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H. G. Wells wrote almost a hundred books, yet he is generally remembered for only a handful of them. He is known above all as a writer who heralded the future, yet throughout his life he clung to fixed attitudes from the Victorian past. He began his career as a draper's apprentice; by the age of forty-five he had secured an international reputation as the author of The Time Machine, The War of the Worlds, Kipps and Tono Bungay; he went on to establish himself as an influential educator, polemicist and sage. In this book John Batchelor offers a readable introduction to Wells's huge and varied output as a writer and thinker. He guides the reader through the whole oeuvre, and argues persuasively that at his best Wells was a great artist: a man with a remarkable, restless imagination (not limited, as many critics have implied, merely to his early romances) and with a coherent and responsible theory of fiction.

This collection, the first of its kind, indicates the full breadth of Well's visionary views and social commentary.

An unlikely lothario, one of the most successful writers of his time, a figure at the heart of the age's political and artistic debates—H. G. Wells' life is a great story in its own right When H. G. Wells left school in 1880 at 13 he seemed destined for obscurity—yet he defied expectations, becoming one of the most famous writers in the world. He wrote classic science-fiction tales such as The Time Machine, The Invisible Man, and The War of the Worlds; reinvented the Dickensian novel in Kipps and The History of Mr Polly; pioneered postmodernism in experimental fiction; and harangued his contemporaries in polemics which included two bestselling histories of the world. He brought equal energy to his outrageously promiscuous love life—a series of affairs embraced distinguished authors such as Dorothy Richardson and Rebecca West, the gun-toting travel writer Odette Keun, and Russian spy Moura Budberg. Until his death in 1946 Wells had artistic and ideological confrontations with everyone from Henry James to George Orwell, from Churchill to Stalin. He remains a controversial figure, attacked by some as a philistine, sexist, and racist, praised by others as a great writer, a prophet of globalization, and a pioneer of human rights. Setting the record straight, this authoritative biography is the first full-scale account to include material from the long-suppressed skeleton correspondence with his mistresses and illegitimate daughter.

A fantastic and philosophical vision of the apocalypse by one of the most striking Italian novelists of the twentieth century. From his solitary buen retiro in the mountains, the last man on earth drives to the capital Chrysopolis to see if anyone else has survived the Vanishing. But there’s no one else, living or dead, in that city of “holy plutocracy,” with its fifty-six banks and as many churches. He’d left the metropolis to escape his fellow humans and their struggles and ambitions, but to find that the entire human race has evaporated in an instant is more than he had bargained for. Meanwhile, life itself—the rest of nature—is just beginning to flourish now that human beings are gone. Guido Morselli’s arresting postapocalyptic novel, written just before he died by suicide in 1973, depicts a man much like the author himself—lonely, brilliant, difficult—and a world much like our own, mesmerized by money, speed, and machines. Dissipatio H.G. is a precocious portrait of our Anthropocene world, and a philosophical last will and testament from a great Italian outsider.

Dissatisfied with her relationship with her boyfriend, Constance Wechselburger, a graduate film student, embarks on a disheartening, confusing quest in search of her vision of the ideal intellectual mate.