The Black South, areas chock-full of historical and cultural landmarks of African-American significance, should not be considered just offbeat, road-less-travelled sections of the more traditional South, but the foundation of its very existence. The purpose of this book is to document and highlight the significant contributions that Southern blacks have made to their country. The Historic Black South includes historic sites, churches, museums, art galleries, festivals, restaurants, nightclubs, jazz joints, birthsites, gravesites, radio programs, record stores, barbershops, beaches, parks, schools, and markets -- the essence of the black communities.

From the use of Florida as a center for the smuggling of slaves and the massacre in the town of Rosewood to the founding of the country's first free community if ex-slaves and the Civil Rights demonstrations in Tampa and Tallahassee, the history of African Americans in Florida has mirrored their history across the U.S.-painful and triumphant. This city-by-city guide introduces the reader to churches, schools, homes and other significant sites in more than 70 different towns across Florida, providing information on their historical importance, present condition, and availability for visiting. Included are the memorial to a slave shipwrecked in 1701 off the coast of Key West and locations associated with famous personalities like Ray Charles (st. Augustine and Greenville), the author Zora Neale Hurston (Eatonville and Fort Pierce), Daniel "Chappie" James, Jr., the nations first black four-star general (Pensacola), and the Civil Rights activist Mary McLeod Bethune (Daytona Beach). Highlighting over 450 years of contributions by African Americans to the rich culture of Florida, this volume is an excellent resource for visitors to Florida, as well as its residents.

Interested in finding the soul of the Big Apple? You'll have to look further than the Empire State Building.... New York is probably America's richest city in African American history and heritage. Due to attractive rents and increased public transportation at the dawn of the century, blacks made the city the site of their largest neighborhood, Harlem. However, in New York there are many more sites outside of Harlem that espouse the significant contributions of African Americans. The Guide to Black New York seeks out famous and infamous legends, jazz joints and soul food diners scattered over the five boroughs, and African American media - radio and newspapers. It leads you to the museums, historic sites and festivals that honor the past and present work of African Americans who have contributed their minds, their labor, their music, and their art to make the city what it is today. From the pre-Revolutionary War period to the Civil War to the Civil Rights Movement to the monumental election of David Dinkins as the first black mayor of the city, this guide highlights sights and sounds of a culture that has been long overlooked in history.

BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.

A guidebook to museums, monuments, and historic sites commemorating the achievements of black Americans and discussions of the aspects of black history and culture the sites represent.

Describes how slaves were able to preserve some elements of their African heritage despite the often brutal treatment they experienced on Southern plantations.

African American theater buildings were theaters owned or managed by blacks or whites and serving an African American audience. Nearly 2,000 such theaters, including nickelodeons, vaudeville houses, storefronts, drive-ins, opera houses and neighborhood movie theaters, existed in the 20th century, yet very little has been written about them. In this book the African American theater buildings from 1900 through 1955 are arranged by state, then by city, and then alphabetically under the name by which they were known. The street address, dates of operation, number of seats, architect, whether it was a member of TOBA (Theater Owners Booking Association), type of theater (nickelodeon, vaudeville, musical, drama or picture), alternate name(s), race and name of manager or owner, whether the audience was mixed, and the fate of the theater are given where known. Commentary by theater historians is also provided.