A murder. A missing manuscript. An undying love. Thisbe Chisholm wants to be a writer. It's 2007, a time of digital revolution and skyrocketing property prices, but she's an old-fashioned girl. She doesn't even own a mobile phone. She has no stars-in-her-eyes desire for fame, to see her name on the cover of a book, either. She longs only to tell of the stories written on her heart. While her best friends, Penny and Jane, and her darling boyfriend, John, seem set for stellar careers in their chosen fields, Thisbe works nights as a hostess at a glitzy harbourside Sydney club - a job she despises but it's paid the rent for the last three years since university graduation. Just as she completes her novel, though, she is brutally killed at the end of John's street. Who murdered Thisbe? What will become of her novel? From the gritty glamour of Bondi Beach to the cold streets of London, here is a tale of tragedy and literary betrayal, of a publishing industry grappling with change and a great love drowning in guilt-wracked grief. Haunting, whimsical and sharply observed, Her Last Words lays bare the truth that, while some crimes might go unpunished among the privileged, words themselves have a way of enduring - and exacting a justice all their own. Praise for Kim Kelly 'deeply moving...alive, full-hearted and shimmering with hope' - Belinda Castles, Bluebottle 'Kelly is a masterful creator of character and voice.' - Julian Leatherdale, Palace of Tears 'history that makes you think as well as feel' - Wendy James, The Golden Child 'an author who writes with such a striking sense of atmosphere and sublime instinct' - Theresa Smith Writes 'storytelling is clearly encoded in her DNA' - Writerful Books 'It is uplifting to know that there are people who can write like this, with clarity, a bit of devilment and a hint of a smile.' Canberra Times 'marvellous depth and authenticity based on some impressive research, and her characters, plot and fluid prose draw the reader into this world' - Daily Telegraph 'colourful, evocative and energetic' - Sydney Morning Herald 'storytelling that breaks the rules so beautifully' - Jenn J McLeod, A Place to Remember 'Kim Kelly's writing is magnificent' - With Love for Books 'told with wit, warmth and courage' - Kylie Mason, The Newtown Review of Books 'vivid and enthralling' - Lisa Walker, The Girl with the Gold Bikini 'simply superb' - Karen Brooks, The Darkest Shore

An NYRB Classics Original When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note. The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

Meticulously researched, Joan Crawford: The Last Word deals in full with her long movie career and explores in detail her turbulent private life. Respected biographer Fred Lawrence Guiles uses newly discovered sources and recent interviews with many who knew her, and some who loved her, to establish the person behind the carefully crafted screen icon. For most of her adult life she was a Star who dedicated herself entirely to her career. But since her death her luster has been tarnished. Here, at last, is a biography that sets the record straight. In her heyday Joan Crawford was probably the most imitated woman in the world. Magazine covers featured her face, and high school and college girls copied her makeup and clothing. Born Lucille LeSuer in Kansas City, she spent her childhood on the edge of poverty. But an iron will developed in adolescence drove her to New York City and eventual work in a chorus line. Spotted by a Hollywood talent scout, she was soon on her way to the film capital. Four times married (to actors Douglas Fairbanks Jr., Franchot Tone, Philip Terry, and Pepsi-Cola executive Alfred Steele) and driven by a powerful sexuality, Joan Crawford lived her life on the razor’s edge. Yet she was a woman of great generosity who cared deeply for her four adopted children, although her ideas of discipline were colored by her own harsh upbringing. Her professional career spanned more than forty years and included such classics as Grand Hotel, Mildred Pierce, and Whatever Happened to Baby Jane? Her remarkable progression from silent films to talkies to television exemplified her ability to adapt, chameleonlike, to the ever-changing demands of the industry that in many senses invented her.

St. Thérèse of Lisieux (1873–1897) spent the final months of her short life in the infirmary of the Carmel of Lisieux, France. Those who attended her—including three of her older sisters by birth—were living in the company of one of God's saints, one prepared for our times. This volume, St. Thérèse of Lisieux: Her Last Conversations, serves as a sequel to St. Thérèse's autobiography, Story of a Soul. It contains the intimate words of her final conversations with her three sisters during the last months of her life, especially those three critical months in the Carmel infirmary from July to September 1897. Fortunately for us, her words were written down without the awareness that eventually a great multitude of friends of St. Thérèse would hunger for her spiritual teaching. 150 years after this great saint and Doctor of the Church was born into the world, the publication of this revised edition enables us to live in her company and enjoy her holy conversations and counsels. When we read her words with faith, her presence is at our side. She speaks to us directly, sharing her human experience: her joys, her sufferings, her love for God, and especially her trust in him amid her painful ordeal. This revised edition of St. Thérèse of Lisieux: Her Last Conversations reflects the extensive 1992 French critical edition of Derniers Entretiens in two volumes. That very complete and scholarly production has been edited here into its essential elements: + The entire text of St. Thérèse's words collected by the three main witnesses, Mother Agnes (Pauline), Sister Geneviève (Céline), and Sister Marie of the Sacred Heart (Marie); + The testimony of other witnesses when this does not repeat that of the three main witnesses; + Additional words of St. Thérèse as quoted in letters written during her last three months; + Comprehensive indexes of key names, topics, and biblical references.

Regine’s blog about living with Leukemia gained a huge following, and eventually became this book. She writes openly about emotional and physical aspects of her 15-month struggle to recover, and explains how her disease impacts her life. In the course of her illness, Regine has photography exhibits, goes to concerts, enjoys her friends ? and the lessons she learned have relevance for all of us. She died at home on December 3, 2009 with her family and cat by her side.

The author of Vendetta: The Kennedys reopens the Marilyn Monroe case, using previously unreleased tapes illuminating the emotional life of the actress, as well as forensic evidence, to reconstruct the last days of Monroe and prove that her "suicide" was actually foul play. Reprint.

The New York Times bestseller everyone is talking about. If you could read my mind, you wouldn't be smiling. Samantha McAllister looks just like the rest of the popular girls in her junior class. But hidden beneath the straightened hair and expertly applied makeup is a secret that her friends would never understand: Sam has Purely-Obsessional OCD and is consumed by a stream of dark thoughts and worries that she can't turn off. Second-guessing every move, thought, and word makes daily life a struggle, and it doesn't help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush. Yet Sam knows she'd be truly crazy to leave the protection of the most popular girls in school. So when Sam meets Caroline, she has to keep her new friend with a refreshing sense of humor and no style a secret, right up there with Sam's weekly visits to her psychiatrist. Caroline introduces Sam to Poet's Corner, a hidden room and a tight-knit group of misfits who have been ignored by the school at large. Sam is drawn to them immediately, especially a guitar-playing guy with a talent for verse, and starts to discover a whole new side of herself. Slowly, she begins to feel more "normal" than she ever has as part of the popular crowd . . . until she finds a new reason to question her sanity and all she holds dear.