Long before she ran away with Paris to Troy, Helen of Sparta was haunted by nightmares of a burning city under siege. These dreams foretold impending war--a war that only Helen has the power to avert. To do so, she must defy her family and betray her betrothed by fleeing the palace in the dead of night. In need of protection, she finds shelter and comfort in the arms of Theseus, son of Poseidon. With Theseus at her side, she believes she can escape her destiny. But at every turn, new dangers--violence, betrayal, extortion, threat of war--thwart Helen's plans and bar her path. Still, she refuses to bend to the will of the gods. A new take on an ancient myth, Helen of Sparta is the story of one woman determined to decide her own fate. The sequel to Helen of Sparta will be published by Lake Union Publishing in June 2016.

Acclaimed author Margaret George tells the story of the legendary Greek woman whose face "launched a thousand ships" in this New York Times bestseller. The Trojan War, fought nearly twelve hundred years before the birth of Christ, and recounted in Homer's Iliad, continues to haunt us because of its origins: one woman's beauty, a visiting prince's passion, and a love that ended in tragedy. Laden with doom, yet surprising in its moments of innocence and beauty, Helen of Troy is an exquisite page-turner with a cast of irresistible, legendary characters—Odysseus, Hector, Achilles, Menelaus, Priam, Clytemnestra, Agamemnon, as well as Helen and Paris themselves. With a wealth of material that reproduces the Age of Bronze in all its glory, it brings to life a war that we have all learned about but never before experienced.

A pretext for war across the sea... threats to trade... mistreatment of prisoners... abuse of the dead... upheaval back at home... Familiar? This is not today. It's 3,200 years ago, and the 'threat' is Troy - muscling in on Greek shipping coming through the Dardanelles. For the Spartans, and other Greeks, it's enough to merit intervention; and a woman called Helen is the key. John H Pollard's brilliant take on the Helen of Troy saga (rightly called Helen of Sparta, for she was married to King Menelaus) transports us effortlessly through the Trojan War and its aftermath. Our guide is the uniquely placed Eteoneus, Menelaus' Chief Steward, a shrewd, courageous and surprisingly passionate story-teller. Eteoneus' tale is cloak-and-dagger stuff involving mayhem, deceit, bride substitution, divine jealousy and ritual death. But it's also a glorious picture of life and travel and adventure all those years ago, and shows us a fierce, superstitious yet proud people. They had a long history ahead of them, and only a short while here on their fabled earth. In these pages they live again.

As soon as men began to write, they made Helen of Troy their subject; for close on three thousand years she has been both the embodiment of absolute female beauty and a reminder of the terrible power that beauty can wield. Because of her double marriage to the Greek King Menelaus and the Trojan Prince Paris, Helen was held responsible for an enduring enmity between East and West. For millennia she has been viewed as ane xquisite agent of extermination. But who was she?

Helen of Troy engages with the ancient origins of the persistent anxiety about female beauty, focusing on this key figure from ancient Greek culture in a way that both extends our understanding of that culture and provides a useful perspective for reconsidering aspects of our own.

For millennia, men have told the legend of the woman whose face launched a thousand ships—but now it's time to hear her side of the story. Daughters of Sparta is a tale of secrets, love, and tragedy from the women behind mythology's most devastating war, the infamous Helen and her sister Klytemnestra. As princesses of Sparta, Helen and Klytemnestra have known nothing but luxury and plenty. With their high birth and unrivaled beauty, they are the envy of all of Greece. But such privilege comes at a cost. While still only girls, the sisters are separated and married to foreign kings of their father's choosing— Helen remains in Sparta to be betrothed to Menelaos, and Klytemnestra is sent alone to an unfamiliar land to become the wife of the powerful Agamemnon. Yet even as Queens, each is only expected to do two things: birth an heir and embody the meek, demure nature that is expected of women. But when the weight of their husbands' neglect, cruelty, and ambition becomes too heavy to bear, Helen and Klytemnestra must push against the constraints of their society to carve new lives for themselves, and in doing so, make waves that will ripple throughout the next three thousand years. Daughters of Sparta is a vivid and illuminating reimagining of the Siege of Troy, told through the perspectives of two women whose voices have been ignored for far too long.

This literary novel explores the passions and motivations of the protagonists and the events of the Trojan War without the machinations of imaginary gods driving their behaviors and actions. Who were the lovers whose coupling ignited the clash of civilizations immortalized by Homer’s Iliad? What was their reality and that of the warriors and the women who were engulfed by the bloody conflict? According to myth, the war was precipitated by Aphrodite who promised Paris the most beautiful woman in the world, Helen the queen of Sparta, if he declared her winner of a beauty contest of goddesses. That fantasy did not occur nor were the actors’ puppets of invisible deities. So who sent Prince Paris across the ship-devouring Aegean Sea to Sparta and why? Did he abduct and rape Helen while King Menelaus was away or did she abscond with Paris to Troy? Did King Agamemnon of Mycenae lead an armada of unified Greeks to liberate his sister-in-law out of filial concern or for the ulterior reasons his wife Clytemnestra suspected? Why did the war that saw the lethal combats of heroes such as Achilles and Ajax and Odysseus and Hector drag on for ten years when Priam the king of Troy could have ended it by returning Helen? What roles did the Trojan women such as Hecuba and Andromache and Briseus and the self-proclaimed prophetess Cassandra play during the unending siege? What is the truth behind the conflagration of Troy?