Hear Me Now, Volume Two is a unique collection of over 80 original audition monologues, expressly created by a range of writers including Vera Chok, Josh-Susan Enright and Bea Webster, brought together by producer Titilola Dawudu and Tamasha Theatre Company. They are ideal for actors of colour searching for speeches for auditions or training, writers, teachers, and theatre-makers who are passionate about improving diversity. The volume is introduced by BAFTA-nominated actor Ashley Madekwe, and will also feature a section on Top Tips for auditioning from Tamasha Theatre and a host of actors, including Ted Lasso's Kevin 'KG' Garry and Cherrelle Skeete of Harry Potter and the Cursed Child. Following on from the successful first volume, and featuring a variety of themes, scenes and characters, Hear Me Now, Volume Two is an essential tool for actors of colour to showcase their range, and seeks to inspire, empower, and create a legacy for generations to come.

A brand-new collection of original audition pieces written by and for actors of colour, commissioned by Tamasha Theatre Company and edited by Titilola Dawudu, with a foreword by Noma Dumezweni. Hear Me Now is a unique collection of over eighty original audition monologues, expressly created by a range of award-winning writers brought together by producer Titilola Dawudu and Tamasha Theatre Company. They're ideal for actors of colour searching for speeches for auditions or training, writers, teachers, and theatre-makers who are passionate about improving diversity. The book provides varied, nuanced stories that expand beyond the range of existing material available – from a cross-dressing Imam, to the first Black Prime Minister, the British Indian girl with dreams of becoming a country music star, or the young Black boy who loves baking as much as football – Hear Me Now is an essential tool for actors of colour to showcase their range, and seeks to inspire, empower, and create a legacy for generations to come.

"This collection features 45 monologues excerpted from contemporary plays and specially geared for actors of color. Robert Uno has carefully selected the monologues so that there is a wide-range of ethnicities included: African American, Native American, Latino and Asian American. Each monologue comes with an introduction with notes on the characters and stage directions to set the scene for the actor."--Publisher.

The very popular prayerbook for Orthodox youth, Hear Me, has now been revised to include more prayers, answer more questions, and tackle additional difficult subject matter that our young people are constantly faced with. At 4" x 6" the prayerbook is designed to fit their lifestyles better, in a trim and smaller new volume that is both handsome to carry and easy to slip into a pocket, purse, or backpack. The mission of Hear Me remains the same: to inspire young people to pray, to challenge Orthodox youth in their walk with Christ, to offer encouragement, help answer questions, give direction, and ultimately be an added guide in finding one's own path toward theosis.

Have you ever been too afraid to go to sleep? Vincent and Farra hadn't either, but when the people of Lilea fall victim to a mysterious and frightening affliction, sleep becomes the gateway to a new and terrible danger. With their spirit guides vanished, and unable to wake their friends and neighbours, they soon realise that a new evil is amongst them. Trying desperately to stay awake, Vincent finds himself plunged into a nightmare battle to find the truth amidst the make believe. Many days across the gulf of space, the Drycenians suddenly find themselves hosts uninvited guests, who beg them for help. As they race to Lilea, knowing only that their dearest friends are in desperate peril, they must find a way to communicate with their new guests, and together, find a way to help them. In order to save Lilea, Vincent must first be found and brought to safety. It is up to one man to venture into the darkness, putting his own soul at risk, and lead him back to safety. Only once Vincent is found and safe, can everyone work to end this evil and save the people of Lilea from the terror of The Sleeping. What new intrigue is at work on Lilea and how do these two alien friends solve this mystery, to save the people of Lilea?

Dr Butler's edition is full and informative in its annotations and survey of criticisms to date, and cautiously respectful of Jonsonian punctuation.

Four plays by the revered Elizabethan dramatist tell of men driven to evil by ambition and jealousy—and of one who escapes the dangers of bad influence. Othello: A powerful general in the Venetian army, Othello the Moor is despised by his scheming ensign, Iago, who devises a plan to destroy him. Newly married to Desdemona, Othello is led to believe she has been unfaithful—and his jealous rage leads to tragic consequences. Macbeth: When three witches foretell that Macbeth will be king of Scotland, he does not wait for destiny to run its course. Instead, he and his wife plot to kill the presiding king, an act that will realize their ambitions—and bring them to ruin. Henry IV Part One: This historical play chronicles the rebellions faced by the medieval king of England Henry IV, as well asthe maturation of his son, Prince Hal.The prince indulges in a carefree life with the comical rogue Falstaff but must eventually cast aside his recklessness and live up to his royal destiny. Henry IV Part Two: As Henry IV’s health grows weaker, Prince Hal’s ability to assume the crown remains in doubt. The prince’s friendship with the drunk and thieving Falstaff threatens to be his undoing. Now he faces a choice that will determine not only his own future, but also that of England