"Goldin+Senneby is the framework for collaboration between Swedish artists Simon Goldin and Jakob Senneby. Since 2004, Goldin+Senneby have initiated projects which explore juridical, financial and spatial constructs through notions of the performative and the virtual. Through actions and theoretical pursuits, they interrogate the mythologies created by virtual economies and fictional personae. Their timely exhibition at The Power Plant comes at a crucial moment, as the confidential activities of corporations are being traced and investigated in the wake of collapsed world markets and global economic instability ... 'Headless' consists of two distinct perspectives on Goldin+Senneby's ongoing work. A documentary film, whose creation has been delegated by Goldin+Senneby to directors Kate Cooper and Richard John Jones, reflexively involves investigative journalist Gavin MacFadyen, who lends his expertise to the filmmakers to suggest how they should make a documentary about Headless Ltd. The documentary will be produced over the course of the exhibition and screened in three segments, released on 12 December, 24 January, and 13 February. The other perspective is developed by independent curator Kim Einarsson and scenographer Anna Heymowska, who have been contracted to produce a pedagogical display. This display introduces the viewer to K.D., who is both the fictional author of Looking for Headless, a novel in the making, and an employee at the offshore consultancy company Sovereign Group. A lecture during the exhibition's opening weekend by Angus Cameron, economic geographer at the University of Leicester, will further explore Goldin+Senneby's practice, and the modes of performance the collaborators employ in their study of Headless Ltd."--Gallery website.

A YEAR AND A HALF AFTER THE FALL OF THE DOLLARS, A NEW BREEZE BLOWS THROUGH IKEBUKURO... ​Celty hasn’t been seen in Ikebukuro for some time, but her influence remains strong. After being treated like a monster in his hometown, Yahiro Mizuchi has come to Tokyo in hopes of meeting another so-called monster. Meanwhile, Kuon Kotonami wants to turn the Headless Rider into a moneymaker. As for Himeka Tatsugami, her sister vanished after trying to write an article on the urban legend. To make matters worse, some longtime residents of Ikebukuro have been disappearing from the city’s streets. When the new trio begins attending Raira Academy, another set of strange adventures begins…

The legend of Sleepy Hollow is one of the great tales of American folklore, supposedly stemming from Washington Irving's famous short story. But what if there was more to the ghostly fable than meets the eye? What if Irving's account was based on fact? And what if the Headless Horseman of Sleepy Hollow was not unique, but merely one of a strange line of malevolent spirits sighted across the world, bringing misfortune to all that witness them? Within this book you will find long-forgotten lore about the headless spirits that have plagued mankind for centuries, and perhaps even now seek ingress into our world. The Headless Horseman, and others like him, is at large in the dark places of the world, and should one encounter such a revenant, it is said that tragedy will surely follow...

THE GOOD, THE BAD, AND THE DOWNRIGHT WEIRD. The Ikebukuro district in Tokyo is full of interesting people. A boy longing for the extraordinary. A hotheaded punk. An airheaded pseudo-stalker. An information broker who works for kicks. An underground doctor who specializes in truly desperate patients. A high school student infatuated with a monster. And a headless rider on a pitch-black motorcycle. Their story may not be a heartwarming one, but as it turns out, even weirdos like these sometimes fall in love.

"The Greek magical papyri" is a collection of magical spells and formulas, hymns, and rituals from Greco-Roman Egypt, dating from the second century B.C. to the fifth century A.D. Containing a fresh translation of the Greek papyri, as well as Coptic and Demotic texts, this new translation has been brought up to date and is now the most comprehensive collection of this literature, and the first ever in English. The Greek Magical Papyri in Transition is an invaluable resource for scholars in a wide variety of fields, from the history of religions to the classical languages and literatures, and it will fascinate those with a general interest in the occult and the history of magic. "One of the major achievements of classical and related scholarship over the last decade."—Ioan P. Culianu, Journal for the Study of Judaism "The enormous value of this new volume lies in the fact that these texts will now be available to a much wider audience of readers, including historians or religion, anthropologists, and psychologists."—John G. Gager, Journal of Religion "[This book] shows care, skill and zest. . . . Any worker in the field will welcome this sterling performance."—Peter Parsons, Times Literary Supplement

For hundreds of years, Maya artists and scholars used hieroglyphs to record their history and culture. In the nineteenth and twentieth centuries, archaeologists, photographers, and artists recorded the Maya carvings that remained, often by transporting box cameras and plaster casts through the jungle on muleback. The New Catalog of Maya Hieroglyphs, Volume I: The Classic Period Inscriptions is a guide to all the known hieroglyphic symbols of the Classic Maya script. In the New Catalog Martha J. Macri and Matthew G. Looper have produced a valuable research tool based on the latest Mesoamerican scholarship. An essential resource for all students of Maya texts, the New Catalog is also accessible to nonspecialists with an interest in Mesoamerican cultures. Macri and Looper present the combined knowledge of the most reliable scholars in Maya epigraphy. They provide currently accepted syllabic and logographic values, a history of references to published discussions of each sign, and related lexical entries from dictionaries of Maya languages, all of which were compiled through the Maya Hieroglyphic Database Project. This first volume of the New Catalog focuses on texts from the Classic Period (approximately 150-900 C.E.), which have been found on carved stone monuments, stucco wall panels, wooden lintels, carved and painted pottery, murals, and small objects of jadeite, shell, bone, and wood. The forthcoming second volume will describe the hieroglyphs of the three surviving Maya codices that date from later periods.