In our globalized and transcultural world it has become more common than ever to live among different languages, to cross geographical and cultural borders frequently, to negotiate between multiple spaces and loyalties: from global businesspeople to guest workers, from tourists to refugees. In this book, Siri Nergaard examines translation as a personal, intimate experience of a subject living in and among different languages and cultures and sees living in translation as a socio-psychological condition of transmigrancy with strong implications on emotions and behaviour. Adopting a wide transdisciplinary approach, drawing on theories in psychology, anthropology, cultural studies, semiotics, and philosophy, the author investigates the situations of translation affecting individuals, and in particular migrants. With examples from documentaries, photographs, exhibitions, and testimonies, Nergaard also analyses how migrants get translated in political discourse and in official documents, and how they perform their lives as transmigrants. The first part examines in particular three issues and concepts: the figure of the migrant, hospitality, and the border, which are viewed as representing the most fundamental questions of what living in translation means. The second part of the book presents examples of lives in translation through representations in a variety of modes and expressions. This timely book is key reading for researchers and advanced students in translation and interpreting studies, anthropology, migration studies, and related areas.

This is the first scholarly work in Modern European History which elucidates consistently how border issues affect the history of nations and states in the 19th and 20th centuries. The book rethinks the Italian history of the last 150 years from the perspective of its eastern periphery and of the profound impact that events on the border had on the core of the country.

Suggests hikes in five French and one Italian national parks, and offers tips on trip planning, map sources, and safe hiking.

Think of national borders beyond just lines: this invitation guides Nicoletta Grillo’s journey into the Swiss-Italian border, a journey shaped through the lens of photography theory and practice. Moving between contemporary cross-border work and south-north migrations, this study unveils today’s borderscapes as dynamic constellations of spatial practices and imaginations. The book delves into landscape representations by combining the analysis of contemporary photographic artwork with field research and with the author’s own photographs, displayed in an extensive photo-textual travelogue. Perspectives from critical border studies, research in the arts, and urban studies come together to offer a larger reflection on the re-imagination of borderscapes.

Italy's northern border follows the watershed that separates the drainage basins of Northern and Southern Europe. Running mostly at high altitudes, it crosses snowfields and perennial glaciers--all of which are now melting as a result of anthropogenic climate change. As the watershed shifts so does the border, contradicting its representations on official maps. Italy, Austria, and Switzerland have consequently introduced the novel legal concept of a "moving border," one that acknowledges the volatility of geographical features once thought to be stable. A Moving Border: Alpine Cartographies of Climate Change builds upon the Italian Limes project by Studio Folder, which was devised in 2014 to survey the fluctuations of the boundary line across the Alps in real time. The book charts the effects of climate change on geopolitical understandings of border and the cartographic methods used to represent them. Locating the Italian condition alongside a longer political history of boundary making, the book brings together critical essays, visualizations, and unpublished documents from state archives. By examining the nexus of nationalism and cartography, A Moving Border details how borders are both material and imagined, and the ways global warming challenges Western conceptions of territory. Even more, it provides a blueprint for spatial intervention in a world where ecological processes are bound to dominate geopolitical affairs. A Moving Border features a foreword by Bruno Latour and texts by Stuart Elden, Mia Fuller, Francesca Hughes, and Wu Ming 1, and is co-published with ZKM | Center for Art and Media, Karlsruhe.

Border Heritage opens new insights in migration studies through analysis of the same emblematic eastern-central European borderland in Trieste, crossed by four refugee migrations over 70 years of history (1945–2022). Born from a dual personal and professional perspective, the book’s original structure starts from the Ukrainian displacement, going back to the asylum seekers arriving via the Balkans, then to refugees from the former Yugoslavia, and the exodus from Istria after the Second World War; the second part focuses on places, objects, and displaced memories. Each chapter begins with a particularly significant account by a refugee, which anchors the argument in everyday life and gives a human dimension to the following conceptual developments. All but scattered, the narrative plot offers a cohesive thread through the various chapters, analyzing how the various migrations have stratified, overlapped, and contaminated each other. Critically rethinking the heritage of a borderland means rethinking cognitive categories and being able to perceive the different nuances of those on the margins, without necessarily wanting to merge them into a generic “social inclusion” and instead giving them the right to a different voice. This book reverses the monochrome historical perspective to instead adopt the migrants’ perspective and make them the subject of study in a set of historical migrations.