This explosive look into the dawn of chemical warfare during World War I is "a terrifying piece of history that almost no one knows" (Hampton Sides). In 1915, when German forces executed the first successful gas attack of World War I, the world watched in horror as the boundaries of warfare were forever changed. Cries of barbarianism rang throughout Europe, yet Allied nations immediately jumped into the fray, kickstarting an arms race that would redefine a war already steeped in unimaginable horror. Largely forgotten in the confines of history, the development of the U.S. Chemical Warfare Service in 1917 left an indelible imprint on World War I. This small yet powerful division, along with the burgeoning Bureau of Mines, assembled research and military unites devoted solely to chemical weaponry, outfitting regiments with hastily made gas-resistant uniforms and recruiting scientists and engineers from around the world into the fight. As the threat of new gases and more destructive chemicals grew stronger, the chemists' secret work in the laboratories transformed into an explosive fusion of steel, science, and gas on the battlefield. Drawing from years of research, Theo Emery brilliantly shows how World War I quickly spiraled into a chemists' war, one led by the companies of young American engineers-turned-soldiers who would soon become known as the "Hellfire Boys." As gas attacks began to mark the heaviest and most devastating battles, these brave and brilliant men were on the front lines, racing against the clock -- and the Germans -- to protect, develop, and unleash the latest weapons of mass destruction.

They were the Bundy Drive Boys: hard-drinking, brilliantly talented, world-famous men of golden-age Hollywood - John Barrymore, Errol Flynn and W.C. Fields. Heroes with Hangovers tells the uncensored and ultimately moving story of these lost-soul geniuses. The partying and antics of the Rat Pack seem tame in comparison, but beneath the boozy bravado was a devoted mutual affection. Illustrated with dozens of never-before-seen photos and illustrations, this is the sozzled side of Hollywood's great era.

“A great hero, a really exciting series.” —Joseph Finder For hostage rescue specialist Jonathan Grave, every mission is a matter of life or death. But he faces his most personal challenge yet when two boys are abducted while being driven to Resurrection House, the school Jonathan founded as a sanctuary for children of incarcerated parents. The boys were entrusted to Jonathan’s care. Now they’re missing. It’s time to fight fire with fire . . . The boys’ mom, Connie Kendall, is awaiting trial on drug smuggling charges. Prosecutors want her to testify against the brutal Cortez Cartel to help bring down their ruthless operations. If she cooperates, she’ll get an easier sentence. But with her kids in the grip of the cartel, her lips are sealed. As Jonathan and his team of skilled operatives close in on the kidnappers, they realize that their enemies aren’t just hell-bent on selling drugs. Rival factions have even deadlier agendas. The clock is ticking on an attack that could kill thousands in a single breath. And it’s almost zero hour . . .

The dreams of a courageous Apache girl illuminate the hidden world of an Indian orphanage in this unforgettable story. Over forty years ago, Sharon Skolnick (Okee-Chee) and her sisters were removed from their Apache parents and became wards of the state of Oklahoma. She and her nearest sister made their way together through the Oklahoma Indian child welfare system. Shuttled back and forth between foster homes and orphanages, they finally ended up at the Murrow Indian Orphanage in Muskogee, Oklahoma. Here, Skolnick tells the gripping and ultimately triumphal account of the year the sisters spent there. ø Murrow was a place of wonder and terror, friendship and loneliness, where resilient children forged shifting alliances and conspired together yet yearned in solitude for a home and family to call their own. Skolnick paints an absorbing portrait of the world of an Indian orphanage, a world both bright and dark, vividly rendered through a child's eyes but tempered by the perspective of the woman who survived the Indian child welfare system and became an Apache artist.

Adored by some, abhorred by others, actress Vilma Valentine is presumed dead after a fiery automobile collision in Mexico, her body never recovered. In the intervening years the fabled star is sighted more often than Bigfoot. Is it her ghost that crashes a party for Ronald Reagan in Juarez, appears at the deathbed of her estranged father in Rome, flees from Marion Davies and William Randolph Hearst at the Parthenon? In 1969 Virginia Dofstader wins the Valentine lookalike contest publicizing The Curse of Vilma Valentine by literary heavyweight Gerald Carstairs. In the course of the book's promotion, it is discovered that Virginia's mother looks even more like Vilma than Miss Dofstader does. As notorious in death as in life, Vilma haunts the imagination of aficionados of 1940 movies. Did she really kill all those husbands? Was she a Nazi spy? Was she truly responsible for the bombing of Pearl Harbor? Her story, a suspenseful stew of WWII saboteurs, stolen European artworks, murders and massacres, is told in the words of major Hollywood figures-lovers, friends, enemies, and Vilma herself. It's all seasoned with a knowing dose of romantic comedy.

Starting with the figure of the bold, boisterous girl in the mid-19th century and ending with the “girl power” movement of the 1990’s, Tomboys is the first full-length critical study of this gender-bending code of female conduct. Michelle Abate uncovers the origins, charts the trajectory, and traces the literary and cultural transformations that the concept of “tomboy” has undergone in the United States. Abate focuses on literature including Louisa May Alcott's Little Women and Carson McCullers's The Member of the Wedding and films such as Peter Bogdanovich's Paper Moon and Jon Avnet's Fried Green Tomatoes. She also draws onlesser-known texts like E.D.E.N. Southworth's once wildly popular 1859 novel The Hidden Hand, Cold War lesbian pulp fiction, and New Queer Cinema from the 1990s. Tomboys also explores the gender and sexual dynamics of tomboyism, and offers intriguing discussions of race and ethnicity's role in the construction of the enduring cultural archetype. Abate’s insightful analysis provides useful, thought-provoking connections between different literary works and eras. The result demystifies this cultural phenomenon and challenges readers to consider tomboys in a whole new light.

Welcome to the gritty biker world of the Raising Hellfire MC series where these L.A. bikers drink hard, drive fast, and dig deep for love. "De Winton brings the sass and the smexy as Cole and Briony burn up the sheets in this must read biker romance." — USA Today bestselling author Amy Andrews In Burning to Ride, this sexy 2-in-1 set from USA Today bestselling author Michele De Winton, features Burned by Lust and Burned by Blackmail – previously released as individual titles. In Burned by Lust, Biker, Hard Corban, is set to take over the Raising Hellfire MC and doesn’t have love on his agenda. But Lee Delevinge, a raven-haired burlesque dancer running from her past, is set on burning up his heart. When their fling takes a serious turn, could they have the relationship they both crave? In Burned by Blackmail, Briony Wilde is desperate to save her biker bar from a millionaire developer. When Cole Knight walks into her bar, all green eyes and sharp suit, she allows herself a little distraction, only to find he’s behind the development that threatens everything she holds dear. Solution? Blackmail him into an engagement. Obviously. After such a shaky start, could their relationship have any chance of changing from a forced arrangement to something real?