This book examines the thinking of several Reformed theologians on theological issues that are, historically or by content, related to philosophy. Three Dutch authors from successive generations are considered in particular: Gisbertus Voetius (1589-1676), Petrus van Mastricht (1630-1706), and Anthonius Driessen (1684-1748). A diversity of issues in Christian doctrine is discussed. These include the relationship between theology and philosophy, creation, Divine providence, the human being, and Divine and natural law. By reconstructing the views of these three theologians, this book highlights similarities and differences within Reformed orthodoxy, both in doctrine and in relation to philosophy. The changes that thus become visible also suggest that biblical Christianity outlives the philosophical apparatus by whose assistence it is explained.

Terence between Late Antiquity and the Age of Printing investigates the Medieval and Early Renaissance reception of Terence in highly innovative ways, combining the diverse but interrelated strands of textual criticism, illustrative tradition, and performance. The plays of Terence seem to have remained unperformed until the Renaissance, but they were a central text for educators in Western Europe. Manuscripts of the plays contained scholarship and illustrations which were initially inspired by Late Antique models, and which were constantly transformed in response to contemporary thought. The contributions in this work deal with these topics, as well as the earliest printed editions of Terence, theatrical revivals in Northern Italy, and the readership of Terence throughout the Early Middle Ages.

An essential companion for the student of literature. Works selected include the best-known works of the classical Greek and Roman theatre.

Instead of seeing Terence primarily as an adapter of Greek New Comedy, Sander Goldberg treats him as an innovative dramatist writing for a specifically Roman audience. His book will interest not only students of classical literature but also those concerned with wider problems of critical theory and the comic tradition. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.