HERO ON THREE CONTINENTS is a chronicle of a century with the protagonist Henry Brown participating in events both cataclysmic and personal, and interfacing with characters both famous and imaginary. From the jazz age of the 1920s to the war-torn 1940s, to the international crises of oil and terrorism in the 70s, this novel makes history intimate, the work of any epic. The world needs a hero, and Henry Brown is such a man. Maitland-Lewis demonstrates the importance of uncompromising research as well as the art of presenting material in a fast-flowing, enjoyable, cant put it down style.

A medical doctor and political activist traces his life from India at partition to graduate work and practice in the UK and America, comparing health standards, economic well-being, race relations, and the political atmosphere on three continents during the socially-conscious 1960s and later under bare-knuckle capitalism. He includes a brief synopsis of PakistanOCOs tumultuous history, including the role played by superpowers with an interest in the region."

"Can following the footsteps of one of history’s most colorful figures lead to an unusual travel adventure? Absolutely. Giuseppe Garibaldi led freedom fighters on two continents, unified Italy, and almost headed America’s Union Army. His statues stand in cities around the world. So what do people today think of his accomplishments? In Looking for Garibaldi, John and Nancy Petralia discover that answer and more as they explore, often in hilarious ways, the places Garibaldi lived and fought, and how their lives parallel his. In stories of gun wielding gauchos, Italian family roots, nautical Christmas displays, historic battles, young lovers, old soldiers, tango missteps and travel with friends, the Petralias remind us that life’s most memorable moments often begin by taking a chance." -- page [4] cover.

African literatures, says volume editor Oyekan Owomoyela, "testify to the great and continuing impact of the colonizing project on the African universe." African writers must struggle constantly to define for themselves and other just what "Africa" is and who they are in a continent constructed as a geographic and cultural entity largely by Europeans. This study reflects the legacy of colonialism by devoting nine of its thirteen chapters to literature in "Europhone" languages—English, French, and Portuguese. Foremost among the Anglophone writers discussed are Nigerians Amos Tutuola, Chinua Achebe, and Wole Soyinka. Writers from East Africa are also represented, as are those from South Africa. Contributors for this section include Jonathan A. Peters, Arlene A. Elder, John F. Povey, Thomas Knipp, and J. Ndukaku Amankulor. In African Francophone literature, we see both writers inspired by the French assimilationist system and those influenced by Negritude, the African-culture affirmation movement. Contributors here include Servanne Woodward, Edris Makward, and Alain Ricard. African literature in Portuguese, reflecting the nature of one of the most oppressive colonizing projects in Africa, is treated by Russell G. Hamilton. Robert Cancel discusses African-language literatures, while Oyekan Owomoyela treats the question of the language of African literatures. Carole Boyce Davies and Elaine Savory Fido focus on the special problems of African women writers, while Hans M. Zell deals with the broader issues of publishing—censorship, resources, and organization.