Hallie McIntyre intends to take her vows and live a cloistered life-until she finds a wounded stranger lying in Sister Dominica's garden. Against her better judgment, Hallie agrees to hide him from her Sisters and from the lawmen who come looking for him, and nurse him back to health. When the law refuses to hunt down the men who slaughtered his family, John Walking Hawk takes the law into his own hands. Wounded and with a price on his head, he's on the run, wanted for exacting the justice that had been denied him. Now, because of a twist of fate, Hallie finds herself falling in love with a man she never should have met, and making the hardest decision of her life. Turning her back on the convent, Hallie follows her heart, trading the peace and serenity of the convent for a different and far more dangerous life, risking security and freedom to become Hawk's woman. Publisher Note: Previously published elsewhere under the same title.

A physician, a Northerner, a teacher, a school administrator, a suffragist, and an abolitionist, Esther Hill Hawks was the antithesis of Southern womanhood. And those very differences destined her to chronicle the era in which she played such a strange part. While most women of the 1860s stayed at home, tending husband and house, Esther Hill Hawks went south to minister to black Union troops and newly freed slaves as both a teacher and a doctor. She kept a diary and described the South she saw—conquered but still proud. Her pen, honed to a fine point by her abolitionist views, missed mothing as she traveled through a hungary and ailing land. In the well-known Diary from Dixie, Mary Boykin Chestnut depiced her native Southland as one of cavaliers with their ladies, statesmen and politicians, honor and glory. But Hawks painted a much different picture. And unlike Chestnut's characters, hers were liberated slaves and their hungary children, swaggering carpetbaggers, occupation troops far from home, and zealous missionaries. Revealed in the pages of this diary is a woman of vast energy, intelligence, and fortitude, who transformed her idealism into action.

Hollywood’s West examines popular perceptions of the frontier as a defining feature of American identity and history. Seventeen essays by prominent film scholars illuminate the allure of life on the edge of civilization and analyze how this region has been represented on big and small screens. Differing characterizations of the frontier in modern popular culture reveal numerous truths about American consciousness and provide insights into many classic Western films and television programs, from RKO’s 1931 classic Cimarron to Turner Network Television’s recent made-for-TV movies. Covering topics such as the portrayal of race, women, myth, and nostalgia, Hollywood’s West makes a significant contribution to the understanding of how Westerns have shaped our nation’s opinions and beliefs—often using the frontier as metaphor for contemporary issues.

Lady Genevieve Rohan has accompanied her father across the American continent as he completes his cultural study of Native American tribes. With only the elusive Blackfoot tribe left to record, Sir Rohan falls ill and is house-ridden. Determined to help her father realize his project, Genevieve heads West and, through some unorthodox methods, manages to enlist the aid of a Blackfoot brave who captures the lady's heart.

DANICA SHARDAE IS an avian shapeshifter, and the golden hawk’s form in which she takes to the sky is as natural to her as the human one that graces her on land. The only thing more familiar to her is war: It has raged between her people and the serpiente for so long, no one can remember how the fighting began. As heir to the avian throne, she’ll do anything in her power to stop this war—even accept Zane Cobriana, the terrifying leader of her kind’s greatest enemy, as her pair bond and make the two royal families one. Trust. It is all Zane asks of Danica—and all they ask of their people—but it may be more than she can give. A School Library Journal Best Books of the Year A VOYA Best Science Fiction, Fantasy, and Horror List selection