An original collection of four plays about unsung women from the history of the Canadian west. With theatrical twists and turns, Her Voice, Her Century takes us from an English doctor plunked into the middle of Alberta's unsettled north country, to a Canadian journalist covering the First World War, to the scandalous relationship between an Alberta politician and a young secretary, to the lives and work of two influential early Canadian photographers. Written for contemporary audiences and drawing heavily on newspaper articles, private letters, and court transcripts, this collection captures an authenticity of voice, using techniques of historical drama to connect the dots. Includes photos from the Provincial Archives of Alberta along with details of original production choices and stills from the productions. The plays included in the book are Letters from Battle River, Respecting the Action for Seduction, and The Unmarried Wife, co-written by David Cheoros and Karen Simonson, and Firing Lines, written by Debbie Marshall.

30 Extraordinary Women Come Together to Celebrate a New Era We are at a defining moment in history . . . The world as we know it is shifting from a society based on a predominantly masculine model into a new era, one with women at the forefront as the leaders of the twenty-first century. Within these pages, you'll discover powerful female voices rising up to educate, guide, and inspire. Behind each story is a woman bold and brave enough to have her voice be heard.

“Radiant.” —O, The Oprah Magazine From cherished memories of childhood weekends with Nana to the reality of the year she spent “ladysitting,” Lorene Cary journeys through stories of their time together and five generations of their African American family. Weaving a narrative of her complicated relationship with Nana—a fiercely independent and often stubborn woman whose family fled the Jim Crow South and who managed her own business until 100—Cary captures the ruptures, love, and forgiveness that can occur in family as she bears witness to her grandmother’s vibrant life.

This book is a study of the works of Margaret Walker (1915–1998) in chronological order, in the social and intellectual context of twentieth century America. Walker is a writer who is known by name for her works; however, very little criticism is written on her literary contributions. This is the first monograph on Walker’s work by a single author and is an attempt to establish the importance of Walker’s representation of twentieth-century America against its critical obscurity. This book shows that Walker is a woman writer who slipped to the margins of the African American literary canon for improper reasons. Material presented in this study is based on research on available criticism published on Walker’s work. It is also based on research on the social, intellectual, and political aspects of twentieth-century America. This text also incorporates information derived from the researcher’s close reading of Walker’s work. It argues that issues of race, gender, and class are always connected in twentieth-century America and in Walker’s work as reflective of this century in America. It also argues that Walker’s feminist consciousness develops from one work to another until it reaches its peak in her later poetry.

By integrating theoretical approaches to the female voice with the musicological investigation of female singers’ practices, the contributors to this volume offer fresh viewpoints on the material, symbolic and cultural aspects of the female voice in the twentieth century. Various styles and genres are covered, including Western art music, experimental composition, popular music, urban folk and jazz. The volume offers a substantial and innovative appraisal of the role of the female voice from the perspective of twentieth-century performance practices, the centrality of female singers’ experimentations and extended vocal techniques along with the process of the ‘subjectivisation’ of the voice.

The vocal repertoire of the twentieth century--including works by Schoenberg, Boulez, Berio, Larsen, and Vercoe--presents exciting opportunities for singers to stretch their talents and demonstrate their vocal flexibility. Contemporary composers can be very demanding of vocalists, requiring them to recite, trill, and whisper, or to read non-traditional scores. For singers just beginning to explore the novelties of the contemporary repertoire, Exploring Twentieth-Century Vocal Music is an ideal guide. Drawing on over thirty years of experience teaching and performing the twentieth century repertoire, Sharon Mabry has written a cogent and insightful book for singers and voice teachers who are just discovering the innovative music of the twentieth century. The book familiarizes readers with the new and unusual notation systems employed by some contemporary composers. It suggests rehearsal techniques and vocal exercises that help singers prepare to tackle the repertoire. And the book offers a list of the most important and interesting works to emerge in the twentieth century, along with suggested recital programs that will introduce audiences as well as singers to this under-explored body of music.