Kawase Hasui (1883-1957) is considered the foremost Japanese landscape print artist of the 20th century. "Visions of Japan: Kawase Hasui s Masterpieces" brings together in a single volume one hundred of Hasui s most celebrated prints. Fully illustrated, this publication includes annotated descriptions for each work, as well as two essays on Hasui s life and work. Hasui's valuable contribution to the woodblock print medium was acknowledged in 1956, a year before his death, when he was honoured with the distinction of Living National Treasure ."

With Hokusai, Utamaro and Kuniyoshi, Utagawa Hiroshige (1797-1858) is one of the great protagonists of ukiyo-e . With respect to Hokusai, whom he constantly compared himself to, since he was around thirty years younger, Hiroshige made landscape and nature the focus of his work by instilling in the viewer a sense of harmony, serenity and peace that, still today, is universally admired. In fact, thanks to these qualities he is one of the most praised artists and is considered the "master of nature". Hiroshige renders the human figure with quick, direct lines that at times call to mind manga and anime sketches, though simplified and essential. This monograph presents a selection of around 230 works from the most important series by Hiroshige, including views of famous places in the capital of Edo as well as in the farthest provinces, but also a body of work with the most admirable images portraying animals, flowers and insects plus original drawings and print plates that are still intact. This publication, which covers the Japanese master's entire career, is divided into eight themed sections that discuss the most important series in a thorough and illustrative way: Early Works; Travel Images; Flowers, Birds and the Moon; Views of Distant Places; View of the Oriental Capital; Hiroshige: Life and Work; Hiroshige and His Print Work: Contemporaries and the West.

A selection of one hundred masterpieces by Kawase Hasui (1883-1957), one of the most important Japanese landscape artists of the twentieth century. Large full colour illustrations show the enormous variety of snow, moon and rain scenes for which Hasui became famous. Introduction to Kawase Hasui by Ken Brown. (See also our publication 'Kawase Hasui The complete woodblock prints', 2003). Kawase Hasui (1883-1957) is considered one of the most important Japanese landscape artists of the 20th century. His prints, produced under the guidance and stern eye of his publisher, Watanabe Shôzaburô, are the modern continuation of the unforgettable works by Hiroshige and Hokusai, the 19th-century masters of this genre. As none other, he could evoke Japan of the eventful interwar period. Hasui's work enjoyed huge popularity from his very first print of 1918. In contrast to his illustrious 19th-century predecessors, his work was immediately successful in the rest of the world. His publisher, Watanabe Shôzaburô, recognised the enormous potential of the American market, which resulted in Hasui's prints fetching high prices at auctions in New York as early as the 1920s. After the Second World War, his prints were highly desired and sought after collectible items among the American occupying forces in Japan. Hasui's work has always been greatly appreciated in Japan: He was acknowledged as a 'Living National Treasure' in 1956.

Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning pictures of the floating world , ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Though Hiroshige captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his most famous work was a series known as 100 Famous Views of Edo (1856-1858). This book provides an introduction to his work and an overview of his career.

"Published in conjunction with the exhibition Living for the Moment: Japanese Prints from the Barbara S. Bowman Collection at the Los Angeles County Museum of Art, Los Angeles, California (October 11, 2015-April 3, 2016)"--Colophon.

Ava has just landed a job as a reporter in Gubinge, a tiny tropical town in Australia's north.Gubinge has a way of getting under the skin. Ava is hooked on the thrill of going hand-to-hand with barramundi, awed by country, and stunned by pindan sunsets. But a bitter collision between a native title group and a Japanese-owned uranium mining company is ripping the community in half.From the rodeos and fishing holes of northern Australia, to the dazzling streets of night-time Tokyo, Ava is swept in pursuit of the story. Will Gerro Blue destroy Burrika country? Or will a uranium mine lift its people from poverty? And can Ava hold on to her principles if she gives in to her desire for Noah, the local Burrika boss?