The Coombe was a home in Hespeler, Ontario. From 1905-1913, Smyly Homes in Dublin Ireland sent children to Canada for a better life. After a short period at the Coombe they were shipped out to the farms or homes to work and live. From 1913- 1947, the Children's Aid Society ran the home. It was also used as a temporary detention centre. This book captures not only the history of the Coombe but also stories of the children who lived there. The experiences of the kids range from being treated like members of the family to situations of abuse. This book will stay in your memory for years to come.

Volume 2 of Classic Hockey Stories features 9 more classic hockey pulp stories, novelettes including: Rookie Came Back, High Stick Bad Man and Goalie Means Guts by Duane Yarnell. The Phantom of the Blue by Joe Gregg, Tiger of the Rink by John Wilson, Blood for Goals by John Wilson, The Quick and the Dead by William J. O'Sullivan, How to Play Hockey like 1922 by Alfred Winsor, Crazy Blades by John Prescott. Plus a bonus pulp comic - B Turk Broda – Prize Winning Goalie

Now part of Cambridge, Ontario, the village of Hespeler has produced some amazing artists. Renowned Canadian painter Frank Panabaker is well-known to art fans. He was born in Hespeler and started his long career there. Less known is the work of Vera Rosenberger. She was a teacher for over 40 years and retired in 1960. People still remember the elaborate works of art she effortlessly drew on the chalkboard. Shirley (Cox) Brent, was the first artist to capture the essence of the community of her beloved hometown Hespeler. Debbie Ellis, continues today in the spirit of Shirley and Vera, prolifically producing drawings and paintings of Hespeler and the surrounding area. For the first time, these four artists’ biographies and a selection of their works are brought together in this book..

Social historian Joanna Rickert-Hall dives into the history lived out in the margins of mainstream stories: the ex-slaves, the cholera victims, the grave digging doctor, the séance-loving politician, the rumrunner, and the sorcery-practising healer. This is Waterloo You Never Knew, revealed.

In 1849, the stagecoach ran between Preston, through Vance's Corners, Fisher Mills on to Guelph. Flynn Doyle and the other passengers had no way of predicting what would happen. It should have been just another routine run, instead it turned into tale that will not soon be forgotten.

Throughout the nineteenth century poor relief in Quebec was private and sectarian. In Montreal bourgeois Protestant women responded by establishing institutional charities for destitute women and children. Their Benevolent Design delves into the inner workings of two of these charities (the Protestant Orphan Asylum and the Montreal Ladies’ Benevolent Society), sheds light on little-known aspects of the community’s response to social inequality, and examines the impact of liberalism on changing attitudes to poverty and charity. Seeing charity as a class duty, elite women structured their benevolent design around the protection, religious salvation, and social regulation of poor children. Janice Harvey explores how these philanthropists overcame the constraints of social conventions for women in polite society, how charity directors devised and implemented institutional aid, and how that aid was used by families and experienced by children. Following the development of the charities through the end of the nineteenth century and into the early twentieth, the book explores the conflict that arose between these institutions and other social services, including those that advocated for foster care and so-called scientific charity. The 1920s marked a major social shift in how child poverty was understood and managed in Protestant Montreal. Despite the gendered obstacles facing women in charity organization, Their Benevolent Design celebrates the remarkable ingenuity and independence of a group of Canadian women in shaping social aid and improving the grim realities of child poverty.