'The creation of new science requires moving beyond simply understanding one another's perspectives. We need to find transformative spaces for knowledge exchange and progress.' Māori have a long history of innovation based on mātauranga and tikanga – the knowledge and values passed down from ancestors. Yet Western science has routinely failed to acknowledge the contribution of Indigenous peoples and their vital worldviews. Drawing on the experiences of researchers and scientists from diverse backgrounds, this book raises two important questions. What contribution can mātauranga make to addressing grand challenges facing New Zealand and the world? And in turn, how can Western science and technology contribute to the wellbeing of Māori people and lands?

‘What a nation or society chooses to remember and forget speaks to its contemporary priorities and sense of identity. Understanding how that process works enables us to better imagine a future with a different, or wider, set of priorities.’ History has rarely felt more topical or relevant as, all across the globe, nations have begun to debate who, how and what they choose to remember and forget. In this BWB Text addressing ‘difficult histories’, a team of five researchers, several from iwi invaded or attacked during the nineteenth-century New Zealand Wars, reflect on these questions of memory and loss locally. Combining first-hand fieldnotes from their journeys to sites of conflict and contestation with innovative archival and oral research exploring the gaps and silences in the ways we engage with the past, this group investigates how these events are remembered – or not – and how this has shaped the modern New Zealand nation.

In the wake of Covid-19, this timely edited collection emphasises the importance of nurturing and fortifying emotional, social and societal connections in contemporary Aotearoa. Recognising the pandemic’s isolating nature, this Text highlights the vital role of these connections for overall wellbeing and identifies areas where these bonds have weakened or vanished. By combining first-person narratives, journalism and research, Reconnecting Aotearoa explores the profound impact of strong connections and the consequences of loneliness and disconnection. Through poignant personal accounts and compelling evidence, this work advocates for transformative change within Aotearoa’s unique social, cultural and political landscape, to foster a more connected and resilient society in the aftermath of the pandemic. Contributors: Luke Fitzmaurice, Gaayathri Nair, Max Rashbrooke, Carrie Stoddart-Smith, Susan Strongman, Kiki Van Newtown, Athena Zhu

My journey into law and mātauranga is one more defined by absence, understanding of loss, whakamā, accident and a sense of coming in from the cold, than by any programmatic acquisition of expertise. This collection of writing from Māmari Stephens (Te Rarawa) travels through introspection, loss and doubt, to present striking moments of insight into the world around us. From one of New Zealand's most perceptive legal scholars, these are words that question neat categorisations and easy assumptions. Kārearea returns, always, to the ground, the people, the experiences that make up a life of learning, and to the stories that we tell ourselves.

This volume examines how Indigenous theatre and performance from Oceania has responded to the intensification of globalisation from the turn of the 20th to the 21st centuries. It foregrounds a relational approach to the study of Indigenous texts, thus echoing what scholars such as Tui Nicola Clery have described as the stance of a “Multi-Perspective Culturally Sensitive Researcher.” To this end, it proposes a fluid vision of Oceania characterized by heterogeneity and cultural diversity calling to mind Epeli Hau‘ofa’s notion of “a sea of islands.” Taking its cue from the theories of Deleuze and Guattari, the volume offers a rhizomatic, non-hierarchical approach to the study of the various shapes of Indigeneity in Oceania. It covers Indigenous performance from Aotearoa/New Zealand, Hawai’i, Samoa, Rapa Nui/Easter Island, Australia and the Torres Strait Islands. Each chapter uses vivid case histories to explore a myriad of innovative strategies responding to the interplay between the local and the global in contemporary Indigenous performance. As it places different Indigenous cultures from Oceania in conversation, this critical anthology gestures towards an “imparative” model of comparative poetics, favouring negotiation of cultural difference and urging scholars to engage dialogically with non-European artistic forms of expression.

‘Dare we elevate kāinga as a way of achieving regionalised ecological accountability, and in the process can we bring humanity back into balance with the universe?’ Through his own experience and the stories of his tīpuna, Paul Tapsell (Te Arawa, Tainui) charts the impact of colonisation on his people. Alienation from kāinga and whenua becomes a wider story of environmental degradation and system collapse. This book is an impassioned plea to step back from the edge. It is now up to the Crown, Tapsell writes, to accept the need for radical change. The ecological costs of colonisation are clear, and yet those same extractive and exploitative models remain foundational today. Only a complete step-change, one that embraces kāinga, can transform our lands and waterways, and potentially become a source of inspiration to the world.

Foreword by Damon Salesa. 'Story telling is an art deep within human nature.' A timely collection of writings on history, from one of Aotearoa New Zealand's most distinguished scholars. These essays bring forth important questions for New Zealand history about autonomy, restoration and power that continue to reverberate today. They also serve as a pathway into the rigorous and imaginative scholarship that characterised Judith Binney's acclaimed historical writing.