Since its publication in 1890, Ibsen's Hedda Gabler has been a recurring point of fascination for readers, theater audiences, and artists alike. Newly married, yet utterly bored, the character of Hedda Gabler evokes reflection on beauty, love, passion, death, nihilism, identity, and a host of other topics of an existential nature. It is no surprise that Ibsen's work has gained the attention of philosophically-minded readers from Nietzsche, Lou Andreas-Salom , and Freud, to Adorno, Cavell, and beyond. Once staged at avant-garde theaters in Paris, London, and Berlin, Ibsen is now a global phenomenon. The enigmatic character of Hedda Gabler remains intriguing to ever-new generations of actors, audiences, and readers. Hedda Gabler occupies a privileged place in the history of European drama and as a work of literature, and, as this volume demonstrates, invites profound and worthwhile philosophical questions. Through ten newly commissioned chapters, written by leading voices in the fields of drama studies, European philosophy, Scandinavian studies, and comparative literature, this volume brings out the philosophical resonances of Hedda Gabler in particular and Ibsen's drama more broadly.

For others, she is a victim of her times, unwilling to devote herself, as was expected of her, to the duties of home.".

Just married. Bored already. Hedda longs to be free.This vital new version by Patrick Marber (Closer, Three Days in the Country) opened at The National Theatre, London, in December 2016.

In these three unforgettably intense plays, Henrick Ibsen explores the problems of personal and social morality that he perceived in the world around him and, in particular, the complex nature of truth.

THE STORY: Ibsen's most beguiling antiheroine is given a new twist in Jon Robin Baitz's acclaimed adaptation of HEDDA GABLER: She's no longer the chilly, inscrutable manipulator but a woman with, as the New York Times put it, a context and

Four plays by Henrik Ibsen: A Doll's House, Ghosts, Hedda Gabler and the Master Builder.