The complete text of one of the most important speeches in American history, delivered by President Abraham Lincoln during the Civil War. On November 19, 1863, Abraham Lincoln arrived at the battlefield near Gettysburg, Pennsylvania, to remember not only the grim bloodshed that had just occurred there, but also to remember the American ideals that were being put to the ultimate test by the Civil War. A rousing appeal to the nation’s better angels, The Gettysburg Address remains an inspiring vision of the United States as a country “conceived in Liberty, and dedicated to the proposition that all men are created equal.”

One month in 1865 witnessed the frenzied fall of Richmond, a daring last-ditch Southern plan for guerrilla warfare, Lee's harrowing retreat, and then, Appomattox. It saw Lincoln's assassination just five days later and a near-successful plot to decapitate the Union government, followed by chaos and coup fears in the North, collapsed negotiations and continued bloodshed in the South, and finally, the start of national reconciliation. In the end, April 1865 emerged as not just the tale of the war's denouement, but the story of the making of our nation. Jay Winik offers a brilliant new look at the Civil War's final days that will forever change the way we see the war's end and the nation's new beginning. Uniquely set within the larger sweep of history and filled with rich profiles of outsize figures, fresh iconoclastic scholarship, and a gripping narrative, this is a masterful account of the thirty most pivotal days in the life of the United States.

Four score and seven years ago . . . . Are any six words better known, of greater import, or from a more crucial moment in our nation’s history? And yet after 150 years the dramatic and surprising story of how Lincoln wrote the Gettysburg Address has never been fully told. Until now. Martin Johnson's remarkable work of historical and literary detection illuminates a speech, a man, and a moment in history that we thought we knew. Johnson guides readers on Lincoln’s emotional and intellectual journey to the speaker’s platform, revealing that Lincoln himself experienced writing the Gettysburg Address as an eventful process that was filled with the possibility of failure, but which he knew resulted finally in success beyond expectation. We listen as Lincoln talks with the cemetery designer about the ideals and aspirations behind the unprecedented cemetery project, look over Lincoln's shoulder as he rethinks and rewrites his speech on the very morning of the ceremony, and share his anxiety that he might not live up to the occasion. And then, at last, we stand with Lincoln at Gettysburg, when he created the words and image of an enduring and authentic legend. Writing the Gettysburg Address resolves the puzzles and problems that have shrouded the composition of Lincoln's most admired speech in mystery for fifteen decades. Johnson shows when Lincoln first started his speech, reveals the state of the document Lincoln brought to Gettysburg, traces the origin of the false story that Lincoln wrote his speech on the train, identifies the manuscript Lincoln held while speaking, and presents a new method for deciding what Lincoln’s audience actually heard him say. Ultimately, Johnson shows that the Gettysburg Address was a speech that grew and changed with each step of Lincoln's eventful journey to the podium. His two-minute speech made the battlefield and the cemetery into landmarks of the American imagination, but it was Lincoln’s own journey to Gettysburg that made the Gettysburg Address.

A nuanced psychological portrait of Abraham Lincoln that finds his legendary political strengths rooted in his most personal struggles. Giving shape to the deep depression that pervaded Lincoln's adult life, Joshua Wolf Shenk’s Lincoln’s Melancholy reveals how this illness influenced both the President’s character and his leadership. Mired in personal suffering as a young man, Lincoln forged a hard path toward mental health. Shenk draws on seven years of research from historical record, interviews with Lincoln scholars, and contemporary research on depression to understand the nature of Lincoln’s unhappiness. In the process, Shenk discovers that the President’s coping strategies—among them, a rich sense of humor and a tendency toward quiet reflection—ultimately helped him to lead the nation through its greatest turmoil. A New York Times Book Review Editors’ Choice SELECTED AS A BEST BOOK OF THE YEAR: Washington Post Book World, Atlanta Journal-Constituion, St. Louis Post-Dispatch, Pittsburgh Post-Gazette As Featured on the History Channel documentary Lincoln “Fresh, fascinating, provocative.”—Sanford D. Horwitt, San Francisco Chronicle “Some extremely beautiful prose and fine political rhetoric and leaves one feeling close to Lincoln, a considerable accomplishment.”—Andrew Solomon, New York Magazine “A profoundly human and psychologically important examination of the melancholy that so pervaded Lincoln's life.”—Kay Redfield Jamison, Ph.D., author of An Unquiet Mind

"Von Drehle has chosen a critical year ('the most eventful year in American history' and the year Lincoln rose to greatness), done his homework, and written a spirited account."N"Publishers Weekly."

Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene. The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues. Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.

In The Intimate World of Abraham Lincoln, C.A. Tripp offers a full examination of Lincoln's inner life and relationships that, as Dr. Jean Baker argues in the Introduction, "will define the issue for years to come." The late C. A. Tripp, a highly regarded sex researcher and colleague of Alfred Kinsey, and author of the runaway bestseller The Homosexual Matrix, devoted the last ten years of his life to an exhaustive study of Abraham Lincoln's writings and of scholarship about Lincoln, in search of hidden keys to his character. Throughout this riveting work, new details are revealed about Lincoln's relations with a number of men. Long-standing myths are debunked convincingly—in particular, the myth that Lincoln's one true love was Ann Rutledge, who died tragically young. Ultimately, Tripp argues that Lincoln's unorthodox loves and friendships were tied to his maverick beliefs about religion, slavery, and even ethics and morals. As Tripp argues, Lincoln was an "invert"—a man who consistently turned convention on its head, who drew his values not from the dominant conventions of society, but from within. For years, a whisper campaign has mounted about Abraham Lincoln, focusing on his intimate relationships. He was famously awkward around single women. He was engaged once before Mary Todd, but his fiancée called off the marriage on the grounds that he was "lacking in smaller attentions." His marriage to Mary was troubled. Meanwhile, throughout his adult life, he enjoyed close relationships with a number of men. He shared a bed with Joshua Speed for four years as a young man, and—as Tripp details here—he shared a bed with an army captain while serving in the White House, when Mrs. Lincoln was away. As one Washington socialite commented in her diary, "What stuff!" This study reaches far beyond a brief about Lincoln's sexuality—it is an attempt to make sense of the whole man, as never before. It includes an Introduction by Jean Baker, biographer of Mary Todd Lincoln, and an Afterword containing reactions by two Lincoln scholars and one clinical psychologist and longtime acquaintance of C.A. Tripp. As Michael Chesson explains in one of the Afterword essays, "Lincoln was different from other men, and he knew it. More telling, virtually every man who knew him at all well, long before he rose to prominence, recognized it. In fact, the men who claimed to know him best, if honest, usually admitted that they did not understand him." Perhaps only now, when conventions of intimacy are so different, so open, and so much less rigid than in Lincoln's day, can Lincoln be fully understood.