middle Ages and on the decoding of medieval literature in general.