The classic novel of luxury and depravity, now a major motion picture. From the author of the celebrated dystopian classics Kingdom Come, The Drowned World, and The Drought, High Rise is a prescient story of class warfare. The film adaptation by acclaimed director Ben Wheatley (Sightseers, Kill List) features Academy Award® winner Jeremy Irons; BAFTA Award nominees Tom Hiddleston and Sienna Miller; Luke Evans and Golden Globe Award® winner Elisabeth Moss. When explosive loyalties form inside a luxurious apartment block isolated from the rest of society, modern elevators become fierce battlegrounds and cocktail parties degenerate into marauding attacks on “enemy” floors. In this chilling tale, humanity slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.

The tie-in edition of the nine-part CBS All Access series starring Whoopi Goldberg, Alexander Skarsgard, and James Marsden. When a man escapes from a biological testing facility, he sets in motion a deadly domino effect, spreading a mutated strain of the flu that will wipe out 99 percent of humanity within a few weeks. The survivors who remain are scared, bewildered, and in need of a leader. Two emerge--Mother Abagail, the benevolent 108-year-old woman who urges them to build a peaceful community in Boulder, Colorado; and Randall Flagg, the nefarious "Dark Man," who delights in chaos and violence. As the dark man and the peaceful woman gather power, the survivors will have to choose between them--and ultimately decide the fate of all humanity.

"Bugliosi has definitively explained the murder that recalibrated modern America." —Jim Newton, Los Angeles Times Book Review Parkland (originally titled Four Days in November) is the exciting and definitive narrative of the assassination of President John F. Kennedy on November 22, 1963. The film—starring Paul Giamatti, Zac Efron, Jacki Weaver, and Billy Bob Thornton—follows a group of individuals making split-second decisions after this incomprehensible event: the doctors and nurses at Parkland Hospital, the chief of the Dallas Secret Service, the cameraman who captured what has become the most examined film in history, the FBI agents who had gunman Lee Harvey Oswald within their grasp, and Vice President Lyndon Johnson who had to take control of the country at a moment’s notice. Based on Vincent Bugliosi’s Reclaiming History—Parkland is the story of that day—the movie is produced by Tom Hanks, Gary Goetzman (Game Change, Charlie Wilson’s War), Nigel Sinclair (End of Watch, Snitch), Matt Jackson (End of Watch, Snitch), and Bill Paxton, and written and directed by Peter Landesman.

Lawrence Hill’s award-winning novel is a major television miniseries airing on BET Networks. The Book of Negroes (based on the novel Someone Knows My Name) will be BET’s first miniseries. The star-studded production includes lead actress Aunjanue Ellis (Ray, The Help), Oscar winner Cuba Gooding Jr. (Jerry Maguire, A Few Good Men), Oscar and Emmy winner Louis Gossett Jr. (A Raisin in the Sun, Boardwalk Empire), and features Lyriq Bent (Rookie Blue), Jane Alexander (The Cider House Rules), and Ben Chaplin (The Thin Red Line). Director and co-writer Clement Virgo is a feature film and television director (The Wire) who also serves as producer with executive producer Damon D’Oliveira (What We Have). In this “transporting” (Entertainment Weekly) and “heart-stopping” (Washington Post) work, Aminata Diallo, one of the strongest women characters in contemporary fiction, is kidnapped from Africa as a child and sold as a slave in South Carolina. Fleeing to Canada after the Revolutionary War, she escapes to attempt a new life in freedom.

#1 NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • THE BLOCKBUSTER JACK REACHER SERIES THAT INSPIRED THE STREAMING SERIES REACHER Never Go Back is a novel of action-charged suspense starring “one of the best thriller characters at work today” (Newsweek). Former military cop Jack Reacher makes it all the way from snowbound South Dakota to his destination in northeastern Virginia, near Washington, D.C.: the headquarters of his old unit, the 110th MP. The old stone building is the closest thing to a home he ever had. Reacher is there to meet—in person—the new commanding officer, Major Susan Turner, so far just a warm, intriguing voice on the phone. But it isn’t Turner behind the CO’s desk. And Reacher is hit with two pieces of shocking news, one with serious criminal consequences, and one too personal to even think about. When threatened, you can run or fight. Reacher fights, aiming to find Turner and clear his name, barely a step ahead of the army, and the FBI, and the D.C. Metro police, and four unidentified thugs. Combining an intricate puzzle of a plot and an exciting chase for truth and justice, Lee Child puts Reacher through his paces—and makes him question who he is, what he’s done, and the very future of his untethered life on the open road.

NOW A MAJOR MOTION PICTURE DIRECTED BY JON STEWART | Previously published as Then They Came for Me When Maziar Bahari left London in June 2009 to cover Iran’s presidential election, he assured his pregnant fiancée, Paola, that he’d be back in just a few days, a week at most. Little did he know, as he kissed her good-bye, that he would spend the next three months in Iran’s most notorious prison, enduring brutal interrogation sessions at the hands of a man he knew only by his smell: Rosewater. For the Bahari family, wars, coups, and revolutions are not distant concepts but intimate realities they have suffered for generations: Maziar’s father was imprisoned by the shah in the 1950s, and his sister by Ayatollah Khomeini in the 1980s. Alone in his cell at Evin Prison, fearing the worst, Maziar draws strength from his memories of the courage of his father and sister in the face of torture, and hears their voices speaking to him across the years. He dreams of being with Paola in London, and imagines all that she and his rambunctious, resilient eighty-four-year-old mother must be doing to campaign for his release. During the worst of his encounters with Rosewater, he silently repeats the names of his loved ones, calling on their strength and love to protect him and praying he will be released in time for the birth of his first child. A riveting, heart-wrenching memoir, Rosewater offers insight into the past seventy years of regime change in Iran, as well as the future of a country where the democratic impulses of the youth continually clash with a government that becomes more totalitarian with each passing day. An intimate and fascinating account of contemporary Iran, it is also the moving and wonderfully written story of one family’s extraordinary courage in the face of repression. “I really connected to Maziar’s story. It’s a personal story but one with universal appeal about what it means to be free.”—Jon Stewart “An important and elegant book . . . a prison memoir enlarged into a family history.”—The New Republic “Clear and compelling . . . engaging and informative—a gripping tribute to human dedication and a cogent indictment of a corrupt regime.”—Washington Independent Review of Books “[Rosewater] is not only a fascinating, human exploration into Bahari’s personal experience . . . it also provides insight into the shared experience of those affected by repressive governments everywhere.”—Mother Jones “A damning account . . . [Rosewater] turns a lens not only on Iran’s surreal justice system but on the history and culture that helped produce it.”—The Washington Post “[Rosewater] is a unique achievement. It is a story not just of political cruelty (a subject Bahari treats movingly), but also about the two poles of Iranian political culture, bent together in upheaval.”—The Guardian (UK) “A beautifully written account of life in Iran, filled with insights not only into the power struggles and political machinations but into the personal, emotional lives of the people living in that complicated country. Maziar Bahari is a brave man and a wonderful storyteller.”—Fareed Zakaria

Movie tie-in edition of the dark, satirical thriller by the bestselling Japanese author, following the perilous train ride of five highly motivated assassins—soon to be a major film from Sony starring Brad Pitt, Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, and Benito A Martínez Ocasio, and more Satoshi—The Prince—looks like an innocent schoolboy but is really a stylish and devious assassin. Risk fuels him, as does a good philosophical debate, such as questioning: Is killing really wrong? Kimura’s young son is in a coma thanks to The Prince, and Kimura has tracked him onto a bullet train heading from Tokyo to Morioka to exact his revenge. But Kimura soon discovers that they are not the only dangerous passengers on board. Nanao, also nicknamed Ladybug, the self-proclaimed “unluckiest assassin in the world,” is put on the bullet train by his boss, a mysterious young woman called Maria, to steal a suitcase full of money and get off at the first stop. The lethal duo of Tangerine and Lemon are also traveling to Morioka, and the suitcase leads others to show their hands. Why are they all on the same train, and who will make it off alive? A bestseller in Japan, Bullet Train is an original and propulsive thriller that fizzes with incredible energy as its complex net of double-crosses and twists unwinds up to the last station.