Among the proliferation of Protestant sects across England in the seventeenth century, a remarkable number began adopting demonstratively Jewish ritual practices. From circumcision to Sabbath-keeping and dietary laws, their actions led these movements were labelled by their contemporaries as Judaizers, with various motives proposed. Were these Judaizing steps an excrescence of over-exuberant biblicism? Were they a by-product of Protestant apocalyptic tendencies? Were they a response to the changing status of Jews in Europe? In Jewish Christians in Puritan England, Aidan Cottrell-Boyce shows that it was instead another aspect of Puritanism that led to this behaviour: the need to be recognised as a 'singular', positively distinctive, Godly minority. This quest for demonstrable uniqueness as a form of assurance united the Judaizing groups with other Protestant movements, while the depiction of Judaism in Christian rhetoric at the time made them a peculiarly ideal model upon which to base the marks of their salvation.

A new assessment of the philosophical traditions Hippolytus depends on and of his method of presentation. This book deals with the reception of the Presocratics, Plato and Aristotle in the first centuries CE, and is a major contribution to our knowledge of the various currents in Pre-Neoplatonic Greek philosophy.

Presents the first systematic and cross-cultural examination of ideas of orthodoxy and heresy in a group of major religious traditions.

Treacherous Faith offers a new and ambitious cross-disciplinary account of the ways writers from the early English Reformation to the Restoration generated, sustained, or questioned cultural anxieties about heresy and heretics. This book examines the dark, often brutal story of defining, constructing, and punishing heretics in early modern England, and especially the ways writers themselves contributed to or interrogated the politics of religious fear-mongering and demonizing. It illuminates the terrors and anxieties early modern writers articulated and the fantasies they constructed about pernicious heretics and pestilent heresies in response to the Reformation's shattering of Western Christendom. Treacherous Faith analyzes early modern writers who contributed to cultural fears about the contagion of heresy and engaged in the making of heretics, as well as writers who challenged the constructions of heretics and the culture of religious fear-mongering. The responses of early modern writers in English to the specter of heresy and the making of heretics were varied, complex, and contradictory, depending on their religious and political alignments. Some writers (for example, Thomas More, Richard Bancroft, and Thomas Edwards) used their rhetorical resourcefulness and inventiveness to contribute to the politics of heresy-making and the specter of cunning, diabolical heretics ravaging the Church, the state, and thousands of souls; others (for example, John Foxe) questioned within certain cultural limitations heresy-making processes and the violence and savagery that religious demonizing provoked; and some writers (for example, Anne Askew, John Milton, and William Walwyn) interrogated with great daring and inventiveness the politics of religious demonizing, heresy-making, and the cultural constructions of heretics. Treacherous Faith examines the complexities and paradoxes of the heresy-making imagination in early modern England: the dark fantasies, anxieties, terrors, and violence it was capable of generating, but also the ways the dreaded specter of heresy could stimulate the literary creativity of early modern authors engaging with it from diverse religious and political perspectives. Treacherous Faith is a major interdisciplinary study of the ways the literary imagination, religious fears, and demonizing interacted in the early modern world. This study of the early modern specter of heresy contributes to work in the humanities seeking to illuminate the changing dynamics of religious fear, the rhetoric of religious demonization, and the powerful ways the literary imagination represents and constructs religious difference.

Jews, Christians, and Muslims in the Middle Ages were divided in many ways. But one thing they shared in common was the fear that God was offended by wrong belief. Medieval Heresies: Christianity, Judaism, and Islam is the first comparative survey of heresy and its response throughout the medieval world. Spanning England to Persia, it examines heresy, error, and religious dissent - and efforts to end them through correction, persuasion, or punishment - among Latin Christians, Greek Christians, Jews, and Muslims. With a lively narrative that begins in the late fourth century and ends in the early sixteenth century, Medieval Heresies is an unprecedented history of how the three great monotheistic religions of the Middle Ages resembled, differed from, and even interrelated with each other in defining heresy and orthodoxy.