"What began in 1959 as a simple homage to the modernist poet H.D. (Hilda Doolittle) developed into an expansive and unique quest for a poetics that would fuel Duncan's great work into the 1960s and 1970s. A meditation on both the roots of modernism and its manifestation in the writings of H.D., Djuna Barnes, Ezra Pound, D.H. Lawrence, Gertrude Stein, William Carlos Williams, Virginia Woolf, and many others, Duncan's wide-ranging work is especially notable for illuminating the role women played in creating literary modernism"--From publisher description.

From her work's first appearance under the Imagist label to its later development in innovative long poems and prose, H.D.'s excellence was recognized by her peers as well as her successors. H.D. and Poets After is the first book to explore her influence on contemporary American poetry. Twenty essays -- half by eminent American poets writing about their literary engagement with H.D. and half by critics writing about H.D. in relation to these same poets -- provide a fruitful exchange of perceptions and interpretations. The dialogue between these two perspectives -- the first autobiographical testimony and the second critical analysis by scholars attuned to both modern and contemporary poetries and poetics -- calls into question both traditional notions of literary criticism and earlier theories of literary influence. The volume includes a range of contemporary responses to H.D.'s work -- from Alicia Ostriker's radical eroticism to Brenda Hillman's epistemological restlessness to Carolyn Forchs response to moral disasters of the century. H.D. and Poets After demonstrates key aspects of the poet's continuing importance as a "poet's poet" in the best sense.

"Your lights are but dank shoals; slate and pebbles and wet shells; and sea weed fastened to the rocks." The book 'Sea Garden' is a collection of poems mainly themed on the sea and its natural scenery, as well as its perils to the sea faring. Some of the poem titles include: "She watches over the sea", "Mid-day", "Pursuit", "The Contest" and "Sea Lily."

"Like every major artist she challenges the reader's intellect and imagination."--Boston Herald

Publisher description

Ezra Pound’s definition of an epic as “a poem containing history” raises questions: how can a poem “contain” history? And if it can, does it help us to think about history in ways that conventional historiography cannot? Poems Containing History: Twentieth-Century American Poetry’s Engagement with the Past, by Gary Grieve-Carlson, argues that twentieth-century American poetry has “contained” and helped its readers to think about history in a variety of provocative and powerful ways. Tracing the discussion of the relationship between poetry and history from Aristotle’s Poetics to Norman Mailer’s The Armiesof the Night and Hayden White’s Metahistory, the book shows that even as history evolves into a professional, academic discipline in the late nineteenth century, and as its practitioners emphasize the scientific aspects of their work and minimize its literary aspects, twentieth-century American poets continue to take history as the subject of their major poems. Sometimes they endorse the views of mainstream historians, as Stephen Vincent Benét does in John Brown’s Body, but more often they challenge them, as do Robert Penn Warren in Brother to Dragons, Ezra Pound in TheCantos, or Charles Olson in TheMaximus Poems. In Conquistador, Archibald MacLeish illustrates Aristotle’s claim that poetry tells more philosophical truths about the past than history does, while in Paterson, William Carlos Williams develops a Nietzschean suspicion of history’s value. Three major American poets—T. S. Eliot in Four Quartets, Hart Crane in TheBridge, and Carolyn Forché in The Angel of History—present different challenges to professional historiography’s assumption that the past is best understood in strictly material terms. Poems Containing History devotes chapters to each of these poets and offers a clear sense of the seriousness with which American poetry has engaged the past, as well as the great variety of those engagements.

A COMPANION TO MODERNIST POETRY A Companion to Modernist Poetry A Companion to Modernist Poetry presents contemporary approaches to modernist poetry in a uniquely in-depth and accessible text. The first section of the volume reflects the attention to historical and cultural context that has been especially fruitful in recent scholarship. The second section focuses on various movements and groupings of poets, placing writers in literary history and indicating the currents and countercurrents whose interaction generated the category of modernism as it is now broadly conceived. The third section traces the arcs of twenty-one poets’ careers, illustrated by analyses of key works. The Companion thus offers breadth in its presentation of historical and literary contexts and depth in its attention to individual poets; it brings recent scholarship to bear on the subject of modernist poetry while also providing guidance on poets who are historically important and who are likely to appear on syllabi and to attract critical interest for many years to come. Edited by two highly respected and notable critics in the field, A Companion to Modernist Poetry boasts a varied list of contributors who have produced an intense, focused study of modernist poetry.