In search of national unity and state control in the decade following the Korean War, North Korea turned to labor. Mandating rapid industrial growth, the government stressed order and consistency in everyday life at both work and home. In Heroes and Toilers, Cheehyung Harrison Kim offers an unprecedented account of life and labor in postwar North Korea that brings together the roles of governance and resistance. Kim traces the state’s pursuit of progress through industrialism and examines how ordinary people challenged it every step of the way. Even more than coercion or violence, he argues, work was crucial to state control. Industrial labor was both mode of production and mode of governance, characterized by repetitive work, mass mobilization, labor heroes, and the insistence on convergence between living and working. At the same time, workers challenged and reconfigured state power to accommodate their circumstances—coming late to work, switching jobs, fighting with bosses, and profiting from the black market, as well as following approved paths to secure their livelihood, resolve conflict, and find happiness. Heroes and Toilers is a groundbreaking analysis of postwar North Korea that avoids the pitfalls of exoticism and exceptionalism to offer a new answer to the fundamental question of North Korea’s historical development.

Heroes and Toilers offers an unprecedented account of life and labor in postwar North Korea that looks at both governance and popular resistance. Cheehyung Harrison Kim traces the state's pursuit of progress through industrialism and examines how ordinary people challenged the state every step of the way.

Eva Nine has finally found what she has always been looking for; other human beings. Having been rescued by Hailey, Eva couldn't be happier, and now Hailey is taking Eva and her friends to the human colony New Attica, where humans of all shapes and sizes live in apparent peace and harmony. But all is not as idyllic as it seems in New Attica, and soon Eva and her friends realize that something very bad is going on ~ and if they don't find a way to stop it, it could mean the end of everything and everyone on Orbona.

North Korea, the Democratic People’s Republic of Korea (DPRK), is firmly fixed in the Western imagination as a barbaric vestige of the Cold War, a “rogue” nation that refuses to abide by international norms. It is seen as belligerent and oppressive, a poor nation bent on depriving its citizens of their basic human rights and expanding its nuclear weapons program at the expense of a faltering economy. Even the North’s literary output is stigmatized and dismissed as mere propaganda literature praising the Great Leader. Immanuel Kim’s book confronts these stereotypes, offering a more complex portrayal of literature in the North based on writings from the 1960s to the present. The state, seeking to “write revolution,” prescribes grand narratives populated with characters motivated by their political commitments to the leader, the Party, the nation, and the collective. While acknowledging these qualities, Kim argues for deeper readings. In some novels and stories, he finds, the path to becoming a revolutionary hero or heroine is no longer a simple matter of formulaic plot progression; instead it is challenged, disrupted, and questioned by individual desires, decisions, doubts, and imaginations. Fiction in the 1980s in particular exhibits refreshing story lines and deeper character development along with creative approaches to delineating women, sexuality, and the family. These changes are so striking that they have ushered in what Kim calls a Golden Age of North Korean fiction. Rewriting Revolution charts the insightful literary frontiers that critically portray individuals negotiating their political and sexual identities in a revolutionary state. In this fresh and thought-provoking analysis of North Korean fiction, Kim looks past the ostensible state propaganda to explore the dynamic literary world where individuals with human emotions reside. His book fills a major lacuna and will be of interest to literary scholars and historians of East Asia, as well as to scholars of global and comparative studies in socialist countries.

This is a historically founded, empirical study of social and economic transformation wrought by 'marketisation from below' in North Korea.

The definitive book about The Smiths, one of the most beloved, respected, and storied indie rock bands in music history. They were, their fans believe, the best band in the world. Hailing from Manchester, England, The Smiths--Morrissey, Johnny Marr, Andy Rourke, and Mike Joyce--were critical and popular favorites throughout their mid-1980s heyday and beyond. To this day, due to their unforgettable songs and lyrics, they are considered one of the greatest British rock groups of all time--up there with the Beatles, the Stones, the Who, and the Clash. Tony Fletcher paints a vivid portrait of the fascinating personalities within the group: Morrissey, the witty, literate lead singer whose loner personality and complex lyrics made him an icon for teenagers who felt forlorn and forgotten; his songwriting partner Marr, the gregarious guitarist who became a rock god for a generation of indie kids; and the talented, good-looking rhythm section duo of bassist Rourke and drummer Joyce. Despite the band's tragic breakup at the height of their success, A Light That Never Goes Out is a celebration: the saga of four working-class kids from a northern English city who come together despite contrasting personalities, find a musical bond, inspire a fanatical following, and leave a legacy that changed the music world--and the lives of their fans.