Against easy framings of hijras that render them marginalized, Saria shows how hijras makes the normative Indian family possible. The book also shows that particular practices of hijras, such as refusing to use condoms or comply with retroviral regimes, reflect not ignorance or irresponsibility but rather a specific idiom of erotic asceticism arising in both Hindu and Islamic traditions. This idiom suffuses the densely intertwined registers of erotics, economics, and kinship that inform the everyday lives of hijras and offer a repertoire of self-fashioning distinct from the secularized accounts within the horizon of public health programmes and queer theory. Engrossingly written and full of keen insights, the book moves from the small pleasures of the everyday laughter, flirting, and teasing to impossible longings, kinship networks, and economies of property and of substance in order to give a fuller account of trans lives and of Indian society today.

This ethnography is a cultural study of the Hijras of India, a religious community of men who dress and act like women. It focuses on how Hijras can be used in the study of gender categories and human sexual variation.

Examines the colonial and postcolonial governance of gender and sexuality through the history of transgender Hijras in north India.

With Respect to Sex is an intimate ethnography that offers a provocative account of sexual and social difference in India. The subjects of this study are hijras or the "third sex" of India—individuals who occupy a unique, liminal space between male and female, sacred and profane. Hijras are men who sacrifice their genitalia to a goddess in return for the power to confer fertility on newlyweds and newborn children, a ritual role they are respected for, at the same time as they are stigmatized for their ambiguous sexuality. By focusing on the hijra community, Gayatri Reddy sheds new light on Indian society and the intricate negotiations of identity across various domains of everyday life. Further, by reframing hijra identity through the local economy of respect, this ethnography highlights the complex relationships among local and global, sexual and moral, economies. This book will be regarded as the definitive work on hijras, one that will be of enormous interest to anthropologists, students of South Asian culture, and specialists in the study of gender and sexuality.

"In Islam, hijra refers to the Prophet Muhammad's departure from Mecca to Medina; the term has come to mean any exodus. Bearing witness to the testimony of immigration--not only the poet's but also that of her family--the poems in the collection create a dialogue between the two worlds of migration"--

We got stared at a lot. People asked out loudly—some out of curiosity, others out of malice—whether we were men or women or ‘number nines’ or devadasis. Several men made bold to touch us, on our backs, on our shoulders. Some attempted to grab our breasts. ‘Original or duplicate?’ they shouted and hooted. At such moments I felt despair and wondered if there would ever be a way for us to live with dignity and make a decent living. Revathi was born a boy, but felt and behaved like a girl. In telling her life story, Revathi evokes marvellously the deep unease of being in the wrong body that plagued her from childhood. To be true to herself, to escape the constant violence visited upon her by her family and community, the village-born Revathi ran away to Delhi to join a house of hijras. Her life became an incredible series of dangerous physical and emotional journeys to become a woman and to find love. The Truth about Me is the unflinchingly courageous and moving autobiography of a hijra who fought ridicule, persecution and violence both within her home and outside to find a life of dignity.

Studies hijras in Bangladesh, challenging the dominant representation of hijra as either a third sex or a form of transgender.