A personal journey made on one of America's most historic and defining routes-Highway 61-by one of Hollywood's finest, most gifted talents--Jessica Lange. "These photographs are a chronicle of what remains and what has disappeared. It has a long memory, Highway 61." - Jessica Lange Renowned actress and photographer Jessica Lange was raised in Northern Minnesota and has travelled the length of Highway 61 countless times since her childhood and throughout her life. This storied route originates at the Canadian border in Minnesota and runs along the great Mississippi river through the American Midwest and South, rolling through eight states, down to New Orleans. With more than 80 stunning tritone photographs, Lange's Highway 61 reveals her deep connection to this iconic route, and presents that which she has long held dear along its way. This is a tale of our shared national heritage as seen by one of the most talented artists of her generation.

On Highway 61 explores the historical context of the significant social dissent that was central to the cultural genesis of the sixties. The book is going to search for the deeper roots of American cultural and musical evolution for the past 150 years by studying what the Western European culture learned from African American culture in a historical progression that reaches from the minstrel era to Bob Dylan. The book begins with America's first great social critic, Henry David Thoreau, and his fundamental source of social philosophy:–––his profound commitment to freedom, to abolitionism and to African–American culture. Continuing with Mark Twain, through whom we can observe the rise of minstrelsy, which he embraced, and his subversive satirical masterpiece Huckleberry Finn. While familiar, the book places them into a newly articulated historical reference that shines new light and reveals a progression that is much greater than the sum of its individual parts. As the first post–Civil War generation of black Americans came of age, they introduced into the national culture a trio of musical forms—ragtime, blues, and jazz— that would, with their derivations, dominate popular music to this day. Ragtime introduced syncopation and become the cutting edge of the modern 20th century with popular dances. The blues would combine with syncopation and improvisation and create jazz. Maturing at the hands of Louis Armstrong, it would soon attract a cluster of young white musicians who came to be known as the Austin High Gang, who fell in love with black music and were inspired to play it themselves. In the process, they developed a liberating respect for the diversity of their city and country, which they did not see as exotic, but rather as art. It was not long before these young white rebels were the masters of American pop music – big band Swing. As Bop succeeded Swing, and Rhythm and Blues followed, each had white followers like the Beat writers and the first young rock and rollers. Even popular white genres like the country music of Jimmy Rodgers and the Carter Family reflected significant black influence. In fact, the theoretical separation of American music by race is not accurate. This biracial fusion achieved an apotheosis in the early work of Bob Dylan, born and raised at the northern end of the same Mississippi River and Highway 61 that had been the birthplace of much of the black music he would study. As the book reveals, the connection that began with Thoreau and continued for over 100 years was a cultural evolution where, at first individuals, and then larger portions of society, absorbed the culture of those at the absolute bottom of the power structure, the slaves and their descendants, and realized that they themselves were not free.

A father and son take a road trip along Highway 61--the legendary road of the blues--and through some of the most musically fertile and diverse landscapes in America. 10 photos.

In this companion book to a new Twin Cities Public Television documentary also called "Tales of the Road" (airing in November 2008), Wurzer unearths stories about Highway 61, spotlighting famous and fascinating locations, many of them little remembered today.

An exploration of the pervasive influence of jazz on all forms of American music, this work maps the unexpected musical and cultural links between Louis Armstrong, Willie Nelson, Bob Dylan, Herbie Hancock and many others.

Discover the North Shore you haven’t seen. Highway 61, from Duluth, Minnesota, to the Canadian border, is peppered with tourist hotspots that Minnesotans love. But even the most devout North Shore traveler doesn’t know Lake Superior like William and Kathryn Mayo do. These explorers and residents of the region outline the best sites that you may not know about in this revised and updated edition of the popular guide to the best sites and experiences along one of the state’s most scenic roads. The entertaining book spotlights 61 of the North Shore’s hidden treasures and tourist favorites, offering complete site details and need-to-know information, such as driving directions, accessibility, and fun facts. Full-color photographs and maps further enhance the usefulness of this handy guidebook, so get 61 Gems on Highway 61 for your next North Shore adventure. With this book in hand, you’ll experience the beautiful region in a whole new way.

Highway 61 Revisited resonates because of its enduring emotional appeal. Few songwriters before Dylan or since have combined so effectively the intensely personal with the spectacularly universal. In "Like a Rolling Stone," his gleeful excoriation of Miss Lonely (Edie Sedgwick? Joan Baez? a composite "type"?) fuses with the evocation of a hip new zeitgeist to produce a veritable anthem. In "Ballad of a Thin Man," the younger generation's confusion is thrown back in the Establishment's face, even as Dylan vents his disgust with the critics who labored to catalogue him. And in "Desolation Row," he reaches the zenith of his own brand of surrealist paranoia, that here attains the atmospheric intensity of a full-fledged nightmare. Between its many flourishes of gallows humor, this is one of the most immaculately frightful songs ever recorded, with its relentless imagery of communal executions, its parade of fallen giants and triumphant local losers, its epic length and even the mournful sweetness of Bloomfield's flamenco-inspired fills. In this book, Mark Polizzotti examines just what makes the songs on Highway 61 Revisited so affecting, how they work together as a suite, and how lyrics, melody, and arrangements combine to create an unusually potent mix. He blends musical and literary analysis of the songs themselves, biography (where appropriate) and recording information (where helpful). And he focuses on Dylan's mythic presence in the mid-60s, when he emerged from his proletarian incarnation to become the American Rimbaud. The comparison has been made by others, including Dylan, and it illuminates much about his mid-sixties career, for in many respects Highway 61 is rock 'n' roll's answer to A Season in Hell.