This volume outlines some of the developments in practical and theoretical research into speechreading lipreading that have taken place since the publication of the original "Hearing by Eye". It comprises 15 chapters by international researchers in psychology, psycholinguistics, experimental and clinical speech science, and computer engineering. It answers theoretical questions what are the mechanisms by which heard and seen speech combine? and practical ones what makes a good speechreader? Can machines be programmed to recognize seen and seen-and-heard speech?. The book is written in a non-technical way and starts to articulate a behaviourally-based but cross-disciplinary programme of research in understanding how natural language can be delivered by different modalities.

This volume outlines developments in practical and theoretical research into speechreading lipreading.

This volume outlines some of the developments in practical and theoretical research into speechreading lipreading that have taken place since the publication of the original "Hearing by Eye". It comprises 15 chapters by international researchers in psychology, psycholinguistics, experimental and clinical speech science, and computer engineering. It answers theoretical questions what are the mechanisms by which heard and seen speech combine? and practical ones what makes a good speechreader? Can machines be programmed to recognize seen and seen-and-heard speech?. The book is written in a non-technical way and starts to articulate a behaviourally-based but cross-disciplinary programme of research in understanding how natural language can be delivered by different modalities.

Humans receive the vast majority of sensory perception through the eyes and ears. This non-technical book examines the everyday physics behind hearing and vision to help readers understand more about themselves and their physical environment. It begins wit

With high quality color images combined with up-to-date treatment guidelines and a proven template, the third edition of The Massachusetts Eye and Ear Infirmary Illustrated Manual of Ophthalmology is a vital companion for every ophthalmic trainee, primary care practitioner and emergency trauma unit. The bonus PDA software allows you to access the entire contents of the manual on the go. Provides thorough, easily accessible and up-to-date information for all common eye disorders, creating an all-in-one resource for quick diagnosis and treatment. Uses highlighted emergency management boxes for a clear presentation of the crucial treatment of critical situations. Follows a templated format with key boxes highlighting important information. Presents full-color photographs throughout so you can compare real case presentations for more accurate diagnosis. Orders chapters anatomically (not by ophthalmic subspecialty) making it easier to locate the desired information by looking at the effected area. Provides a complete and thorough update with expanded sections, including age related macular degeneration, diabetic retinopathy, uveitis, glaucoma, dry eye, and refractive surgeries. Incorporates over 100 new high quality clinical color photos plus spectral domain OCT, CT scan, fluorescein angiogram, visual field, and corneal topography images. Adds brand new appendices outlining basic eye care and differential diagnosis information to help minimize wasted time in the clinic. Offers immediate and convenient access to the whole manual when on the go with bonus PDA software.

The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists. There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Völz) and Jean-Michel Basquiat (Robert Farris Thompson), as well an account of early blues advertising art (Paul Oliver) and a discussion of the photographs of Roy DeCarava (Richard Ings). These essays are interspersed with a series of in-depth interviews by Graham Lock, who talks to quilter Michael Cummings and painters Sam Middleton, Wadsworth Jarrell, Joe Overstreet and Ellen Banks about their musical inspirations, and also looks at art's reciprocal effect on music in conversation with saxophonists Marty Ehrlich and Jane Ira Bloom. With numerous illustrations both in the book and on its companion website, The Hearing Eye reaffirms the significance of a fascinating and dynamic aspect of African American visual art that has been too long neglected.