Covering periods ranging from the later Middle Ages to the end of the 20th century, these essays combine to offer a wide-ranging examination of the place of hero-worship and of exemplary biography in modern history and culture. The book seeks to contribute to a growing historical literature on the cults and reputations of heroes and other exemplary figures such as Plato, Isaac Newton, David Livingstone, Captain Scott, Florence Nightingale and Nelson Mandela. The essays explore and illustrate the diverse ways in which the lives and characters of specific individuals have been used as devices for talking about moral and cultural values and political and social identities.

Covering periods ranging from the later Middle Ages to the end of the 20th century, these essays combine to offer a wide-ranging examination of the place of hero-worship and of exemplary biography in modern history and culture. The book seeks to contribute to a growing historical literature on the cults and reputations of heroes and other exemplary figures such as Plato, Isaac Newton, David Livingstone, Captain Scott, Florence Nightingale and Nelson Mandela. The essays explore and illustrate the diverse ways in which the lives and characters of specific individuals have been used as devices for talking about moral and cultural values and political and social identities.

This collection of essays looks at everyday heroes and heroines--ordinary men, women, and children who are honored for actual or imagined feats. Comparing the United States, Germany, and Britain, it asks both when this particular hero type first emerged and how it was discussed and depicted in political discourse, mass media, literature, film, and other forms of popular culture. Looking across fields of study, countries, and centuries, this book sheds new light on the many social, cultural, and political functions that our everyday heroes have served.

Heroism in the 19th and early 20th centuries is synonymous with military endeavours, imperial adventures and the 'great men of history'. There was, however, another prominent and influential strand of the idea which has, until now, been largely overlooked. This book seeks to address this oversight and establish new avenues of study by revealing and examining 'everyday' heroism; acts of life-risking bravery, undertaken by otherwise ordinary individuals, largely in the course of their daily lives and within quotidian surroundings. Adopting an interdisciplinary approach, John Price charts and investigates the growth and development of this important discourse, presenting in-depth case studies of The Albert Medal and the Carnegie Hero Fund alongside a nationwide analysis of heroism monuments and an exploration of radical approaches to the concept. Unlike its military and imperial counterparts, everyday heroism embraced the heroine and this study reflects that with an examination of female heroism. Discovering why certain individuals or acts were accorded the status of being 'heroic' also provides insights into those that recognized them. Heroism is a flexible and malleable constellation of ideas, shaped or constructed along different lines by different people, so if you want to identify the characteristics of a group or society, much can be learnt by studying those it holds up as heroic. Consequently, Everyday Heroism: Victorian Constructions of the Heroic Civilian provides valuable and revealing evidence for a wide range of social and cultural topics including; class, gender, identity, memory, celebrity, and literary and visual culture.

Lord Kitchener and Lord Haig are two monumental figures of the First World War. Their reputations, both in their lifetimes and after their deaths, have been attacked and defended, scrutinized and contested. They have been depicted in film, print and public memorials in Britain and the wider world, and new biographies of both men appear to this day. The material representations of Haig and Kitchener were shaped, used and manipulated for official and popular ends by a variety of groups at different times during the twentieth century. The purpose of this study is not to discover the real individual, nor to attack or defend their reputations, rather it is an exploration of how both men have been depicted since their deaths and to consider what this tells us about the nature and meaning of First World War commemoration. While Haig's representation was more contested before the Second World War than was Kitchener's, with several constituencies trying to fashion and use Haig's memory - the Government, the British Legion, ex-servicemen themselves, and bereaved families - it was probably less contested, but overwhelmingly more negative, than Kitchener's after the Second World War. The book sheds light on the notion of 'heroic' masculinity - questioning, in particular, the degree to which the image of the common soldier replaced that of the high commander in the popular imagination - and explores how the military heritage in the twentieth century came into collision with the culture of modernity. It also contributes to ongoing debates in British historiography and to the larger debates over the social construction of memory, the problematic relation between what is considered 'heritage' and 'history', and the need for historians to be sensitive and attentive to the interconnections between heritage and history and their contexts.

The story of British football's journey from public school diversion to mass media entertainment is a remarkable one. The Association Game traces British football from the establishment of the earliest clubs in the nineteenth century to its place as one of the prominent and commercialised leisure industries at the beginning of the twenty first century. It covers supporters and fandom, status and culture, big business, the press and electronic media and development in playing styles, tactics and rules. This is the only up to date book on the history of British football, covering the twentieth century shift from amateur to professional and whole of the British Isles, not just England.

Giuseppe Garibaldi, the Italian revolutionary leader and popular hero, was among the best-known figures of the nineteenth century. This book seeks to examine his life and the making of his cult, to assess its impact, and understand its surprising success. For thirty years Garibaldi was involved in every combative event in Italy. His greatest moment came in 1860, when he defended a revolution in Sicily and provoked the collapse of the Bourbon monarchy, the overthrow of papal power in central Italy, and the creation of the Italian nation state. It made him a global icon, representing strength, bravery, manliness, saintliness, and a spirit of adventure. Handsome, flamboyant, and sexually attractive, he was worshiped in life and became a cult figure after his death in 1882. Lucy Riall shows that the emerging cult of Garibaldi was initially conceived by revolutionaries intent on overthrowing the status quo, that it was also the result of a collaborative effort involving writers, artists, actors, and publishers, and that it became genuinely and enduringly popular among a broad public. The book demonstrates that Garibaldi played an integral part in fashioning and promoting himself as a new kind of “charismatic” political hero. It analyzes the way the Garibaldi myth has been harnessed both to legitimize and to challenge national political structures. And it identifies elements of Garibaldi's political style appropriated by political leaders around the world, including Mussolini and Che Guevara.