Put some aloha into your playing with Hawaiian & Polynesian Music for Appalachian Dulcimer! More than just a repertoire collection of classic Pacific island melodies, this book includes the history and background stories of the individual tunes and a brief language pronunciation guide. In addition, the author provides humorous and insightful observations on interpretation, fingerstyle technique, and Hawaiian slack-key guitar style as applied to the mountain dulcimer. Written in standard notation and tablature for the 3-course dulcimer with the 6+ or 6½ fret, these fingerstyle arrangements are for intermediate to advanced mountain dulcimer players who are looking for a challenge and want to try something new. These arrangements sound best played fingerstyle, and make use of polyphony, harmonics, hammer-ons and pull-offs, and the sweet chords beloved by Island musicians. Some selections like “Aloha ‘Oe” are instantly recognizable, while others such as “Wehiwehi ‘Oe” or “Pauoa Liko ka Lehua” may be unfamiliar outside of Hawaii. Includes access to online audio of all 22 examples and melodies in DAD, CGC and DGD tunings. To help the student master these arrangements, the author provides detailed performance notes for each tune. Includes access to online audio.

Want to play beautiful Hawaiian melodies on your 'ukulele? Now you can! Learn to Play Slack Key Style 'Ukulele is a comprehensive instruction into the art of playing great solo 'ukulele…slack key style. Slack Key–Ho `alu–is a melodic, finger-picked guitar style created by Hawaiian paniolo in the mid-19th century, known as “Hawaiian soul music”. It is only natural that some 'ukulele players in Hawaii would re-tune their instruments and play slack key style. Nothing sounds so sweet. No matter if you are a dedicated beginner wanting to expand your playing or an advanced uke-a-banger looking for a new challenge, you will find music to delight your fingers and stimulate your ear. Learn to Play Slack Key Style 'Ukulele is both a course of study and a collection of great solo arrangements that start out easy and increase in difficulty. Includes access to online audio. • Tablature and standard notation • Notes on the tunings, reading music and reading TAB • Guided lessons help you develop your style • Graded arrangements from easy to advanced • Over 30 great arrangements • Learn how to create your own slack key style arrangements of classic Hawaiian songs • Playable on any ‘ukulele with a low G string • Downloadable musical examples of all songs

With over 70 fiddle tunes arranged for Appalachian dulcimer, this book includes both common session tunes that everyone should know and a handful of obscure gems. The tunes include a representative collection of what people are playing in the current old-time music scene. The author has indicated the source of the tune when known, plus notes on achieving the proper feel and playing style. Although a few of the arrangements are real finger-twisters, most are well within the reach of the intermediate dulcimer player. Some tunes are written for old-time “noter” style playing, some are best fretted with your fingers. All of the arrangements include suggested chords for guitar or other instruments. One or two include lyrics; most do not. Old-time tunes tend to be played in fiddle-friendly keys like D, G, A (major and minor), and C. Although you can play in most of those keys out of DAD tuning, the music really comes alive when you re-tune and let those drones ring. Tunings include DAA, DAD, DGD, AAA and more. The author includes notes on how to re-tune your dulcimer, as well as alternative tunings for some of the tunes. The author says, “This book represents the fruits of over fifty years spent chasing down a good tune.” Includes access to online audio of all of the tunes played on solo dulcimer.

This nuts-and-bolts guide to sound design for animated films explains audio software, free downloads, how sound works, the power of sound when wielded by an animation filmmaker, and provides varieties of examples for how to use sound to enliven your films with professional sound. Sound-savvy animators save precious resources (time and money) by using sound for effects they don't necessarily have time to create. For example, the sound of a crow flying gives viewers a sense of the crow without the crow. Where there's a macabre element or scene in an animated film, this book explains why you should choose a low frequency sound for it-low frequencies are scary, because the ear can't decipher their origin or direction! On the DVD: three 5-minute animations; sample sound clips, jump cuts and video streams; plus motion graphics with which to practice sound-applications explained in this book.

This book is an excellent study of the history and unique musical stylings of the Hawaiian guitar. Stacy Phillips successfully pinpoints the characteristics of Hawaiian guitar solos. A special feature is the inclusion of a superb historical survey of Hawaiian music. Written in tablature only, G tuning. DeWitt Scott comments: There are two types of Hawaiian music, the 'authentic' style and the 'tourist' style. Stacy is presenting the 'authentic' style and this is much needed to keep the Hawaiian music alive. Includes access to online audio.

This booklet hardly needs a preface; the contents, I think. speak for themselves.It contains a short and carefully brought up to date resume of all that I. as a private University Lecturer in Amsterdam. have tried to teach my pupils. It is intended as a general introduction to ethnomusicology, before going on to the study of the forms of separate music-cultures. I sincerely hope that those, who wish to teach themselves and to qualify in this branch of knowledge, will find a satisfactory basis for selftuition in the matter here brought together. Regarding the possibility of a new edition, any critical remarks or infor mation as to possible desiderata would be very gratefully received. J.K. PREFACE TO THE SECOND EDITION My request for critical remarks and desiderata has not been ignored. My sincere thanks to all who took the trouble to let me know what they missed in my booklet. Through their collaboration the contents have undergone a considerable improvement and enlargement as compared to the original edition issued in 1950 by the Royal Tropical Institute, Amsterdam. under the title 'Musicologica'. I have taken care to add many particulars from non-European sources. with the result that now the book is no longer so Europe-centric as it was. Furthermore, I have done my best to mention in a special bibliography all the more important ethnomusicological publications, with the exception of those issued in the Russian, Arabic. Chinese, Indonesian, Javanese.

This booklet hardly needs a preface; the contents, I think, speak for themselves. It contains a short and carefully brought up to date resume of all that I, as a private University Lecturer in Amsterdam, have tried to teach my pupils. It is intended as a general introduction to ethnomusicology, before going on to the study of the forms of separate music-cultures. I sincerely hope that those, who wish to teach themselves and to qualify in this branch of knowledge, will find a satisfactory basis for self tuition in the matter here brought together. Regarding the possibility of a new edition, any critical remarks or infor mation as to possible desiderata would be very gratefully received. J. K. PREFACE TO THE SECOND EDITION My request for critical remarks and desiderata has not been ignored. My sincere thanks to all who took the trouble to let me know what they missed in my booklet. Through their collaboration the contents have undergone a considerable improvement and enlargement as compared to the original edition issued in 1950 by the Royal Tropical Institute, Amsterdam, under the title 'Musicologica'. I have taken care to add many particulars from non-European sources, with the result that now the book is no longer so Europe-centric as it was.