Before Seabiscuit there was Exterminator, a thoroughbred who won more stakes races than Man o' War and Secretariat combined, and whose staggering success would dramatically change the world of horse-racing. His success challenged the notion that American horses would never live up to Europe's meticulously charted bloodlines and made him a patriotic icon of the country after World War I. His longevity established him as one of the public's most beloved athletes and celebrities, and he appeared in ads, films, and newspapers nationwide.--

This book makes the case for unproduction studies, the study of films left unmade, unseen, or unreleased, as a radical discipline with the potential to uncover a shadow history of the American film industry. Exploring the archival methods that can be utilised in this endeavour, James Fenwick argues that a revisionist history is needed to understand the logic of the film industry, finding that it has long-been predicated on a system of unmade creativity in which finances, resources, and labour is invested into projects that production companies know will never be produced or have no intention of ever producing. Using the Production Code Administration (PCA) records, housed at the Margaret Herrick Library, as a case study, the book explores the material existence of the unmade and considers how archives and archival methods can be used to construct a shadow history that recovers the forgotten, marginalised, and overlooked figures in film history, providing explanations for structural forces that contributed to the unmade. Given its unique use of the unmade as an analytic for film history, this book will be an essential read for scholars interested in film and media history, performance studies, film production, and creative practice, as well as to archivists and archival researchers.

Based on archival research, this study of Pancho Villa aims to separate myth from history. It looks at Villa's early life as an outlaw and his emergence as a national leader, and at the special considerations that transformed the state of Chihuahua into a leading centre of revolution.

This colorful history of Pancho Villa as a propagandist tells how the legendary guerrilla waged war not only on the battlefield but also in the mass media, where he promoted his foreign policy of friendship with the United States in a bid to gain American backing for the Mexican Revolution between 1913 and 1915. Mark Cronlund Anderson explores issues of race, identity, and the power of the mass media to explain how Villa dueled with his archrivals, Mexican dictator Victoriano Huerta and Villa’s ostensible colleague-in-arms, Venustiano Carranza, using a sophisticated public-relations machine.

A fifty-state tour of lesser-known historical sites based on a campaign backed by "National Geographic" reveals the events that took place at near-forgotten locales.

A wild ride and revealing portrait of the controversial Pancho Villa, one of Mexico’s most beloved (or loathed) heroes, that finally establishes the importance of his role in the triumph of the Mexican Revolution, by renowned writer Paco Ignacio Taibo II. The last biography of Pancho Villa was published 25 years ago, and this new edition has been translated into English for the first time. This biography marks a kind of reinvention of the legendary Mexican figure of Pancho Villa. It is a masterful reevaluation and heavily researched account of his life. This book makes a new claim, finally giving Pancho Villa his due as the decisive figure in the success of Mexican Revolution. Here he is less the colorful bandito and more the incorruptible conscience that not only won key battles, but also maintained the revolutionary vision and led the way in terms of class consciousness. Pancho Villa is a rollicking, sometimes hilariously comical, sometimes extremely violent, and always very personal portrait of the controversial Mexican historical figure Pancho Villa. Beloved crime writer Paco Ignacio Taibo II (a.k.a. PIT)—the prolific historian, biographer of Che Guevara and the founder of Mexican “neopolicial” fiction—brings his tremendous storytelling skills to an account of one of the Mexico’s greatest legendary characters. With his vibrant narrative style, Taibo describes the adventures of Pancho Villa with incredible stories, the stuff of history and tragedy, backed up by tremendous research. Throughout, Taibo unveils secrets about the life of one of Mexico's most courageous and charismatic leaders. Includes period photographs that indelibly capture the rocky transition from the wild and agrarian past towards modern statehood.