This updated reissue of Mark LeVine’s acclaimed, revolutionary book on sub- and countercultural music in the Middle East brings this groundbreaking portrait of the region’s youth cultures to a new generation. Featuring a new preface by the author in conversation with the band The Kominas about the problematic connections between extreme music and Islam. An eighteen-year-old Moroccan who loves Black Sabbath. A twenty-two-year-old rapper from the Gaza Strip. A young Lebanese singer who quotes Bob Marley’s “Redemption Song.” Heavy metal, punk, hip-hop, and reggae are each the music of protest, and are considered immoral by many in the Muslim world. As the young people and subcultures featured in Mark LeVine’s Heavy Metal Islam so presciently predicted, this music turned out to be the soundtrack of countercultures, uprisings, and even revolutions from Morocco to Pakistan. In Heavy Metal Islam, originally published in 2008, Mark LeVine explores the influence of Western music on the Middle East and North Africa through interviews with musicians and fans, introducing us to young people struggling to reconcile their religion with a passion for music and a thirst for change. The result is a revealing tour de force of contemporary cultures across the Muslim majority world through the region’s evolving music scenes that only a musician, scholar, and activist with LeVine’s unique breadth of experience could narrate. A New York Times Editor’s Pick when it was first published, Heavy Metal Islam is a surprising, wildly entertaining foray into a historically authoritarian region where music reveals itself to be a true democratizing force—and a groundbreaking work of scholarship that pioneered new forms of research in the region.

Identity, fame, net worth. Go ahead, judge a book by its cover. It's not every day that a Hollywood publicist gets hit by a car. Melissa Meszaros is on her way to a Judas Priest concert when the accident happens. The traumatic brain injury she sustains changes everything. Her life is turned upside down. Her steady job as publicist and trusted friends and colleagues are called into question. Even her own reflection staring back at her from the mirror seems alien. As she navigates the legal and medical battles before her, Melissa also begins to challenge her own fractured self. For a publicist, identity is everything. What begins as a series of snapshot memories soon becomes an inspiring personal tale of recovery, as Melissa questions both her own identity and her career. What does it mean to suddenly disappear from a rock’n’roll lifestyle when your whole professional life has been dedicated to making others famous? Heavy Metal Headbang is a defiant memoir like no other, confronting our celebrity-obsessed culture as well as the social challenges that come with recovering from a life-changing injury.

Heavy metal phytotoxicity has been known for more than a century. However, research in the past years has confirmed the immense damage by metal pollution to plants, the soil and ultimately to humans. By reviewing both field and laboratory work, this book deals with the various functional and ecological aspects of heavy metal stress on plants and outlines the scope for future research and the possibilities for remediation.

Trace metals occur as natural constituents of the earth's crust, and are ever present constituents of soils, natural waters and living matter. The biological significance of this disparate assemblage of elements has gradually been uncovered during the twentieth century; the resultant picture is one of ever-increasing complexity. Several of these elements have been demonstrated to be essential to the functions of living organisms, others appear to only interact with living matter in a toxic manner, whilst an ever-decreasing number do not fall conveniently into either category. When the interactions between trace metals and plants are considered, one must take full account of the known chemical properties of each element. Consideration must be given to differences in chemical reactivity, solubility and to interactions with other inorganic and organic molecules. A clear understanding of the basic chemical properties of an element of interest is an essential pre-requisite to any subsequent consideration of its biological significance. Due consideration to basic chemical considerations is a theme which runs through the collection of chapters in both volumes.

Few forms of music elicit such strong reactions as does heavy metal. Embraced by millions of fans, it has also attracted a chorus of critics, who have denounced it as a corrupter of youth—even blamed it for tragedies like the murders at Columbine. Deena Weinstein argues that these fears stem from a deep misunderstanding of the energetic, rebellious culture of metal, which she analyzes, explains, and defends. She interprets all aspects of the metal world—the music and its makers, its fans, its dress code, its lyrics—and in the process unravels the myths, misconceptions, and truths about an irreverent subculture that has endured and evolved for twenty years.

Simple text and full-color photographs provide a brief introduction to matter.

Reflective memoirs from Bas L.G. Verdin (musician, philosopher, political scientist) as the former keeper of a record store, explicating misunderstandings about metal music among outsiders and insiders alike, linked to societal questions. Where philosophy, sociology and musicology meet... Full text, no fillers. Back: "Heavy Matters, substantive and verb at the same time, is a treatise encouraging to read every sentence twice, before it takes off with the as yet unpopular method of positioning both its theme (metal, music and society) and its author (Bas L.G. Verdin) in a certain sense Between the devil and the deep blue sea, allowing metal as well as human Senses and senses to be brought into play again, setting the tone for a discussion of Metal as music: instruments at the one hand, and Metal as music and more: voices at the other hand. Revealing that the theme is not only "no easy matter", but also "a matter of time", deeper excavation bumps into voices from the past about Apollo, Dionysos and other gods, which paves the way for a discussion in reverse of Music as media and music as metal, the latter being put into perspective in Music as metal and the industrial devolution, after which a fine-tuning in Maps and traps, with further differentiation and constructive deconstruction of common beliefs, opens the door for general awareness and debate." www.basverdin.com