“It’s hard to think of a writer who knows his generation better than Michael Weller.” —Frank Rich, New York Times Michael Weller’s early work chronicled American culture as it was taken apart and reformed in the turbulent ’60s. This volume collects his best-known plays of the ’70s and ’80s, including the now-classic Moonchildren, Fishing, At Home, Abroad and Loose Ends. Also includes a new introduction by the author.

Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin’s iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today. The Broom of the System The “dazzling, exhilarating” (San Francisco Chronicle) debut novel from one of the most groundbreaking writers of his generation, The Broom of the System is an outlandishly funny and fiercely intelligent exploration of the paradoxes of language, storytelling, and reality.

Off on the bar crawl to end all crawls, three twenty-something brides-to-be find their lives going topsy-turvy when one of them begins to question her future after a chance encounter with a recently jilted handsome stranger. The Drunken City is a wildly theatrical take on the mystique of marriage and the ever-shifting nature of love and identity in a city that never sleeps.

Device-independent quantum cryptography is a method for exchanging secret messages over potentially insecure quantum communication channels, such as optical fibers. In contrast to conventional quantum cryptography, security is guaranteed even if the devices used by the communication partners, such as photon sources and detectors, deviate from their theoretical specifications. This is of high practical relevance, for attacks to current implementations of quantum cryptography exploit exactly such deviations. Device-independent cryptography is however technologically so demanding that it looked as if experimental realizations are out of reach. In her thesis, Rotem Arnon-Friedman presents powerful information-theoretic methods to prove the security of device-independent quantum cryptography. Based on them, she is able to establish security in a parameter regime that may be experimentally achievable in the near future. Rotem Arnon-Friedman's thesis thus provides the theoretical foundations for an experimental demonstration of device-independent quantum cryptography.

"You'll wonder how anything can be so sad and so funny at the same time."—Lev Grossman, Time Inspired by a sixteenth-century Zen monk’s painting of a hundred demons chasing each other across a long scroll, acclaimed cartoonist Lynda Barry confronts various demons from her life in seventeen full-color vignettes. In Barry’s hand, demons are the life moments that haunt you, form you, and stay with you: your worst boyfriend; kickball games on a warm summer night; watching your baby brother dance; the smell of various houses in the neighborhood you grew up in; or the day you realize your childhood is long behind you and you are officially a teenager. As a cartoonist, Lynda Barry has the innate ability to zero in on the essence of truth, a magical quality that has made her book One! Hundred! Demons! an enduring classic of the early twenty-first century. In the book’s intro, however, Barry throws the idea of truth out of the window by asking the reader to decide if fiction can have truth and if autobiography can have a fiction, a hybrid that Barry coins “autobiofictionalography.” As readers get to know Barry’s demons, they realize that the actual truth no longer matters because the universality of Barry’s comics, true or untrue, reigns supreme.

Outplay, book 2 of the Human Singularity series. Mike Lees displays his enigmatic and entertaining prose in Outplay, his new full-length novel, sounding the depths of human nature in a diversified galaxy. When Jack Stone, a failing journalist, receives a key containing the Melody, a coded sound arrangement that activates the inertia drive, a ship, and a mission, he finds himself drawn into international and galactic intrigue. Jack must reach deep within his soul to outplay James Carting, a scheming tech executive bent on seizing the Melody for his own gain at the risk of exposing Earth to alien exploitation. Can Jack and his mixed team save humanity from a dark future? Find out in this second instalment of the Human Singularity series: Outplay. Where fiction fast becomes reality. (A read of book one, Outpost, will ease understanding of certain aspects of Outplay.)