17-year-old Kate has lived her whole life in abject poverty, with an alcoholic father and drug-addicted mother, who severely abuses Kate. At school, her second-hand clothing marks her as a target. Her refusal to stand up for herself makes her the recipient of her classmates taunts and bullying. That is, until Henry returns. Henry Jamison moved away six years earlier, just as he and Kate had begun an to develop feelings for one another. He returns to find the bright, funny, outgoing girl he had known now timidly hiding in corners, barely speaking to anyone around her, suspicious of even him. Kate can't figure out what game Henry is playing with her - for surely it is a game. What else would the gorgeous, popular boy from her past want with her? Kate finally decides to trust Henry's intentions, opening her heart to him. Just when it seems he might be genuine in his friendship, tragedy strikes, threatening everything Kate has worked so hard to gain. Can Henry help her to overcome this new devastation, or will it tear them apart forever?

Valentines come in all sorts of shapes and sizes. Some are homemade and some are store-bought. Some are funny and some are not. Sam wants to give just the right valentine to the most popular girl in the class, Tiffany. But what kind is the right kind? Mary Ann helps Sam figure out how to make all sorts of valentines. But will Tiffany even notice Sam if he gives her a special valentine? Laura Malone Elliott and Lynn Munsinger’s charming story shows how the best friends are often the ones you may not know you have—until Valentine’s Day!—and even a simple string of hearts can show a friend how special he is.

Can we save ourselves, or do we rely on others to do it? Is what we believe always the truth?

Winner of the Bram Stoker Award for Best Novel In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest chilling novel that “will give you nightmares. The good kind, of course” (BuzzFeed) from the Jordan Peele of horror literature, Stephen Graham Jones. “Some girls just don’t know how to die…” Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange. Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life. Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold. Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

In the depths of the Great Recession, a cancer nurse, a car dealership worker, and an insurance fraud specialist helped uncover the largest consumer crime in American history—a scandal that implicated dozens of major executives on Wall Street. They called it foreclosure fraud: millions of families were kicked out of their homes based on false evidence by mortgage companies that had no legal right to foreclose. Lisa Epstein, Michael Redman, and Lynn Szymoniak did not work in government or law enforcement. They had no history of anticorporate activism. Instead they were all foreclosure victims, and while struggling with their shame and isolation they committed a revolutionary act: closely reading their mortgage documents, discovering the deceit behind them, and building a movement to expose it. Fiscal Times columnist David Dayen recounts how these ordinary Floridians challenged the most powerful institutions in America armed only with the truth—and for a brief moment they brought the corrupt financial industry to its knees.

Things are looking up. For the first time in what feels like years, Toby Daye has been able to pause long enough to take a breath and look at her life - and she likes what she sees. She has friends. She has allies. She has a squire to train and a King of Cats to love, and maybe, just maybe, she can let her guard down for a change. Or not. When Queen Windermere's seneschal is elf-shot and thrown into an enchanted sleep by agents from the neighboring Kingdom of Silences, Toby finds herself in a role she never expected to play: that of a diplomat. She must travel to Portland, Oregon, to convince King Rhys of Silences not to go to war against the Mists. But nothing is that simple, and what October finds in Silences is worse than she would ever have imagined. How far will Toby go when lives are on the line, and when allies both old and new are threatened by a force she had never expected to face again? How much is October willing to give up, and how much is she willing to change? In Faerie, what's past is never really gone. It's just waiting for an opportunity to pounce.