Twenty-five more strange and fascinating true-life tales featuring the greatest city in the world.

The problem of how, where, and on what terms to house the urban masses in an industrial society remains unresolved to this day. In nineteenth-century Victorian England, overcrowding was the most obvious characteristic of urban housing and, despite constant agitation, it remained widespread and persistent in London and other great cities such as Manchester, Glasgow, and Liverpool well into the twentieth century. The Eternal Slum is the first full-length examination of working-class housing issues in a British town. The city investigated not only provided the context for the development of a national policy but also, in scale and variety of response, stood in the vanguard of housing reform. The failure of traditional methods of social amelioration in mid-century, the mounting storm of public protest, the efforts of individual philanthropists, and then the gradual formulation and application of new remedies, constituted a major theme: the need for municipal enterprise and state intervention. Meanwhile, the concept of overcrowding, never precisely defined in law but based on middle-class notions of decency and privacy, slowly gave way to the positive idea of adequate living space, with comfort, as much as health or morals, the criterion.Not just dwellings but people were at issue. There is little evidence in this period of the attitude of the worker himself to his housing. Wohl has extensively researched local archives and, in particular, drawn on the vestry reports which have been relatively neglected. Profusely illustrated with contemporary photographs and drawings, this book is the definitive study of the housing reform movement in Victorian and Edwardian London and suggests what it was really like to live under such appalling conditions. This important study will be of interest to social historians, British historians, urban planners, and those interested in how social policies developed in previous eras.

London's forgotten scandals, secrets and personalities from the twentieth century, told by the writer of the popular blog Another Nickel in the Machine.

With a focus on the literary and visual arts - in particular poetry, the novel, and painting - The Third Metropolis considers the relationship of these works of art to the actual history of the city - political, economic and demographic.

The shocking true story behind A Very British Scandal, starring Claire Foy and Paul Bettany Margaret, Duchess of Argyll's life was one of complexity and controversy. Born Ethel Margaret Whigham, the only child of a Scottish self-made millionaire and a beautiful high-society woman, her childhood was rich and splendid – but empty. She was a daddy's girl with an absent father, living with a jealous mother who sought to remind Margaret of her every shortcoming. As she grew up, her name was a byword for class and beauty; she was the debutante of her coming-out year, and her marriage to Charles Sweeny literally stopped traffic. But it was not to last: Margaret needed more. What followed was a story of tragedy, scandal and heartbreak as Margaret swung from lover to lover, society to society. This culminated in her notorious divorce case of 1963, where her soon-to-be-ex-husband produced his pie`ce de résistance: a Polaroid of her in a compromising position with two other men. In The Grit in the Pearl, Lyndsy Spence takes a look at a woman who was ahead of her time. Using previously unpublished sources and personal transcripts, this is the story of a fragile woman who was to come up against the very highest echelons of English high society – and lose.

In the sequel to Pederasty, Julian should be happy. His husband is just as corrupt as he is, and nobody knows about the trail of bodies their relationship left in its wake. But there are a few small problems. Matt is no longer the capricious teenage boy he once was. Now he’s an adult and with that comes maturity. He’s more intelligent, more cunning, far more difficult to control. And now there’s another teenage boy demanding Julian’s attention. Tyler is fourteen and the spitting image of Julian’s first delve into depravity. As much as Julian wants to be good, he can’t help but be bad. He wants the best of both worlds. To keep clever Matthew around to use as he needs, and give the new kid on the block the attention he demands. But Julian has mistaken Matt’s obedience for naivety and is about to learn what happens when he chooses pleasure over the very person keeping his life from falling apart.