A Brown Man in Russia describes the fantastical travels of a young, colored American traveler as he backpacks across Russia in the middle of winter via the Trans-Siberian. The book is a hybrid between the curmudgeonly travelogues of Paul Theroux and the philosophical works of Robert Pirsig. Styled in the vein of Hofstadter, the author lays out a series of absurd, but true stories followed by a deeper rumination on what they mean and why they matter. Each chapter presents a vivid anecdote from the perspective of the fumbling traveler and concludes with a deeper lesson to be gleaned. For those who recognize the discordant nature of our world in a time ripe for demagoguery and for those who want to make it better, the book is an all too welcome antidote. It explores the current global climate of despair over differences and outputs a very different message – one of hope and shared understanding. At times surreal, at times inappropriate, at times hilarious, and at times deeply human, A Brown Man in Russia is a reminder to those who feel marginalized, hopeless, or endlessly divided that harmony is achievable even in the most unlikely of places.

‘“Brother, you have another pair of boots,” Jaroslav Hašek said to me, grabbing me by the sleeve. “How do you know?” “Yesterday you were in army boots, and today you’ve got civilian ones on. I’d buy those army boots off you.” And in this way my high-laced boots, which I was given by the Austrian Red Cross way back in Beryozovka-za-Baikalom, came into Hašek’s possession. It was a silly thing to do. Not because I should have known that I wouldn’t get a kopeck out of Hašek in exchange for them — at bottom, I did know that — but as a former soldier, I should have thought about reserves. Life is a war and in this war, sometimes boots become casualties.’ Thus ruefully muses Janko Jesenský, Slovak poet and politician, in the pages of his On the Road to Freedom. This book, newly translated into English by Charles S. Kraszewski, is unique among the memoirs that came out of the First World War, as it chronicles not desperate charges or trench warfare, but the daily life of Austrian prisoners of war taken into Russian captivity at the very outset of the conflict. Of course, the reader will find more than one exciting passage in On the Road to Freedom, from eyewitness accounts of the Soviet Revolution in Kiev and Saint Petersburg to the heroic and bloody route cut by the Czechoslovak Legions through Red Army forces as the former POWs make their way across Siberia to Vladivostok and the long steamboat journey home, where they will aid in establishing the newly independent Republic of Czechoslovakia. But the most engaging aspect of On the Road to Freedom, and the poems that Jesenský composed during his Russian captivity (a generous selection of which are appended to these memoirs), is the palpable experience of the daily life of the POW — far from home, cold, and hungry, one of the ‘ants [who] / Roil the yard with mess-plates in their hands — / Like hungry beasts for fish-soup from the kitchen.’ Besides their value as literary texts, Janko Jesenský’s wartime writings in verse and prose are a welcome addition to the English library of early twentieth century history. They provide a fresh, Slovak perspective on the ‘Great War,’ the Russian Revolution, the establishment of the Czechoslovak state, and the situation of the smaller Central European nations on the chessboard of politics dominated by great powers. This book was published with a financial support from SLOLIA, Centre for Information on Literature in Bratislava.

The summer of 1980. The Moscow Olympics. A small pioneer camp on the banks of the Volga. The pioneers fall out, make up, play tricks. Romances start up among the young leaders. The river bus brings in drums of milk and boxes of pasta. Life in the quirky gingerbread cake buildings of the camp establishes its rhythms against the backdrop of the Volga’s ceaseless flow and the sunset’s daily blush over the Zhiguli mountains. But something, or someone, is at work. Something that no one except twelve-year-old Valerka can see for what it is. When he confides in the young leader Igor, only to be disbelieved, Valerka finds himself carrying the burden of what he knows completely alone. Valerka resists the vampires on principle, while Igor finally joins forces with him only when what is happening touches him personally. Together, they brace themselves to do battle with a power they have no reason to believe they can withstand. Ivanov brings us a gallery of colourful characters: idealistic, dogged Valerka; seventeen-year-old Igor, groping to find himself and on the way finding his first love; the spiky and beautiful Veronika; the blithely self-absorbed Anastasiika; the drunken doctor who knows too much; the steadily-growing cast of bloodsuckers and their ‘carcasses’. Through them, Ivanov gives us both a thriller and a book of subtlety and depth. Building steadily towards its enthralling climax, The Food Block crackles with delightful dialogue, exudes humour that does not make fun, and explores with apparently effortless insight the loves and energy, hopes and doubts, and fears and courage of childhood and youth.

Marietta Chudakova is an expert on Soviet literature and on the works of Mikhail Bulgakov in particular. Her biography of Bulgakov was first published in 1988 and remains the most authoritative and comprehensive study of the writer’s life ever produced. It has received acclaim for the journalistic style in which it is written: the author draws on unpublished manuscripts and early drafts of Bulgakov’s novels to bring the writer to life. She also explores archive documents and memoirs written by some of Bulgakov’s contemporaries so as to construct a comprehensive and nuanced portrait of the writer and his life and times. Marietta Chudakova casts light on Bulgakov’s life with an unrivalled eye for detail and a huge amount of affection for the writer and his works. Mikhail Bulgakov: The Life and Times will be of particular interest to international researchers studying Mikhail Bulgakov’s life and works, and is recommended to a broader audience worldwide. Translated from the Russian by Huw Davies Published by arrangement with ELKOST Intl. Literary Agency Published with the support of the Institute for Literary Translation, Russia Introduction by J.A.E. Curtis Proofreading by Kevin Bridge Publishers Maxim Hodak & Max Mendor

Jaroslav Hašek is known by readers around the world as the author of The Good Soldier Švejk, one of the greatest comic novels of all time. Not all of his fans are aware of his six year anabasis in Russia, however, which began with his capture on the front lines of Galicia during the First World War. The Secret History of My Sojourn in Russia, translated by Charles S. Kraszewski, brings that fascinating period in Hašek's life to the attention of the English reader. Comprised of fifty-two short stories and other writings from Hašek's stay in Sovietising Russia, The Secret History collects the Bugulma stories, in which Hašek trains his satirical eye on the infant communist utopia, as well as non-fiction works by Hašek, who played a not insignificant role in the progress of the Soviet Revolution in Siberia, before his return to his native Czechoslovakia in the early 1920s. These include propagandistic pamphlets and newspaper articles, letters, and official scripts dating from his agitation as a communist operative among Austro-Hungarian citizens stranded in the Soviet Union, all of which provide a fascinating context for his good-humoured fiction, which rivals his great novel in rollicking fun. The Secret History of My Sojourn in Russia presents the reader with 52 of the most entertaining, and chilling, examples of his Russian period, containing both humorous fiction and deadly serious propaganda. Translation of this book was supported by the Ministry of Culture of the Czech Republic.

Robinson is the first book by Aram Pachyan, which earned him the highest governmental award in Armenia, The Presidential Prize for Literature. The volume is made up of 16 short stories; each story is like a small but sharp painting of various characters. The faces in these paintings look very familiar, like someone you know, or someone hiding deep inside you. An inescapable loneliness of people in the modern world is the main topic of the stories by Pachyan. This book was published with the support of the Ministry of Culture of the Republic of Armenia under the “Armenian Literature in Translation” Program.

‘Perhaps some day I’ll disappear forever,’ muses the master-builder Psymmachus in Cyprian Kamil Norwid’s Cleopatra and Caesar, ‘Becoming one with my work...’ Today, exactly two hundred years from the poet’s birth, it is difficult not to hear Norwid speaking through the lips of his character. The greatest poet of the second phase of Polish Romanticism, Norwid, like Gerard Manley Hopkins in England, created a new poetic idiom so ahead of his time, that he virtually ‘disappeared’ from the artistic consciousness of his homeland until his triumphant rediscovery in the twentieth century. Chiefly lauded for his lyric poetry, Norwid also created a corpus of dramatic works astonishing in their breadth, from the Shakespearean Cleopatra and Caesar cited above, through the mystical dramas Wanda and Krakus, the Unknown Prince, both of which foretell the monumental style of Stanisław Wyspiański, whom Norwid influenced, and drawing-room comedies such as Pure Love at the Sea Baths and The Ring of the Grande Dame which combine great satirical humour with a philosophical depth that can only be compared to the later plays of T.S. Eliot. All of these works, and more, are collected in Charles S. Kraszewski’s English translation of Norwid’s Dramatic Works, which along with the major plays also includes selections from Norwid’s short, lyrical dramatic sketches — something along the order of Pushkin’s Little Tragedies. Cyprian Kamil Norwid’s Dramatic Works will be a valuable addition to the library of anyone who loves Polish Literature, Romanticism, or theatre in general.