Lambda Literary Award Winner for LGBTQ+ Nonfiction 2024 Stonewall Book Honor Award Winner—Israel Fishman Non-Fiction Book Award Featured on NPR's Books We Love 2023 One of Vulture's Best Comedy Books of 2023 "This book is a triumph and everyone should read it." —Dan Savage, journalist and author, on the "Savage Lovecast" "Hi Honey, I’m Homo is a heartbreaking historical document, but ultimately one that will leave the reader feeling proud of how something as maligned and disposable as the network sitcom used comedy to bring about such profound and important social progress." —Vulture "[A] well-curated compendium of prime time broadcasting . . . Baume is a companionable guide." —Shelf Awareness Behind the scenes of the most popular sitcoms of the 20th century, a revolution was brewing. For decades, amidst the bright lights, studio-audience laughs, and absurdly large apartment sets, the real-life story of American LGBTQ+ liberation unfolded in plain sight in front of millions of viewers, most of whom were laughing too hard to mind. From flamboyant relatives on Bewitched to closely-guarded secrets on All in the Family, from network-censor fights over Soap to behind-the-scenes activism on the set of The Golden Girls, from Ellen’s culture clash and Will & Grace’s mixed reception to Modern Family’s primetime power-couple, Hi Honey, I’m Homo! is the story not only of how subversive queer comedy transformed the American sitcom, from its inception through today, but how our favorite sitcoms transformed, and continue to transform, America. Accessible, entertaining, and informative, Hi Honey, I’m Homo! features commentary and interviews from celebrities, behind-the-scenes creators, and more.

Is it a show about nothing or one of the greatest TV series of all time? It's both of course! ÊSeinfeldÊ's impact on popular culture was so profound that it continues to this day-years after it left prime time-thanks to its inimitable characters (Newman! Bubble Boy!) its wacky memorable plots (who can forget The Contest or The Puffy Shirt ?) and the many catchphrases we use regularly (not that there's anything wrong with that).ÞÊSeinfeld FAQÊ is the first-ever comprehensive guide to the sitcom tracing its path from modest beginnings to water-cooler-show status and to its infamous love-it-or-hate-it finale. This humor-filled reference tells all about Jerry Elaine George and Kramer as well as the other unforgettable characters in their world. It features season-by-season episode reviews and a wealth of fun facts about everything from the characters' inevitably doomed relationships to their food obsessions and fashion sense (or lack thereof) as well as profiles of actors and other notables.ÞBroad in scope and yet obsessed with detail (like the show itself) this FAQ is essential reading for anyone who wants to be master of the ÊSeinfeldÊ domain.

"Intimate glimpse intho the private lives of those who dreamed of marriage in the 1970s, the surviors of the 1980s, the audacious pioneers of 1990s, the tireless soldiers of the 2000s, and the champions who won marriage today. Featuring personsal conversations with Evan Wolfson, Dan Savage, Ken Mehlman, Dustin Lance Black, and many more, Defining Marriage is the story of how people from all walks of life fought to change marriage -- and how fighting for marriage, in turn, changed them."--Back cover.

The first book to address the interaction between the Walt Disney Company and the gay community From its Magic Kingdom theme parks to its udderless cows, the Walt Disney Company has successfully maintained itself as the brand name of conservative American family values. But the Walt Disney Company has also had a long and complex relationship to the gay and lesbian community that is only now becoming visible. In Tinker Belles and Evil Queens, Sean Griffin traces the evolution of this interaction between the company and gay communities, from the 1930s use of Mickey Mouse as a code phrase for gay to the 1990s "Gay Nights" at the Magic Kingdom. Armed with first-person accounts from Disney audiences, Griffin demonstrates how Disney animation, live-action films, television series, theme parks, and merchandise provide varied motifs and characteristics that readily lend themselves to use by gay culture. But Griffin delves further to explore the role of gays and lesbians within the company, through an examination of the background of early studio personnel, an account of sexual activism within the firm, and the story of the company's own concrete efforts to give recognition to gay voices and desires. The first book to address the history of the gay community and Disney, Tinker Belles and Evil Queens broadly examines the ambiguous legacy of how modern consumerism and advertising have affected the ways lesbians and gay men have expressed their sexuality. Disney itself is shown as sensitive to gay and lesbian audiences, while exploiting those same audiences as a niche market with strong buying power. Finally, Griffin demonstrates how queer audiences have co-opted Disney products for themselves-and in turn how Disney's corporate strategies have influenced our very definitions of sexuality.

Praised by the Chicago Tribune as "an impressive study" and written with incisive wit and searing perception--the definitive, highly acclaimed landmark work on the portrayal of homosexuality in film.

The New York Times Bestseller A New York Times Notable Book of 2022 Named one of Vanity Fair's “Best Books of 2022” “Not since Robert Caro’s Years of Lyndon Johnson have I been so riveted by a work of history. Secret City is not gay history. It is American history.” —George Stephanopoulos Washington, D.C., has always been a city of secrets. Few have been more dramatic than the ones revealed in James Kirchick’s Secret City. For decades, the specter of homosexuality haunted Washington. The mere suggestion that a person might be gay destroyed reputations, ended careers, and ruined lives. At the height of the Cold War, fear of homosexuality became intertwined with the growing threat of international communism, leading to a purge of gay men and lesbians from the federal government. In the fevered atmosphere of political Washington, the secret “too loathsome to mention” held enormous, terrifying power. Utilizing thousands of pages of declassified documents, interviews with over one hundred people, and material unearthed from presidential libraries and archives around the country, Secret City is a chronicle of American politics like no other. Beginning with the tragic story of Sumner Welles, Franklin Delano Roosevelt’s brilliant diplomatic advisor and the man at the center of “the greatest national scandal since the existence of the United States,” James Kirchick illuminates how homosexuality shaped each successive presidential administration through the end of the twentieth century. Cultural and political anxiety over gay people sparked a decades-long witch hunt, impacting everything from the rivalry between the CIA and the FBI to the ascent of Joseph McCarthy, the struggle for Black civil rights, and the rise of the conservative movement. Among other revelations, Kirchick tells of the World War II–era gay spymaster who pioneered seduction as a tool of American espionage, the devoted aide whom Lyndon Johnson treated as a son yet abandoned once his homosexuality was discovered, and how allegations of a “homosexual ring” controlling Ronald Reagan nearly derailed his 1980 election victory. Magisterial in scope and intimate in detail, Secret City will forever transform our understanding of American history.

Nazisploitation! examines past intersections of National Socialism and popular cinema and the recent reemergence of this imagery in contemporary visual culture. In the late 1960s and early 1970s, films such as Love Camp 7 and Ilsa, She-Wolf of the SS introduced and reinforced the image of Nazis as master paradigms of evil in what film theorists deem the 'sleaze' film. More recently, Tarantino's Inglourious Basterds, as well as video games such as Call of Duty: World at War, have reinvented this iconography for new audiences. In these works, the violent Nazi becomes the hyperbolic caricature of the "monstrous feminine" or the masculine sadist. Power-hungry scientists seek to clone the Führer, and Nazi zombies rise from the grave. The history, aesthetic strategies, and political implications of such translations of National Socialism into the realm of commercial, low brow, and 'sleaze' visual culture are the focus of this book. The contributors examine when and why the Nazisploitation genre emerged as it did, how it establishes and violates taboos, and why this iconography resonates with contemporary audiences.