Helen¿s Daimones ¿ the gateway novella for Dyscrasia Fiction. Helen and Sharon are orphans haunted by supernatural diseases, insects, and storms. They are your tour guides in this entry-way novella into Dyscrasia Fiction which explores the choices humans and their gods make as a disease corrupts their souls, shared blood and creative energies. In Helen¿s Daimones, guardian angels are among the demons chasing the girls. When all appear grotesquely inhuman, which ones should they trust to save them?Black Gate Magazine raves: ¿Lindberg is the real deal, a gifted writer with a strong command of language,¿ Joe BonadonnaForeword Clarion, 5/5 Stars: ¿[Lords of Dyscrasia] is highly recommended, though not for the faint of heart¿¿ Reviewer Janine StinsonBeauty in Ruins: ¿[Spawn of Dyscrasia is] as much a horror novel as it is a fantasy novel, but it¿s in that clash of genres that Lindberg distinguishes himself. [Spawn of Dyscrasia is] a gorgeous, textured, intricately layered story.¿ ¿ Reviewer Bob Milne

"Greek Religion . . . already has the standing of a classic, and the publication of an English version, which incorporates new material and is in effect a second edition, demands a toast . . . Anyone who pretends to survey Greek religion must be phenomenally learned. Burkert is. His book is a marvel of professional scholarship." London Review of Books "This book has established itself as a masterpiece, packed with learning but also rich in ideas and connections of every sort. Its appearance in a good English translation is an event not only for Hellenists but for all those interested in the study of religion . . . nobody else could have produced an account of the subject of comparable range and power. This will be the best history of Greek religion for this generation." New York Review of Books Cover illustration: detail from an Attic vase, 450 B.C., showing a victory sacrifice (The Mansell Collection).

There is not just a desire but a profound human need for enhancement - the irrepressible yearning to become better than ourselves. Today, enhancement is often conceived of in terms of biotechnical intervention: genetic modification, prostheses, implants, drug therapy - even mind uploading. The theme of this book is an ancient form of enhancement: a physical upgrade that involves ethical practices of self-realization. It has been called 'angelification' - a transformation by which people become angels. The parallel process is 'daimonification', or becoming daimones. Ranging in time from Hesiod and Empedocles through Plato and Origen to Plotinus and Christian gnostics, this book explores not only how these two forms of posthuman transformation are related, but also how they connect and chasten modern visions of transhumanist enhancement which generally lack a robust account of moral improvement.

Like the male heroes of epic poetry, Helen of Troy has been immortalized, but not for deeds of strength and honor; she is remembered as the beautiful woman who disgraced herself and betrayed her family and state. Norman Austin here surveys interpretations of Helen in Greek literature from the Homeric period through later antiquity. He looks most closely at a revisionist myth according to which Helen never sailed to Troy, but remained blameless, while a libertine phantom or ghost impersonated her at Troy. Comparing the functions of contradictory images of Helen, Austin helps to clarify the problematic relations between beauty and honor and between ugliness and shame in ancient Greece. Austin first discusses the canonical account of the Iliad and the Odyssey: Helen as the archetype of woman without shame. He next considers different versions of Helen in the Homeric tradition. Among these, he shows how Sappho presents Helen as an icon of absolute beauty while she defends her own preference of eros over honor and her choice of woman as the object of desire. Austin then turns to three major authors who repudiated the traditional Helen of Troy: the lyric poet Stesichorus and the dramatist Euripides, who embraced the alternative myth of Helen's phantom; and the historian Herodotus, who claimed to have found in Egypt a Helen story that dispenses with both Helen and the phantom. Austin maintains that the conflicting motives that prompted these writers to rehabilitate Helen led to further revisions of her image, though none have endured as a credible substitute for the Helen of epic tradition.

This collection of essays explores the rhetoric and practices surrounding views on life after death and the end of the world, including the fate of the individual, apocalyptic speculation and hope for cosmological renewal, in a wide range of societies from Ancient Mesopotamia to the Byzantine era. The 42 essays by leading scholars in each field explore the rich spectrum of ways in which eschatological understanding can be expressed, and for which purposes it can be used. Readers will gain new insight into the historical contexts, details, functions and impact of eschatological ideas and imagery in ancient texts and material culture from the twenty-fifth century BCE to the ninth century CE. Traditionally, the study of “eschatology” (and related concepts) has been pursued mainly by scholars of Jewish and Christian scripture. By broadening the disciplinary scope but remaining within the clearly defined geographical milieu of the Mediterranean, this volume enables its readers to note comparisons and contrasts, as well as exchanges of thought and transmission of eschatological ideas across Antiquity. Cross-referencing, high quality illustrations and extensive indexing contribute to a rich resource on a topic of contemporary interest and relevance. Eschatology in Antiquity is aimed at readers from a wide range of academic disciplines, as well as non-specialists including seminary students and religious leaders. The primary audience will comprise researchers in relevant fields including Biblical Studies, Classics and Ancient History, Ancient Philosophy, Ancient Near Eastern Studies, Art History, Late Antiquity, Byzantine Studies and Cultural Studies. Care has been taken to ensure that the essays are accessible to undergraduates and those without specialist knowledge of particular subject areas.