East Asian imagery resonates throughout Martin Heidegger's writings. In this exploration of the connections between Daoism and his thought, an international team of scholars consider why the Daodejing and Zhuangzi were texts he returned to repeatedly and the extent Heidegger adhered to Daoism's core doctrines. They discuss how Daoist thought provided him with a new perspective, equipping him with images, concepts, and meanings that enabled him to continue his questioning of the nature of being. Exploring the environment, language, death, temporality, aesthetics, and race from the groundlessness of non-being, oneness, and the Way, they illustrate how these themes reverberate with ontological, spiritual, and epistemological potential. A lesson in the art of Daoist and cross-cultural ways of thinking, this collection marks the first sustained analysis of the influence of classical Daoism on a major 20th-century German philosopher.

This scrupulously researched and rigorously argued book is the first to interpret and evaluate the central topic of Maritn Heidegger`s philosophy his celebrated question of being in the context of the full range of Heidegger`s thought. With this comprehensive approach Herman Philipse distinguishes in unprecedented ways the center from the incidental in Heidegger`s philosophy. Phillopse begins by explaining which problems an interpretation of Heidegger;`s question of being should solve and he specifies which type of interpretation is the best basis for an evaluation of Heidegger`s idea of being and shows.

This scrupulously researched and rigorously argued book is the first to interpret and evaluate the central topic of Martin Heidegger's philosophy--his celebrated "Question of Being"--in the context of the full range of Heidegger's thought. With this comprehensive approach, Herman Philipse distinguishes in unprecedented ways the center from the periphery, the essential from the incidental in Heidegger's philosophy. Among other achievements, this allows him to shed new light on the controversial relationship between Heidegger's life and thought--in particular the connections between his philosophy and his involvement with Nazism. Philipse begins by explaining which problems an interpretation of Heidegger's question of being should solve, and he specifies which type of interpretation is the best basis for an evaluation of Heidegger's thought. He then identifies various strands or leitmotifs in Heidegger's idea of being, and shows how these strands hang together in the philosopher's work. In doing so, Philipse offers new insights into Heidegger's views on such subjects as human existence, authenticity, logic, and language, and into his readings of such philosophers as Aristotle, Kant, Hegel, and Nietzsche. Philipse then integrates into his interpretation of Heidegger's overall theory the latest scholarship about the philosopher's engagement with Nazism. Finally, Philipse examines the fundamental structures of Heidegger's philosophy and assesses whether Heidegger's views are true, probable, or possess some other epistemic or existential value. As the most thorough interpretation of Heidegger's theory of being now available, this work represents a new phase in the vigorous debate about the philosopher's life and works.

This book critically examines the debate on Martin Heidegger’s concept of Entscheidung ("decision") and his engagement and confrontation with Nazism in terms of his broader philosophical thought. It argues that one cannot explain Heidegger’s actions without accounting for his idea of "decision" and its connection to his understanding of individual "fate" and national (and European) "destiny." The book looks at the relation of biography to philosophy and the ethical and political implications of appropriating Heidegger’s thinking in these domains of inquiry. It highlights themes such as Heidegger’s differences with the neo-Kantians in Germany; Heidegger on Kant and practical reason; and his reading of Nietzsche and Hegel. It offers a philosophical assessment grounded in Heidegger’s own texts, with reference to historical and other philosophical commentaries on the rise of National Socialism in post-Weimar Germany and the philosophical issues associated with the interpretation of Nazi genocide and ideology. An important intervention in Western philosophy, this book will be of great interest to scholars and researchers of political philosophy, continental philosophy, German philosophy, philosophy in general, and political studies.

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By the time Martin Heidegger passed away on May 26th, 1976, he had become the most important and controversial philosopher of his age. While many of his former students had become important philosophers and thinkers in their own right, Heidegger also inspired countless others, like Jacques Derrida, Michel Foucault, and Jean-Paul Sartre. The second edition of the Historical Dictionary of Heidegger's Philosophy is an historical perspective on the development of Heidegger's thought in all its nuances and facets. Schalow and Denker cast light on the historical influences that shaped the thinker and his time through a chronology; an introductory essay; a bibliography; appendixes that include German and Greek to English glossaries of terms and a complete listing of Heidegger's writings, lectures, courses, and seminars; and a cross-referenced dictionary section offering over 600 entries on concepts, people, works, and technical terms. This volume is an invaluable resource for student and scholar alike.

This study explores the significance of art in Jean-Luc Nancy's philosophy. The main object of the work is to discuss the notion of art and its contribution to some of Nancy's central ontological ideas. Art's importance is considered in its own right - the main questions being whether art does have ontological significance, and if so, how one should describe this with respect to the theme of presentation. According to the work's central argument, with his thinking on art Nancy attempts to give one viewpoint to what is called the metaphysics of presence and to its deconstruction. On which grounds may one say that art is not reducible to philosophy? These topics are examined by highlighting the differentiation between the notions of «presentation» and «representation» with regard to the influence of Martin Heidegger and Jacques Derrida on Nancy's thought.