Hellboy cuts a deal with the devious Baba Yaga that may secure the survival of mankind in this climactic follow-up to 2009's lauded Hellboy: The Wild Hunt. But when war ensues between the forces of good and evil, Hellboy must finally confront the Queen of Blood in a battle that will change the fate of the world! Collects Hellboy: The Storm #1-#3 and Hellboy: The Fury #1-#3. Mike Mignola and Duncan Fegredo conclude their epic collaboration that began in 2007's Darkness Calls—a saga that changes everything for Hellboy! • R.I.P. Hellboy 1944-2011

After sacrificing himself to save the world, this epic conclusion of Hellboy's story follows him on a journey through Hell, where he once again faces off against the Vampire of Prague, pleads his case when accused of murder, and fulfills his destiny by destroying Pandemonium itself. This deluxe, oversized hardcover edition collects Hellboy in Hell: The Descent and The Death Card, plus an expanded sketchbook section. Mignola's complete Hellboy in Hell saga! ""The prophecies are coming to pass, the threads all coming together. It's a thing of true beauty, really. When it comes down to it, Mike Mignola creating, writing, and drawing the character feels like one of the most important things to ever happen to the medium . . . Epic, perfectly paced, and profoundly dark. Hellboy is comics. It's what the medium is all about."--Nerdist "Hellboy in Hell may be Mike Mignola's masterpiece . . . Mignola's sparse illustration is given deep, complex mood thanks to Stewart's transfixing color palettes. Grab the first volume, sit down with both of these monsters, and sink into the storytelling."--The Creator's Project

Hellboy cuts a deal with the devious Baba Yaga that may secure the survival of mankind in this climactic follow-up to 2009's lauded Hellboy: The Wild Hunt. But when war ensues between the forces of good and evil, Hellboy must finally confront the Queen of Blood in a battle that will change the fate of the world! Collects Hellboy: The Storm #1-#3 and Hellboy: The Fury #1-#3. Mike Mignola and Duncan Fegredo conclude their epic collaboration that began in 2007's Darkness Calls—a saga that changes everything for Hellboy! • R.I.P. Hellboy 1944-2011

A terrible storm is brewing, bodies are missing from their tombs, and the forces of darkness gather against Hellboy for a final bloody showdown. Mignola and Fegredo reunite for the final arc of the best-selling saga that includes _Hellboy: Darkness Calls_ and _Hellboy: The Wild Hunt_.

War ensues between the forces of good and evil as Hellboy finally confronts the Queen of Blood one on one, setting the stage for a new chapter in Hellboy's life! Mike Mignola and Duncan Fegredo conclude an epic collaboration that began in 2007's _Darkness Calls_! Hellboy faces his demons! "Once _The Fury_ hits the shelves _ $#!T. IS. GOING. TO. GO. DOWN."Comic Impact

Devastated over the loss of his luchador comrade to vampires, Hellboy lingers in Mexican bars until he's invited to participate in the ultimate wrestling match with a vicious Frankenstein monster! * Eisner-winning duo Mike Mignola and Richard Corben reunite! An original graphic novel in hardcover!

Monsters seem inevitably linked to humans and not always as mere opposites. Maaheen Ahmed examines good monsters in comics to show how Romantic themes from the eighteenth and the nineteenth centuries persist in today’s popular culture. Comics monsters, questioning the distinction between human and monster, self and other, are valuable conduits of Romantic inclinations. Engaging with Romanticism and the many monsters created by Romantic writers and artists such as Mary Shelley, Victor Hugo, and Goya, Ahmed maps the heritage, functions, and effects of monsters in contemporary comics and graphic novels. She highlights the persistence of recurrent Romantic features through monstrous protagonists in English- and French-language comics and draws out their implications. Aspects covered include the dark Romantic predilection for ruins and the sordid, the solitary protagonist and his quest, nostalgia, the prominence of the spectacle as well as excessive emotions, and above all, the monster’s ambiguity and rebelliousness. Ahmed highlights each Romantic theme through close readings of well-known but often overlooked comics, including Enki Bilal's Monstre tetralogy, Jim O'Barr's The Crow, and Emil Ferris’s My Favorite Thing Is Monsters, as well as the iconic comics series Alan Moore's Swamp Thing and Mike Mignola's Hellboy. In blurring the otherness of the monster, these protagonists retain the exaggeration and uncontrollability of all monsters while incorporating Romantic characteristics.