Features the court of Britain's longest-reigning monarch Royalty and the Victorian era, with coverage of the people, pageantry, and power of Queen Victoria's court. Beginning with the Queen's 1897 Diamond Jubilee, this book describes her long reign. It paints a portrait of a unique ruler at the height of empire.

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The Diamond Jubilee of Her Majesty Queen Victoria was celebrated with great pomp and show in June 1897 throughout British India. Since the purpose of the advent of the Promised Messiah(as) was to propagate the Unity of God and His message, he found a way to serve those objectives at that occasion. He published the booklet Tohfa-e-Qaisariyyah on May 25, 1897. In addition to felicitating Her Majesty, the Promised Messiah(as) made the following points with great subtlety and wisdom: 1. Truthfulness of the Holy Prophet Muhammad(sa). 2. Truthfulness of Islam and its teachings that can bring about international peace. 3. A proposal for Her Majesty to organise a conference of great religions. 4. A strong plea for Her Majesty to clear Hazrat Isa(as) (Jesus) of the accusation of having been cursed. 5. An undertaking to show a sign of his own truthfulness, provided that Her Majesty would agree to accept his message in case of fulfilment – adding that he would accept death penalty if he is unable to show a convincing sign.

A flavour of this book ... This small disk is called Carmichael’s Amulet and it commemorates the Diamond Jubilee of Queen Victoria by the dates 1837 and 1897. These are the dates of her 60 years reign. To the right can be seen a mould that is carved from wood. It seems to have been professionally made in a large block that is well finished and furnished with a hook for hanging up. The mould may have produced butter pats or terrines for a Victorian celebration. As well as the Diamond Jubilee dates it commemorates the Record Reign that Queen Victoria had achieved in 1896 after being monarch for longer than George III. These images were taken by the authors as this book was being written and so they do not appear in the text which summarises an enormous variety of Diamond Jubilee souvenirs. Inside you will find a unique view of Victoriana that was made to celebrate one event at the height of the powers of the British Empire. The souvenirs will give you a glimpse into Victorian creative ingenuity as well as the thinking and beliefs of people in 1897.

Moving images of the British monarchy are almost as old as the moving image itself, dating back to an 1895 American drama, The Execution of Mary Queen of Scots. And from 1896, actual British monarchs appeared in the new 'animated photography', led by Queen Victoria. Half a century later the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century's end, Princess Diana's funeral was viewed by 2.5 billion worldwide. In the first book length examination of film and television representations of this enduring institution, distinguished scholars of media and political history analyze the screen representations of royalty from Henry VIII to 'William and Kate'. Seventeen essays by Ian Christie, Elisabeth Bronfen, Andrew Higson, Karen Lury, Glynn Davies, Jane Landman and other international commentators examine the portrayal of royalty in the 'actuality' picture, the early extended feature, amateur cinema, the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. A long overdue contribution to film and television studies, this book will be essential reading for scholars and students of British media and political history.

In January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. These two events, while seemingly unrelated, marked the beginnings of a relationship that continued throughout the nineteenth century and helped construct the image of an entire age. A Royal Passion explores the connections between photography and the monarchy through Victoria’s embrace of the new medium and her portrayal through the lens. Together with Prince Albert, her beloved husband, the Queen amassed one of the earliest collections of photographs, including works by renowned photographers such as Roger Fenton, Gustave Le Gray, and Julia Margaret Cameron. Victoria was also the first British monarch to have her life recorded by the camera: images of her as wife, mother, widow, and empress proliferated around the world at a time when the British Empire spanned the globe. The featured essays consider Victoria’s role in shaping the history of photography as well as photography’s role in shaping the image of the Queen. Including more than 150 color images—several rarely seen before—drawn from the Royal Collection and the J. Paul Getty Museum, this volume accompanies an exhibition of the same name, on view at the J. Paul Getty Museum from February 4 to June 20, 2014.