Written in 1919, George Bernard Shaw's Heartbreak House is equal parts tragedy and comedy. Centering on a dinner party, held as Europe teeters on the brink of the First World War; Shaw's play is as much about the inexorable drift of the British gentry toward catastrophe as it is about the love triangle that seems to take centre stage.

Published in 1919, Heartbreak House is an examination of the failings of the European leisure classes before World War I—failings that author George Bernard Shaw blamed for the war, and that he predicted would quickly lead to another, longer war. The play is set in an English country house, where representatives of every type of English society have gathered at the home of the seemingly-mad Captain Shotover. Hidebound aristocrats and cultured bohemians, wealthy capitalists and radical idealists, prim moralists and idle libertines, are all laid bare in one of Shaw’s bleakest and yet most absurd plays. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Heartbreak House by Bernard Shaw: In this satirical play, Bernard Shaw uses the backdrop of a wealthy household to critique British society and the complacency of its upper class during the early 20th century. Through a series of humorous and thought-provoking conversations, Shaw examines the flaws and foibles of the characters and comments on the societal and political issues of his time, providing a biting commentary on the state of British society. Key Aspects of the Book "Heartbreak House": Satire and Social Critique: Shaw employs satire to lampoon the attitudes and behaviors of the upper class, exposing their ignorance and detachment from the reality of the world. Complex Characters: The play features a diverse cast of characters, each representing different social classes and embodying distinct societal issues. Themes of War and Decay: "Heartbreak House" explores the consequences of war and the decay of British society, commenting on the moral and political decline of the era. Bernard Shaw (1856-1950) was an Irish playwright, critic, and essayist. He was a prominent figure in the literary and intellectual circles of his time and played a pivotal role in the development of modern drama. Shaw's works often addressed social, political, and ethical issues, and he was a staunch advocate for various causes, including women's rights and socialism. His unique blend of humor, wit, and social commentary continues to make his plays relevant and engaging to contemporary audiences.

Pygmalion, Heartbreak House, and Saint Joan are widely considered to be three of the most important in the canon of modern British theatre.Pygmalion (1912) was a world-wide smash hit from the time of its premiere in Vienna 1913 and it has remained popular to this day. Shaw was awarded an Academy Award in 1938 for his screenplay of the film adaptation. It was, of course, later made into the much-loved musical My Fair Lady.Heartbreak House (1917), which was finally performed in 1920 and published in 1921, bares the hallmarks of European modernism and a formal break from Shaw's previous work. A meditation on the war and the resultant decline in European aristocratic culture, it was perhaps staged too soon after theconflict; indeed, it did not have the success of his earlier works, which was likely due to his experimental aesthetics combined with a war-weary audience that sought lighter fare. However, while this contemporary reception was muted, it is now recognised as a modernist masterpiece.Saint Joan (1923) marked Shaw's resurrection and apotheosis. The first major work written of Joan of Arc after her canonization (1920), the play interrogates the origins of European nationalism in the post-war era. Like Pygmalion, it was an immediate world-wide hit and secured Shaw the Nobel Prizefor Literature in 1925. Drawing upon the transcripts of Joan's trial, Shaw blended his trademark wit to produce a hybrid genre of comedy and history play. Despite the historical setting, Saint Joan is highly accessible and continues to delight audiences.

SHAW 16 contains twenty-nine unpublished pieces by Shaw written between 1877 and 1950. The most significant is a ten-page draft synopsis of Man and Superman (the original manuscript draft of the play has been lost) in a contemplated five-act version, providing scholars with a hitherto unavailable ur-text. Equally important for the biographical and artistic insights they offer are the early literary efforts found in Shaw's first opus notebook, including an extended narrative-verse fragment of 1877 set in Dublin; a polemic (his first) on oakum picking and prison conditions; a criticism of organists and orchestral conductors; and an attempted evaluation of contemporary arts and letters in 1878. We find Shaw, through the persona of a female narrator, creating in his own image a fictional memoir of the young Hector Berlioz; offering an ironic vindication of housebreakers (in anticipation of Heartbreak House); exploring the seamy side of the prizefight ring; examining "exhausted" genres of Victorian art in 1880; defining the "true signification of the term Gentleman"; lecturing on Socialism and the family and on realism as the goal of fiction; and penetratingly considering the future of marriage in a rejected book review, one of four included in the volume. The dimensions of Shaw's political views may be examined through nearly a dozen commentaries on politics and on war and peace, ranging from the Boer War (an 1899 draft letter to the press, "Why Not Abolish the Soldier?") and 1903 municipal elections to U.S. Liberty Loans, the Italo-Abyssinian War, "how to talk intelligently" about the Second World War, and the implications of the hydrogen bomb in the nuclear age. For good measure, the volume concludes with two brief playlets, previously unrecorded. The editors have arranged these pieces individually or grouped by theme and genre as near to chronological order as possible, and the reader is brought closer to the original manuscripts by the retention of Shaw's stylistic and spelling inconsistencies, and by transliteration of the shorthand notations he frequently inserted between lines or in the margins. Each text is supplemented by an editorial note providing its provenance and a detailed physical description of the manuscript.

"Doogie Howser, M.D. meets The Fault in Our Stars in this tender romcom." —Teen Vogue The youngest doctor in America, an Indian-American teen makes her rounds—and falls head over heels—in Sona Charaipotra's contemporary romantic comedy Symptoms of a Heartbreak. Sixteen-year-old Saira has always juggled family, friendships, and her Girl Genius celebrity. Now, as the youngest med school graduate ever, she can finally achieve her mission to treat young people dealing with cancer. But proving herself in life-or-death situations is tough when everyone from her boss to her patients can't see past her age to trust her skills. And working in the same hospital as her mom isn't making things any easier! Life gets even more complicated when Saira falls for a teenage patient. To improve his chances, she risks her lifelong dream—and it could cost her everything. In her solo debut, Sona Charaipotra brings us a compelling #ownvoices protagonist who’s not afraid to chase what she wants. Symptoms of a Heartbreak goes from romantic comedy highs to tearjerker lows and is the ultimate cure-all for every reader needing an infusion of something heartfelt. An Imprint Book "Fans of YA contemporary don't want to miss this one." —Buzzfeed