The darkness holds many surprises. In this collection of thirty stories of horror and the bizarre, we shall explore some of those surprises. Even though I’ve been extolling the virtues of darkness, I do encourage you to read this book with the lights on. Light does have its practical applications, you know. You have to see the words.

Who is this Mark McLaughlin person, and why should you read him? Mark—whom I’ve had the pleasure of publishing for nearly 20 years now—is one of those unique voices in the horror field. He doesn’t tread the safe (or even sane!) path, but goes off in quirky directions, and he’s happy to have company along the way. And while he’s poking around the oddest places, he finds humor in the outrageous and the unsettling. Vampires? Of course. Zombies? Definitely. But these are never quite the monsters you’re expecting. Don’t take my word for it. Here are some other opinions: “In the most devious manner, McLaughlin’s stories achieve a high degree of demonism by perpetuating a sinister ‘humor’ at the gallows of the human comedy.” (Thomas Ligotti) “Listen up. Noel Coward is back. Salvador Dali is back. Dylan Thomas is back. And they’re all rolled into one in the shape of Mark McLaughlin who writes stories that are wonderfully witty, surrealistic and ineffably strange. Absolutely fabulous.... If your palette is jaded, come to the feast that is Mark McLaughlin.” (Simon Clark) “McLaughlin’s tales are laugh-out-loud assaults on consensus reality.” (Paul Di Filippo, ASIMOV’S) “Reading Mark McLaughlin is a little like stepping out of the door of an airplane in mid flight. The view is pretty amazing, but the shock of impact may do you in...gruesome, funny and touching. Top that: anybody....” (TANGENT) So, dig in and enjoy these 28 tales by one of the modern masters of the macabre! Part 1: Cosmic Horrors The House of the Ocelot Queen of the Vultures The Foul One Lives to Destroy Der Fleischbrunnen A Beauty Treatment for Mrs. Hamogeorgakis Toadface Shoggoth Cacciatore Mrs. Dakhamunzu Used Viol, One Previous Owner The Resurrection of Nephren-Ka PART 2: Magic, Monsters, Zombies, And Demons Adroitly Wrapped Why Cosmo Used to Wear a Lab Smock Every Halloween Largesse ZOM BEE MOO VEE Empress of the Living Dead ascloseasthis Scenes from a Foreign Horror Video, with Zombies and Tasteful Nudity Aunt Paloma Diabolical Entities and How to Deal with Them The Disciples of Monidroth PART 3: Tales of the Surreal and the Bizarre The Vainglorious Simulacrum of Mungha Sorcyllamia The Astonishing Secret of the King of the Cats Deck the Halls with Guacamole The Revelations of McDeth The Agony of Claude Bawls Don’t Look in the Little Storage Room Behind the Furnace The Tale of the Cat-Headed Man, the Man-Headed Dog, and the Lady with Rats for Hands Dr. Belmont’s Hiking Buddy If you enjoy this ebook, check out the 400+ other volumes in the MEGAPACK® series, covering not just horror, but science fiction, fantasy, westerns, romance, and many other genres (even nurse novels!). Search your favorite ebook store for "Wildside Press MEGAPACK" to see the complete list of available titles.

For over three decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the seventh volume of this series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman Kim Robinson Stephen King Linda Nagata Laird Barron Margo Lanagan And many others With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers.

A haunted history of this Midwestern region filled with supernatural lore . . . Includes photos! Divided by state lines and the Mississippi River, the Quad Cities share a common haunted heritage. If anything, the seam that runs through the region is especially rife with spirits, from the Black Angel of Moline’s Riverside Cemetery to the spectral Confederate POWs of Arsenal Island. Of course, the city centers have their own illustrious supernatural residents—the Hanging Ghost occupies Davenport, Iowa’s City Hall, while the Phantom Washwoman wanders Bettendorf’s Central Avenue. At Igor’s Bistro in Rock Island, Illinois, every day is Halloween. In this chilling tour, Michael McCarty and Mark McLaughlin—both Bram Stoker Award honorees—hunt down the haunted lore of this vibrant Midwestern community.

Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.

Speculative essays that probe the mythology of the face by the author of The Old Drift

Even as seas rise against the shores, another great tide is beginning to rise—a tide of outrage against the pillage of the planet, a tide of commitment to justice and human rights, a swelling affirmation of moral responsibility to the future and to Earth's fullness of life. Philosopher and nature essayist Kathleen Dean Moore takes on the essential questions: Why is it wrong to wreck the world? What is our obligation to the future? What is the transformative power of moral resolve? How can clear thinking stand against the lies and illogic that batter the chances for positive change? What are useful answers to the recurring questions of a storm–threatened time – What can anyone do? Is there any hope? And always this: What stories and ideas will lift people who deeply care, inspiring them to move forward with clarity and moral courage?