On Tantric-Buddhist art and influence of Hindu mythology on Buddhist idols.

This Dictionary Attempts To Reveal The Divine Paradoxes Of Buddhist-Hindu Iconography By Even Interpreting The Nuances Of Their Iconic Language. It Explains, Vividly, Thousands Of Iconic Representations (Visual, Conceptual Symbols, Images, Objects, Concepts, Rites).

The Present Book On The Iconography Of The Buddhist Sculpture Of Orissa Utilizes The Author'S Expertise Of Orissan Brahmanical Art To Develop A Similar Consistent And Reliable Iconographic And Stylistic Evolution For The Buddhist Arts Of Orissa And Its Adherence To, Or Deviation From, Surviving Textual Icono-Graphic Peculiarities. There Is Little Doubt That Orissa Played A Major Role In The Creation, Development And Dissemination Of Buddhist Doctrines And Concepts Throughout India And The Buddhist World, Particularly In Respect To Vajrayana Buddhism And The Iconography Of Sculptural Mandalas. Particular Emphasis In This Book Is Placed On The Reciprocal Influence Between Brahmanical And Buddhist Art In Orissa, Both Religions Expanding At The Same Time In Regard To The Proliferation Of Deities And Their Variant Forms, And Each Apparently Competing With The Other For Patronage And Converts.

The book argues that Vajrayana Buddhism was an instrumental and social religion. Working on social iconography, the author uses iconographic, epigraphic and textual sources to show that Buddhism made vertical and horizontal expansion in Orissa in early medieval period. As a social, instrumental religion, it innovated numerous deities, introduced new rituals for laities, wrote litanies in praises of Buddhist gods and goddesses and imbued deities with instrumental functions.