This impressive debut has established Hera Lindsay Bird as a good girl with many beneficial thoughts and feelings. With themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is, juxtaposing many classical and modern breezes. Bird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert. This is at once an intelligent and compelling fantasy of tenderness, heartbreaking and charged with trees without once sacrificing the forest.

Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love. This pamphlet of poetry by Hera Lindsay Bird, is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. This collection, which focusing on love, childish behaviours, 90's celebrity references and being a woman is sure to confirm all your worst suspicions and prejudices. In a recent comments section on the Guardian, her work was described as "This comment was removed by a moderator because it didn't abide by our community standards. Replies may also be deleted. For more detail see our FAQs," and "This comment was removed by a moderator because it didn't abide by our community standards. Replies may also be deleted. For more detail see our FAQs."

An anthology of new New Zealand verse, which first appeared in the popular Friday Poem slot in The Spinoff website. It features some of the most well-known and established names in New Zealand poetry as well as new, exciting writers. It is a showcase of New Zealand poetry.

'The first time I read Freya’s work I thought . . . uh oh. And then I thought, you have got to be kidding me. And then I thought, God fucking dammit. And then I walked around the house shaking my head thinking . . . OK – alright. And then – finally – I thought, well well well – like a smug policeman. Listen – she’s just the best. I’m going to say this so seriously. She is, unfortunately, the absolute best. Trying to write a clever blurb for her feels like an insult to how right and true and deadly this collection is. God, she’s just so good. She’s the best. She kills me always, every time, and forever.’ —Hera Lindsay Bird

Megan Dunn had lost the plot—in her life and in her art. Her attempt to write a fictional tribute to Fahrenheit 451 wasn’t going well. Her employer, the bookseller Borders, was going bust. Her marriage was failing. Her prospects were narrowing. The world wasn’t quite against her – but it wasn’t with her either. Riffing on Ray Bradbury’s classic novel about the end of reading, Tinderbox is one of the most interesting books in decades about literary culture and its place in the world. More than that, it’s about how every one of us fits into that bigger picture – and the struggle to make sense of life in the twenty-first century. Ironically enough for a book about failures in art, Tinderbox itself is a fantastic achievement: a wonderfully crafted and beautifully written work of non-fiction that is by turns brilliantly funny and achingly sad. Tinderbox is one of the most successful books about failure you will ever read. Praise for Tinderbox: ‘Megan Dunn’s writing is utterly modern, sharp, unsentimental and beautiful; she tells a gripping story laced with humour and pathos. She is a writer to watch.’ - Michèle Roberts ‘Megan Dunn possesses a rare combination of assets – a highly original voice, great subject matter, enormous insight and serious literary ambition. Plus, she’s funny. Her work leaps off the page and makes the reader want more.’ - Kate Pullinger “It’s already one of my favourite New Zealand books.” – Hera Lindsay Bird, The Spinoff “Megan Dunn is a comic genius.” – Susanna Andrew, Metro “A wonderful, restless, formally daring first book” – James Cook, Review 31 Praise for Things I Learned at Art School: “It is, quite simply, a work of brilliance. It is an intelligent, sharp, and incisive body of work.” – Lana Lopesi, Metro “Dunn has an extraordinary facility with tone, an ability to be consistently funny while telling sad stories.” – David McCooey, Sydney Review of Books. “A rich, rewarding, funny and poignant memoir.” – Sally Blundell, Academy of New Zealand Literature “Dunn takes the reader on a digressive, funny and unflinching journey through late-20th-century New Zealand.” – Paula Morris, New Zealand Listener “As Megan Dunn makes clear in her wise, witty and wonderful memoir, the seeds of a creative life will bloom in the most unexpected of places.” – Jennifer Higgie, author of The Other Side

This is a first collection from a significant new voice in New Zealand poetry. Through fun and gore, love and monsters, Sugar Magnolia Wilson's riveting first collection takes readers inside a world where past and present, fiction and fact, author and subject collide. Playful and yet not so sunny, these poems invite you in with extravagant and surprising imagery, only to reveal the uneasy, Frankenstein world within.