The ballet for hippo ballerinas and their crocodile cavaliers (plus a corps de ballet of ostriches and elephants) set to Ponchielli’s “Dance of the Hours” in Fantasia (1940) is one of the best-loved scenes in all the Disney animated features. Many viewers may not realize, however, that this ballet is no mere generalized parody of ballet mannerisms, but is in fact a deeply informed, affectionate parody of a famous scene choreographed by George Balanchine for the film Goldwyn Follies (1938) and starring his wife, the ballerina movie star Vera Zorina. With this sequence as a point of departure, Hippo in a Tutu examines the roles that dance, dancing, and choreography play in the Disney animated shorts and features. This profusely-illustrated chronicle both analyzes and celebrates dance in the Disney studios’ work, while also investigating behind the scenes to find out how Disney’s animated dance sequences have been made.

Hillary has lost her happiness and cannot find it! Not knowing where to look, she seeks the help from her friends a high jumping frog, a soaring sparrow, a tree climbing squirrel, a fast cheetah and finally a twirling rabbit! Can she rely on her friends to help her find her happiness? Will she ever be happy again? Not knowing where to look, Hillary's journey begins in order to regain what is missing from her life..... her happiness!

The great Archbishop of Capetown, South Africa, shares with us the simple but profound secrets of his extraordinary spiritual strength by unveiling his very own book of prayer. Prayer, our conversation with God, needs no set formulas or flowery phrases. It often needs no words at all. But for most believers, the words of others can be a wonderful aid to devotion, especially when these words come front faithful fellow pilgrims. The African Prayer Book is just such an aid, for in this collection all the spiritual riches of the vast and varied continent of Africa are bravely set forth. Here we may delight in Solomon's splendid encounter with the Queen of Sheba, overhear the simple prayer of a penniless Bushman, and glory in the sensuous sonorities of the mysterious liturgies of the Egyptian Copts. Here are Jesus' own encounters with Africa, which provided him refuge at the beginning of his life (from the murderous King Herod) and aid at its end (in the person of Simon of Cyrene, who helped Jesus carry his cross). Here are the prayers of some of the greatest among the mothers and fathers of the Church -- Monica, Augustine, Clement of Alexandria, Cyprian of Carthag -- as well as the prayers from the African diasporas of North America and the Caribbean. From thunderous multi-invocation litanies to quiet meditations, here are prayers that every heart can speak with strength and confidence. Archbishop Desmond Tutu, who is for millions the very soul of Africa, is our guide on this unique spiritual journey. His introduction is destined to become a classic, his characteristic energy and optimism light our way, and the words of his favorite prayers (many composed by the Archbishop himself) will stay with us forever.

A collection of stories that aim to capture the boundless variety and richness of dance as an art, a tradition, a profession, an obsession, and an ideal.

Read along with Hyperion! "Oh, yes, yes!" Penelope is so excited about the first day of school that she's doing her happy hippo dance. She can't wait to wear her rainbow sparkle outfit, bring her favorite stuffed toy for show-and-tell, and share a big picnic lunch with all her new friends. "Oh, no, no!" says her best pal Tiny, who started school last year. He has a few tips for Penelope about fitting in without sticking out. Follow along with word-for-word narration as the friends' very different ways of handling peer opinion create hilarious scenes that will erase any anxiety before the first day of school.

Hippo and his neighbor Pig are very good friends until Hippo trims the hedge between their two houses.

Everyone has heard of George Balanchine. Few outside Russia know of Leonid Yakobson, Balanchine's contemporary, who remained in Lenin's Russia and survived censorship during the darkest days of Stalin. Like Shostakovich, Yakobson suffered for his art and yet managed to create a singular body of revolutionary dances that spoke to the Soviet condition. His work was often considered so culturally explosive that it was described as like a bomb going off.” Based on untapped archival collections of photographs, films, and writings about Yakobson's work in Moscow and St. Petersburg for the Bolshoi and Kirov ballets, as well as interviews with former dancers, family, and audience members, this illuminating and beautifully written biography brings to life a hidden history of artistic resistance in the USSR through this brave artist, who struggled against officially sanctioned anti-Semitism while offering a vista of hope.