A timely survey of this significant British artist and the complexities surrounding his work and reputation today Famed for his depictions of sun, sea, and sailing during a late Victorian and Edwardian golden age, the British painter Henry Scott Tuke RA (1858-1929) is an intriguing artistic anomaly. Moving between Cornish-based artist colonies and the London art scene, stylistically Tuke presents a fusion of progressive plein airisme, loose impressionistic handling, and a vivid palette, and yet he was fundamentally an academic painter of exhibition nudes. Though consistently successful throughout his lifetime, in the wake of two world wars Tuke's depictions of bathing boys came to represent a seemingly outmoded epoch. This far-reaching study features new research from leading authorities on Victorian and Edwardian art. Essays tackle questions of wide-ranging artistic influences, experimental art practice, and a varied reception history. Tuke's repeated portrayal of adolescent male nudes provokes challenging questions about the depiction, exhibition, and reception of the body--especially the young body--both then and now.

A stunning and sensuous collection of paintings by this English 'Painter of Youth'. Like his close American contemporary Thomas Eakins, Tuke's naturalist paintings of naked young men were inspired by classical ideals of perfection, by the Impressionists and plein air painters, and by the poetic influence of Walt Whitman. Tuke returned from London to settle in his native Cornwall, where the idyllic coastline is the setting for much of his work. Largely forgotten after his death, in a Freudian age when the sexuality of his paintings could not be ignored, Tuke has now been rediscovered and enjoyed by a new been rediscovered generation. All his major paintings are reproduced in colour in this first published monograph on the artist, now available in large format paperback.

Henry Scott Tuke (1858-1929) is remembered today as a master painter of the human figure, exemplified both by his early narrative paintings and by his portrayal of the male nude. In his out-of-doors 'studio' on secluded Newporth beach near Falmouth he ca

In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).